Ale na razie tu cisza” – fotografie sprzed katastrofy w wybranych zapisach literackich (Stefan Chwin, Ryszard Kapuściński, Wisława Szymborska)

2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk
Keyword(s):  
Time Perspective ◽  
Terrorist Attack ◽  
First World War ◽  
General Concept ◽  
Literary Texts ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
First World

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.

scholarly journals The First World War and its Legacy in the Middle East

2016 ◽  
pp. 91-108
Author(s):  
Eugene Rogan
Keyword(s):  
Middle East ◽  
Middle Eastern ◽  
First World War ◽  
Past Century ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
The Great War ◽  
First World

The First World War proved a crucial turning point in the modern history of the Middle East and North Africa. Under conditions of total warfare, conscripts and civilians suffered greater losses and depredations than in any other conflict in the region before or since. The Great War also led to the breakup of the Ottoman Empire after four centuries of rule over the Arab lands, to be replaced by a modern state system actively negotiated between the Entente Powers in the course of the war. While the borders of Middle Eastern states have proven remarkably enduring over the past century, so too have the problems engendered by the wartime partition diplomacy.

Breaking from and building on the past: Helsinki and Dublin after independence

2017 ◽  
Vol 41 (160) ◽  
pp. 238-255
Author(s):  
Marjaana Niemi
Keyword(s):  
First World War ◽  
Capital City ◽  
World War ◽  
Capital Cities ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
Clean Break ◽  
The City ◽  
First World

AbstractCapital cities play a significant role in interpreting a country’s past and charting its future. In the aftermath of the First World War nine new European states, Finland and Ireland among them, were confronted with the question of how to create a capital city befitting their new status and national identity. Instead of designing and constructing an entirely new capital city which would have marked a clean break from the past, all these states chose an existing city as the capital. This article will examine processes through which two capitals, Helsinki and Dublin, were renewed physically and symbolically to make the political change ‘real’ to people, but also to reinterpret the past and create a ‘teleology for the present’. The aim is to discuss the ways in which the changes, planned and implemented, both reflected and reinforced new interpretations of the history of the city and the nation, and the continuities and discontinuities the changes created between the past and the present. Some elements and versions of the past were chosen over others, preserved and reinvented in the cityscape, while others were ignored, hidden or denied.

scholarly journals La tarjeta postal como documento histórico: una aproximación visual a la Primera Guerra MundialThe postcard as a historical document: a visual approach to the First World War

2017 ◽  
pp. 286
Author(s):  
José Manuel López Torán
Keyword(s):  
Time Spectrum ◽  
First World War ◽  
Historical Document ◽  
World War ◽  
Graphic Arts ◽  
The Past ◽  
The First World War ◽  
Visual Approach ◽  
History Of ◽  
First World

Desde que en 1869 aparecieran las primeras tarjetas postales ilustradas, estas pequeñas cartulinas han logrado convertirse con el tiempo en testimonio del pasado, en documentos históricos de primer orden que cubren un espectro temporal de casi siglo y medio de nuestra historia y en objetos culturales que simbolizan el desarrollo de toda una época y que abarcan los principales acontecimientos más recientes y muchos de los aspectos de la vida diaria. La Primera Guerra Mundial, por su magnitud y sus consecuencias, se ha posicionado como uno de los episodios más importantes de nuestra historia reciente y, sin lugar a dudas, las artes gráficas se convirtieron en un mecanismo de expresión de los acontecimientos que iban ocurriendo, de ahí la enorme difusión a través de fotografías, carteles, grabados y, por supuesto, de tarjetas postales, que tan populares se hicieron durante aquellos años. A través del análisis de más de diez mil postales, consultadas en su mayoría a través de las páginas web de los principales centros de documentación a nivel internacional, se pretende realizar un acercamiento a este episodio histórico, a la vez que poner en valor el papel que jugaron en el propio desarrollo del conflicto, al convertirse en uno de los principales medios utilizados en la difusión y propaganda de la contienda.PALABRAS CLAVE: Primera Guerra Mundial, tarjeta postal, historia de las emociones, propaganda, fotografía.ABSTRACTSince the first picture postcards appeared in 1869, these small cards have managed over time to become a testimony of the past, a top-notch historical document which covers a time spectrum of close to a century of our history, and a cultural object which symbolizes the development of an era that covers the major recent events and many aspects of daily life. The First World War, in its magnitude and its consequences, has been one of those historical chapters of our recent historyand the graphic arts became a mechanism for the expression of the events that happened during it. It was during the war that the popularity of photographs, posters, prints and, of course, postcards became more widespread. Through the analysis of more than 10000 postcards, consulted mostly through the webpages of the most important international documentation centers, we seek to take a close look at this historical development and to focus on the role they played in the conflict as they became one of the main media used in the dissemination and propaganda of the battle.KEY WORDS: First World War, postcard, history of emotions, propaganda, photography.

The history of a lesson: Versailles, Munich and the social construction of the past

2003 ◽  
Vol 29 (4) ◽  
pp. 499-519 ◽  
Author(s):  
Mikkel Vedby Rasmussen
Keyword(s):  
Cold War ◽  
First World War ◽  
World War ◽  
The West ◽  
The Past ◽  
The Social ◽  
The First World War ◽  
History Of ◽  
The Cold War ◽  
First World

The article investigates the concept of lessons in IR. By means of a constructivist critique of the ‘lessons literature’, the article analyses one of the most important of IR lessons: that of Munich. Examining how the Munich lesson came about, the article shows the praxeological nature of lessons and emphasises the need to study the history of lessons rather than the lessons of history. This approach shows that Munich is the end point of a constitutive history that begins in the failure of the Versailles treaty to create a durable European order following the First World War. The Munich lesson is thus one element of the lesson of Versailles, which is a praxeology that defines how the West is to make peace, and against whom peace must be defended. The lesson of Versailles has been, at least in part, constitutive of the outbreak of the Cold War, and it continues to define the Western conception of what defines peace and security even in the ‘war against terrorism’.

Socio-political and confessional preconditions of the birth of the Ukrainian Evangelical-Reformed Church in Western Ukraine (20-30 years of the twentieth century)

2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy
Keyword(s):  
Public Life ◽  
First World War ◽  
World War ◽  
Reformed Church ◽  
Religious Influences ◽  
The First World War ◽  
Western Ukraine ◽  
History Of ◽  
Religious Factor ◽  
First World

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.

Modernism Under Review: Hugh Kenner's The Pound Era

2010 ◽  
Vol 5 (2) ◽  
pp. 181-194
Author(s):  
Marjorie Perloff
Keyword(s):  
Twentieth Century ◽  
First World War ◽  
World War ◽  
The Past ◽  
The First World War ◽  
Anglo American ◽  
First World

This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buckminster Fuller's theory of knots) relate Modernism to the larger complex of artefacts within which it functions and, beyond these, to what he takes to be the great works of the past and to the scientific-technological inventions of the present. But the essay also points out that Kenner's is an eccentric canon, which makes no room for Forster, Frost, Lawrence, or Stevens. Furthermore, Kenner's emphasis on the First World War as a great cultural rupture, while plausible, works less well for Joyce and Williams than it does for Pound and Eliot.

From the history of the military past of composer and conductor Boris Galaev

2020 ◽  
pp. 39-44
Author(s):  
Felix S. Kireev
Keyword(s):  
First World War ◽  
World War ◽  
Documentary Sources ◽  
Musical Activity ◽  
Russian State ◽  
The First World War ◽  
History Of ◽  
The Military ◽  
First Time ◽  
First World

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).

De Brusselse vereniging De Veldbloem zoekt toenadering tot Hendrik Conscience. Twee pas ontdekte brieven

2011 ◽  
Vol 70 (3) ◽  
pp. 276-289
Author(s):  
Luc Vandeweyer
Keyword(s):  
First World War ◽  
World War ◽  
Political Arena ◽  
Parliamentary Elections ◽  
The First World War ◽  
Archival Documents ◽  
History Of ◽  
The Subject ◽  
De Man ◽  
First World

Het wordt in de historiografie van de Vlaamse beweging aanvaard dat Hendrik Conscience door de Brusselse progressieve vereniging ‘De Veldbloem’ in 1872 werd gevraagd om te kandideren voor de parlementaire verkiezingen. Conscience zou dat geweigerd hebben. Dit is uiteraard geen onbetekenend feit in de biografie van de man die ‘zijn volk leerde lezen’.Dit gegeven is terug te voeren op de geschriften van Antoon Jacob (°1889) van na de Eerste Wereldoorlog. Jacob werd beschouwd als een autoriteit inzake Conscience. Maar waar is het bewijs? Hij verwees daarbij naar “uitvoerige correspondentie” maar die is niet te vinden. Het ADVN slaagde erin om de archivalische nalatenschap van de in 1947 gestorven Jacob te verwerven. Daarin bleken heel wat brieven van en aan Conscience te zitten. De briefwisseling met ‘De Veldbloem’ was onderwerp van deze bijdrage. Daarin is geen spoor te vinden van de poging om Conscience op het politieke strijdtoneel te brengen in Brussel. Daarbij moet de vraag gesteld worden hoe Jacob deze archiefstukken verzamelde en wat ermee is gebeurd tijdens zijn turbulente leven en talrijke omzwervingen. Het is best mogelijk dat er een en ander is verloren gegaan. Toch is deze nalatenschap een belangrijke aanwinst voor de studie van de geschiedenis van de Vlaamse beweging en die van Conscience in het bijzonder. ________ The Brussels association ‘De Veldbloem’ seeks contact with Hendrik Conscience. Two recently discovered letters It is an accepted fact in the historiography of the Flemish Movement that the Brussels progressive Association ‘De Veldbloem’ [=the Wildflower] asked Hendrik Conscience in 1872 to be their candidate for the parliamentary elections. It is said that Hendrik Conscience refused the request. This is of course a very significant fact in the biography of the man ‘who taught his people to read.’ This information may be inferred from the writings of Antoon Jacob (°1889) from the period after the First World War. Jacob was regarded as an authority on Conscience. But where is the evidence of this? In his claim, he referred to ‘extensive correspondence’, but that correspondence is not extant. The ADVN managed to acquire the archival legacy of Jacob who died in 1947. It turned out that it included quite a number of letters to and from Conscience. The exchange of letters with ‘De Veldbloem’ was the subject of this contribution. It contains no trace of the attempt to bring Conscience into the political arena in Brussels. It raises the question how Jacob collected these archival documents and what happened to them during his turbulent life and his many peregrinations.  It is certainly possible that some documents have been lost. However, this legacy is still an important acquisition for the study of the history of the Flemish Movement and of Conscience in particular.

ENGLISH LABOUR AND TRADE UNIONISM OF THE EARLY TWENTIETH CENTURY IN THE COVERAGE OF THE BRITISH HISTORIAN G. D. H. COLE

2020 ◽  
Vol 9 (4) ◽  
pp. 22-33
Author(s):  
T.N. GELLA ◽  
Keyword(s):  
Twentieth Century ◽  
First World War ◽  
World War ◽  
Trade Unionism ◽  
Early Twentieth Century ◽  
The First World War ◽  
History Of ◽  
Socialist Movement ◽  
First World

The main purpose of the article is to analyze the views of a famous British historian G.D.G. Cole on the history of the British workers' and UK socialist movement in the early twentieth century. The arti-cle focuses on the historian's assessment and the reasons for the workers' strike movement intensi-fication on the eve of the First World War, the specifics of such trends as labourism, trade unionism and syndicalism.

scholarly journals The Local versus the Global in the history of relativity: The case of Belgium

2020 ◽  
Vol 33 (3) ◽  
pp. 227-250
Author(s):  
Sjang L. ten Hagen
Keyword(s):  
Twentieth Century ◽  
Cultural Diversity ◽  
First World War ◽  
Global History ◽  
World War ◽  
Global Pattern ◽  
The First World War ◽  
History Of ◽  
First World

ArgumentThis article contributes to a global history of relativity, by exploring how Einstein’s theory was appropriated in Belgium. This may sound like a contradiction in terms, yet the early-twentieth-century Belgian context, because of its cultural diversity and reflectiveness of global conditions (the principal example being the First World War), proves well-suited to expose transnational flows and patterns in the global history of relativity. The attempts of Belgian physicist Théophile de Donder to contribute to relativity physics during the 1910s and 1920s illustrate the role of the war in shaping the transnational networks through which relativity circulated. The local attitudes of conservative Belgian Catholic scientists and philosophers, who denied that relativity was philosophically significant, exemplify a global pattern: while critics of relativity feared to become marginalized by the scientific, political, and cultural revolutions that Einstein and his theory were taken to represent, supporters sympathized with these revolutions.

Sign in / Sign up

Export Citation Format

Share Document