scholarly journals Working with the President: Extension and Continuing Education at UBC, 1935-1983

2009 ◽  
Vol 35 (2) ◽  
Author(s):  
Scott McLean
Keyword(s):  
Continuing Education ◽  
Primary Role ◽  
Historical Case Study ◽  
University Administrators ◽  
Historical Case ◽  
Senior Administrators ◽  
University Of British Columbia ◽  
The 1960S ◽  
The University

Leaders of university continuing education units frequently dedicate significant energy to managing relationships between their units and senior university administrators. Many CJUCE readers know of cases where a particularly sympathetic (or unsympathetic) university president or provost has substantially changed the trajectory of a continuing education unit. Using historical documents from the University of British Columbia, the author of this article constructs a case study of the influence of presidential support on the philosophy and practice of university extension and continuing education. In short, UBC‚ Extension department emerged and flourished under the leadership of two long-serving presidents who expressed significant support for its function as a primary role of the university. In the 1960s, following the appointment of a president who considered research and degree credit teaching to be the university‚ distinctive mission, the department experienced a crisis. However, the period following 1975 brought renewed executive support when a new president with an expansive vision of the contribution that the university should make to society was appointed. This article not only presents an interesting historical case study but also provokes reflection on how contemporary leaders in continuing education can nurture support from senior administrators.

scholarly journals Mapping the networks of ownership and distribution of rare books in Special Collections at the University of Auckland General Library

2021 ◽  
Author(s):  
◽  
Jo Birks
Keyword(s):  
New Zealand ◽  
Historical Case Study ◽  
Historical Case ◽  
Special Collections ◽  
Provenance Research ◽  
Rare Books ◽  
Book Collectors ◽  
The University ◽  
Purposive Sample

<p>The extent and research potential of provenance evidence in rare books in Special Collections at the University of Auckland General Library is largely uncharted territory. This project helps fill that gap by examining the provenance evidence, such as inscriptions, bookplates and stamps, in some of those rare books to identify any networks or patterns in their ownership history and distribution. A purposive sample of 291 pre-1851 volumes on New Zealand and Pacific-related travel and exploration was examined for provenance evidence within a qualitative framework and an historical case study design. Taking a subset of those books, which were bequeathed to the Library by Alfred Kidd (1851-1917), the project then examined other works from his bequest to further explore the scope of provenance evidence.  The project demonstrated the value of treating books as artefacts, exposing a wealth of provenance evidence and providing snapshots of the ownership and distribution histories of some volumes. Overall, 71 percent of the sample contained evidence for identifiable agents: 88 former owners, 14 booksellers, one auction house and nine book binders. The project also discussed lesser-known New Zealand book collectors who merit further study, including Alfred Kidd, Sir George Fowlds, Arthur Chappell and Allan North. Further provenance research into this collection and the provenance-related cataloguing practices in New Zealand libraries would generate additional useful insights.</p>

scholarly journals "Coming Full Circle": Reviving Private Press Printing at the University of Otago

2021 ◽  
Author(s):  
◽  
Paula Jane Whitelock
Keyword(s):  
Literary History ◽  
Art History ◽  
Book History ◽  
Specific Work ◽  
Historical Case Study ◽  
Historical Case ◽  
Study Approach ◽  
Limited Edition ◽  
The University

<p>The Printer in Residence (PiR) Programme at the University of Otago has been running since 2003, and in that time, nine private press publications have been produced. Each year the programme commissions a skilled handcraft printer to produce a specific work (usually related to the University of Otago's art and literary history) in collaboration with local artists and print makers. Although there is valuable research being conducted in regards to New Zealand's print culture, this was aspect of New Zealand's private press history yet to be investigated. This study utilised an historical case study approach with an objective to document the recent history and development of the Printer in Residence(PiR) Programme through an investigation of its archives; interviews with eight of the programme's participants, and written accounts by two others. The study aimed to gain a holistic perspective of the PiR Programme by interviewing those involved in its administration and general operations, past Printers in Residence, and artists and print makers. Case studies of the 2005, 2006 and 2007 PiR Programmes highlight the collaborative process of producing a limited edition hand printed book, and unique characteristics of each PiR programme. The major themes identified from the data gathered were: the strong collaborative aspect of the PiR Programme; the importance placed on promoting the programme as a teaching opportunity to the English, Art History and Design departments; the hand crafted qualities of the books produced in comparison to commercial publishing, and the perceived value of the PiR programme for those involved in this study. This study identifies the PiR Programme as a small but important aspect of New Zealand's book history which is worthy of further research.</p>

scholarly journals Mapping the networks of ownership and distribution of rare books in Special Collections at the University of Auckland General Library

2021 ◽  
Author(s):  
◽  
Jo Birks
Keyword(s):  
New Zealand ◽  
Historical Case Study ◽  
Historical Case ◽  
Special Collections ◽  
Provenance Research ◽  
Rare Books ◽  
Book Collectors ◽  
The University ◽  
Purposive Sample

<p>The extent and research potential of provenance evidence in rare books in Special Collections at the University of Auckland General Library is largely uncharted territory. This project helps fill that gap by examining the provenance evidence, such as inscriptions, bookplates and stamps, in some of those rare books to identify any networks or patterns in their ownership history and distribution. A purposive sample of 291 pre-1851 volumes on New Zealand and Pacific-related travel and exploration was examined for provenance evidence within a qualitative framework and an historical case study design. Taking a subset of those books, which were bequeathed to the Library by Alfred Kidd (1851-1917), the project then examined other works from his bequest to further explore the scope of provenance evidence.  The project demonstrated the value of treating books as artefacts, exposing a wealth of provenance evidence and providing snapshots of the ownership and distribution histories of some volumes. Overall, 71 percent of the sample contained evidence for identifiable agents: 88 former owners, 14 booksellers, one auction house and nine book binders. The project also discussed lesser-known New Zealand book collectors who merit further study, including Alfred Kidd, Sir George Fowlds, Arthur Chappell and Allan North. Further provenance research into this collection and the provenance-related cataloguing practices in New Zealand libraries would generate additional useful insights.</p>

scholarly journals Who Banned The War Game? A Fifty-Year Controversy Reassessed

2017 ◽  
Vol 14 (1) ◽  
pp. 39-63 ◽  
Author(s):  
John R. Cook
Keyword(s):  
Cold War ◽  
Civil Servants ◽  
Director General ◽  
Historical Case Study ◽  
Historical Case ◽  
Board Of Governors ◽  
Close Relationship ◽  
The 1960S ◽  
The Uk

The War Game (BBC TV, 1965), directed by Peter Watkins, is one of the most famous films from the 1960s. Banned from TV for twenty years, it gained a limited cinema release which saw it go on to win an Oscar in 1967. Suspicions have long circulated that the BBC's decision to ban the film from TV arose as a result of pressure from government amid fears of the effect that Watkins' documentary dramatisation of a nuclear attack on the UK might have on mass TV audiences. On the fiftieth anniversary of the censorship of the film, this article takes a fresh look at the controversy, examining previously classified Cabinet Office papers and tracing in greater detail than ever before how ministers and civil servants working for Harold Wilson's 1964–70 Labour government reacted to and dealt with the issue. From this evidence, the article argues that the TV censorship of The War Game involved a complex interaction between civil servants in Whitehall, government ministers, including Prime Minister Harold Wilson himself, the Director-General of the BBC and the Chairman of the BBC Board of Governors. The article traces the close relationship between Whitehall and the upper echelons of the BBC during this Cold War period, and argues that The War Game offers a very interesting historical case study which raises disturbing questions both about the limits of the BBC's professed liberalism of the 1960s and about the true extent of its much-vaunted independence from government. The latter is particularly important in the light of more recent and current threats to that independence.

scholarly journals A Portrait of the Library: A Fine History

2021 ◽  
Author(s):  
◽  
Victoria Catherine Passau
Keyword(s):  
Art History ◽  
Fine Arts ◽  
Historical Case Study ◽  
Research Needs ◽  
Case Study Approach ◽  
Historical Case ◽  
Study Approach ◽  
Small Collection ◽  
The University

<p>The Elam School of Fine Arts amalgamated with Auckland University College in 1950, bringing with it a small collection of art books. From these beginnings the Fine Arts Library has developed into the well-funded and reputable arts library that exists today. Throughout its history the Library has supported the Elam School of Fine Arts and later the Department of Art History and has in turn been integrated into and supported by The University of Auckland Library system. This research utilised an historical case study approach to identify and analyse how this web of interconnected relationships has influenced the development, maintenance, and future of a specialised art library. The findings illustrate that, while the Elam School of Fine Arts and the Department of Art History have experienced considerable curricular and administrative changes, these have not had a significant impact on the efficiency and value of the Library. The Fine Arts Library’s collection and services have consistently supported and enhanced the teaching and research needs of these two entities. Despite accommodation, staffing and funding challenges, the Fine Arts Librarians and Library staff, succeeded in establishing a comprehensive and nationally recognised art library with a strong, vibrant and unique culture.</p>

scholarly journals A Portrait of the Library: A Fine History

2021 ◽  
Author(s):  
◽  
Victoria Catherine Passau
Keyword(s):  
Art History ◽  
Fine Arts ◽  
Historical Case Study ◽  
Research Needs ◽  
Case Study Approach ◽  
Historical Case ◽  
Study Approach ◽  
Small Collection ◽  
The University

<p>The Elam School of Fine Arts amalgamated with Auckland University College in 1950, bringing with it a small collection of art books. From these beginnings the Fine Arts Library has developed into the well-funded and reputable arts library that exists today. Throughout its history the Library has supported the Elam School of Fine Arts and later the Department of Art History and has in turn been integrated into and supported by The University of Auckland Library system. This research utilised an historical case study approach to identify and analyse how this web of interconnected relationships has influenced the development, maintenance, and future of a specialised art library. The findings illustrate that, while the Elam School of Fine Arts and the Department of Art History have experienced considerable curricular and administrative changes, these have not had a significant impact on the efficiency and value of the Library. The Fine Arts Library’s collection and services have consistently supported and enhanced the teaching and research needs of these two entities. Despite accommodation, staffing and funding challenges, the Fine Arts Librarians and Library staff, succeeded in establishing a comprehensive and nationally recognised art library with a strong, vibrant and unique culture.</p>

scholarly journals "Coming Full Circle": Reviving Private Press Printing at the University of Otago

2021 ◽  
Author(s):  
◽  
Paula Jane Whitelock
Keyword(s):  
Literary History ◽  
Art History ◽  
Book History ◽  
Specific Work ◽  
Historical Case Study ◽  
Historical Case ◽  
Study Approach ◽  
Limited Edition ◽  
The University

<p>The Printer in Residence (PiR) Programme at the University of Otago has been running since 2003, and in that time, nine private press publications have been produced. Each year the programme commissions a skilled handcraft printer to produce a specific work (usually related to the University of Otago's art and literary history) in collaboration with local artists and print makers. Although there is valuable research being conducted in regards to New Zealand's print culture, this was aspect of New Zealand's private press history yet to be investigated. This study utilised an historical case study approach with an objective to document the recent history and development of the Printer in Residence(PiR) Programme through an investigation of its archives; interviews with eight of the programme's participants, and written accounts by two others. The study aimed to gain a holistic perspective of the PiR Programme by interviewing those involved in its administration and general operations, past Printers in Residence, and artists and print makers. Case studies of the 2005, 2006 and 2007 PiR Programmes highlight the collaborative process of producing a limited edition hand printed book, and unique characteristics of each PiR programme. The major themes identified from the data gathered were: the strong collaborative aspect of the PiR Programme; the importance placed on promoting the programme as a teaching opportunity to the English, Art History and Design departments; the hand crafted qualities of the books produced in comparison to commercial publishing, and the perceived value of the PiR programme for those involved in this study. This study identifies the PiR Programme as a small but important aspect of New Zealand's book history which is worthy of further research.</p>

scholarly journals Tracing the Arc: The Shifting Conceptualizations of Educational “Disadvantage” and “Diversity” at the University of Wisconsin-Madison

2014 ◽  
Vol 2 (1) ◽  
pp. 34-46 ◽  
Author(s):  
Carl A. Grant ◽  
Alexandra Allweiss
Keyword(s):  
Higher Education ◽  
Public Higher Education ◽  
Access To Higher Education ◽  
Historical Case Study ◽  
Historical Case ◽  
University Of Wisconsin ◽  
Policy Debates ◽  
Educational Disadvantage ◽  
The University

This article calls attention to the shifting conceptualizations of belonging and inclusion at universities in the U.S. through shifting framings of “educational disadvantage” and “diversity”. Historically these concepts have been used in various and shifting ways to think about the “Other” and to determine the lines of inclusion and exclusion to access to higher education spaces. This article uses a leading public university, the University of Wisconsin-Madison, as a historical case study to examine the ways the university has responded to those who have historically been excluded from public higher education spaces and the ways inclusion has been expanded and redefined through struggle. This case study is an invitation to carefully consider the current discourses and policy debates about university “diversity” efforts and the inclusion of “disadvantaged” students. We raise questions about what inclusion means.

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