A Look Back at the Clear and Present Danger of Free Speech during the First World War

2021 ◽  
Author(s):  
Frank G. Colella
1967 ◽  
Vol 10 (2) ◽  
pp. 255-278 ◽  
Author(s):  
Keith G. Robbins

James Bryce considered that 1914 would be a satisfying year. He had just been created a viscount and, at the age of seventy-six, could look back on a career of distinction in university life, politics and diplomacy. He could continue to write books and indulge in correspondence with his friends. In fact, the books were not written and his correspondence became very practical. The tension in Europe in the summer of 1914 caused many people to ask him for advice on the best course of action. What, in particular, were Liberals to do? Some M.P.s were talking of peace demonstrations to keep Britain out of European war, but Bryce hesitated. On the evening of 31 July, the matter was discussed with J. A. Spender who noted that ‘… Bryce … strongly advised not to join this demonstration. He agreed that violation of Belgium would be casus belli.’ When Belgium was violated, Bryce was committed to the war but his commitment was reluctant, hesitant and with foreboding. The consequences of his decision are the subject of this article.


1966 ◽  
Vol 70 (662) ◽  
pp. 346-346
Author(s):  
F. M. Green

The Royal Aeronautical Society has a history of 100 years. I can look back over a membership of more than half that time, since I was made a Fellow in 1911.My start in the aeronautical world began in 1910. I was appointed Engineer in charge of Design at Farn-borough by its chief, Mervyn O'Gorman. He was a far-sighted and inspiring man, under whom it was a pleasure to work. The War Office had lost faith in aeroplanes and our work was to be confined to lighter-than-air craft. Sam Hiscocks was the able chief draughtsman of a very small drawing office with whose help we managed to make three airships. The latest was called the Delta, and had a speed of 45 miles an hour. This may seem absurdly slow but it was faster than many aeroplanes flying at the time. The Delta was eventually taken over by the Naval Air Service and was used for submarine spotting during the First World War.


2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.


2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


Sign in / Sign up

Export Citation Format

Share Document