Textual Criticism and Reception: The Case of Plut. Mor. 153f-154a

2010 ◽  
Author(s):  
Paola Bassino
Keyword(s):  
Textual Criticism

A Note on the Publication History of John Polidori's The Vampyre

2020 ◽  
Vol 22 (3) ◽  
pp. 330-343
Author(s):  
Fabio Camilletti
Keyword(s):  
Textual Criticism ◽  
Active Role ◽  
Publication History ◽  
History Of ◽  
The Relationship ◽  
Opening Up

It is generally assumed that The Vampyre was published against John Polidori's will. This article brings evidence to support that he played, in fact, an active role in the publication of his tale, perhaps as a response to Frankenstein. In particular, by making use of the tools of textual criticism, it demonstrates how the ‘Extract of a Letter from Geneva’ accompanying The Vampyre in The New Monthly Magazine and in volume editions could not be written without having access to Polidori's Diary. Furthermore, it hypothesizes that the composition of The Vampyre, traditionally located in Geneva in the course of summer 1816, can be postdated to 1818, opening up new possibilities for reading the tale in the context of the relationship between Polidori, Byron, and the Shelleys.

The study on “textual criticism” of

2012 ◽  
Vol null (61) ◽  
pp. 317-331
Author(s):  
성리
Keyword(s):  
Textual Criticism

Textual Criticism and Translation of Mark 1:1

2011 ◽  
Vol 29 ◽  
pp. 33-58
Author(s):  
Hyeon Woo Shin
Keyword(s):  
Textual Criticism

Textual Criticism for Bible Translation

2002 ◽  
Vol 11 ◽  
pp. 7-37
Author(s):  
Chang-Nack Kim
Keyword(s):  
Textual Criticism ◽  
Bible Translation

Textual Criticism and Biblical Interpretation : with Examples from Genesis, Joshua, and Esther

Canon&Culture ◽  
2007 ◽  
Vol 1 (1) ◽  
pp. 125-155
Author(s):  
Emanuel Tov
Keyword(s):  
Textual Criticism ◽  
Biblical Interpretation

Ovid, Metamorphoses 1.258. Textual Criticism and Ovidian Mocker

2005 ◽  
Vol 74 (1) ◽  
pp. 199-206
Author(s):  
Koen Vanhaegendoren
Keyword(s):  
Textual Criticism

A New Approach to Textual Criticism

2017 ◽  
Author(s):  
Tommy Wasserman ◽  
Peter J. Gurry
Keyword(s):  
Textual Criticism ◽  
New Approach

Who Is the Text? The Gendered and Racialized New Testament

2019 ◽  
pp. 135-155
Author(s):  
Yii-Jan Lin
Keyword(s):  
New Testament ◽  
Textual Criticism ◽  
The Other ◽  
Creative Power ◽  
Clement Of Alexandria ◽  
Other Hand ◽  
The New Testament

This chapter contends that the study of gender, sexuality, and the New Testament is not limited to the content of texts or their historical contexts. On the contrary, how we formulate a textual entity and how we approach that entity contribute to the dynamics that constitute identity, and are thus important to the discussion. In the case of the New Testament, Western Christianity has understood the active Word, or Logos, of God as “masculine” in its creative power. The text of the New Testament, on the other hand, requires historical and philological study, and is decidedly “feminine” in its vulnerability to disease and adulteration, especially in the field of textual criticism. Disrupting metaphors and conceptions of text and speech, masculine and feminine, can be found in ancient Judaism’s formulation of the Written and Oral Torah, as well as in Clement of Alexandria, the Odes of Solomon, and in Plato.

Reception History and the Interpretation of Revelation

2020 ◽  
pp. 375-393
Author(s):  
Ian Boxall
Keyword(s):  
Visual Art ◽  
Textual Criticism ◽  
Reception History ◽  
Biblical Text ◽  
Music Drama ◽  
History Of Interpretation ◽  
History Of ◽  
Biblical Texts

The chapter describes the discipline of reception history as the study of the ongoing use, interpretation, and impact of a biblical text. If the history of interpretation has often focused on the ways biblical texts are understood in commentaries and theological writings, reception history also considers how a book was received in spirituality and worship, in music, drama, literature, visual art, and textual criticism. Criteria for selecting and organizing materials useful for reception history are discussed, and there is a review of recent attempts to provide broad overviews of Revelation’s reception history, along with specific examples of the value of the discipline for interpreting Revelation.

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