scholarly journals The Complementary Nature of Trust and Contract Enforcement

2021 ◽  
Author(s):  
Björn Bartling ◽  
Ernst Fehr ◽  
David Huffman ◽  
Nick Netzer
Keyword(s):  
Contract Enforcement ◽  
Complementary Nature

scholarly journals The Complementary Nature of Trust and Contract Enforcement

2021 ◽  
Author(s):  
Björn Bartling ◽  
Ernst Fehr ◽  
David B. Huffmann ◽  
Nick Netzer
Keyword(s):  
Contract Enforcement ◽  
Complementary Nature

Beérkezett könyvek

2006 ◽  
Vol 61 (4) ◽  
pp. 657-658
Author(s):  
Csaba Pléh
Keyword(s):  
David Hume ◽  
Complementary Nature

Arisztotelész: Lélekfilozófiai írások. (Fordította: Steiger Kornél) Akadémiai Kiadó, Budapest, 2006 David Hume: Értekezés az emberi természetről . (Fordította: Bence György) Akadémiai Kiadó, Budapest, 2006 Kelso, J. A. Scott és Engstrøm, David A.: The complementary nature. MIT Press, Cambridge, MA, 2006 Fehér Márta, Zemplén Gábor és Binzberger Viktor (szerk.): Értelem és történelem. L'Harmattan, Budapest, 2006 Márkus Attila: Neurológia. Pszichológia szakos hallgatók számára. Akadémiai Kiadó, Budapest, 2006 Cayton, H., Graham, N. és Warner, J.: Alzheimer-kór és a demencia egyéb fajtái . (Fordította: Nikowitz Krisztina) SpringMed Kiadó, Budapest, 2006 Houdé, Olivier: 10 leçons de psychologie et pédagogie . Presses Universitaires de France, Paris, 2006 Velicskovszkij, Borisz M.: Kognyityivnaja nauka. Osznovi pszichologii poznanyija . Vol. I-II.Academa-Szmüszl. Moszkva, 2006 Fábri György (szerk.): A tudománykommunikáció értelme/értéke. Tudástársadalom Alapítvány, Budapest, 2006 Ropolyi László: Az Internet természete. Internetfilozófiai értekezés. Typotex, Budapest, 2006

States and Power in Africa by Jeffrey I. Herbst: A Review Essay

2002 ◽  
Vol 40 (2) ◽  
pp. 510-519 ◽  
Author(s):  
James A Robinson
Keyword(s):  
Theoretical Analysis ◽  
Public Goods ◽  
Review Essay ◽  
State Failure ◽  
Contract Enforcement ◽  
Law And Order ◽  
Defense Contract ◽  
Comparative Institutions

Herbst argues that Africa is plagued by “state failure” to provide certain public goods in society, such as law and order, defense, contract enforcement, and infrastructure. Herbst has provided a bold, historically informed theoretical analysis, essential reading for economists interested in comparative institutions and development.

A Complementary Pair: Stylistic Experimentation in Mozart's Final Piano Concertos, K. 537 in D and K. 595 in B-flat

2001 ◽  
Vol 18 (4) ◽  
pp. 658-684
Author(s):  
Simon P. Keefe
Keyword(s):  
World View ◽  
Complementary Pair ◽  
Complementary Nature ◽  
Fundamental Shift ◽  
Piano Concertos

Given the chronological separation of Mozart's final piano concertos, K. 537 and K. 595, from his extraordinary sequence of 15 piano concertos of 1782-86 (K. 413-503), it is no surprise that critics have continually stressed stylistic and affective departures from the composer's norm. But the stylistic significance of these final concertos remains fundamentally misunderstood. In spite of sharply contrasting characteristics——ostentatious virtuosity in K. 537 and carefully measured writing in K. 595——these works are, in fact, kindred spirits. In both concertos Mozart experiments with the introduction of abrupt juxtapositions of harmonically contrasting material while avoiding the outright opposition of piano and orchestral forces evident in his earlier Viennese first movements; with piano figuration, omitting it when expected or reconstituting it at important formal junctures; and with unexpected thematic and harmonic disjunctions. While Mozart's harmonic experimentation in K. 537 and 595 can be partially explained in general stylistic terms, given similarities to passages in the last three symphonies, and considered representative of the "bizarre tonal sequences" and "striking modulations" often remarked upon by Mozart's contemporaries, it cannot be attributed to a fundamental shift in the composer's "world view." Rather, the complementary nature of radicalism and innovation in the two first movements in particular——K. 537 in the orchestral and solo expositions and recapitulation and K. 595 in the development——reveals these final concertos as thoroughly pragmatic and systematic essays in stylistic reinvention.

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