scholarly journals The Nineteenth Century Revis(it)ed: The New Historical Fiction by Ina Bergmann

2021 ◽  
Vol 13 (4) ◽  
Author(s):  
Prashant Maurya ◽  
Keyword(s):  
Nineteenth Century ◽  
American Literature ◽  
American Revolution ◽  
Herman Melville ◽  
Historical Fiction ◽  
Industrial Revolution ◽  
Historical Event ◽  
Key Features ◽  
To Come ◽  
Edgar Allen Poe

The nineteenth century is a crucial phase in America’s history. Key features such as geographical expansions, the industrial revolution, development in science and technology, and America’s emergence as a super power, after the American Revolution and the War of 1812, mark the century. The Civil War becomes the most important historical event of this phase that will impact the lives of Americans in the years to come. The century has literary importance also because, during this phase, forerunners of American literature, like, Edgar Allen Poe, James Cooper, Herman Melville, Walt Whitman, etc., come to the scene. Thus, the century as the setting has always been a literary choice for historical novelists.

The locomotive and the tree: industrial Pittsburgh's late nineteenth-century literary culture

2014 ◽  
Author(s):  
◽  
Brianne Jaquette
Keyword(s):  
Nineteenth Century ◽  
American Literature ◽  
Literary Culture ◽  
Late Nineteenth Century ◽  
Carnegie Museum ◽  
Regional Literature ◽  
University Of Missouri ◽  
Nineteenth Century American Literature ◽  
Late Nineteenth ◽  
To Come

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In The Locomotive and the Tree, I challenge the popular myth that the city of Pittsburgh was devoid of literary culture prior to the construction of the Carnegie museum, library, and concert hall in 1895. Pittsburgh, in fact, had a robust and thriving culture in general and specifically a literary scene that was rooted in newspaper production and was invested in the industrial aspects of the city�s growth. Much of the literary material coming from Pittsburgh was nonfiction or poetry, and it was in these forms that writers in Pittsburgh were able to come to terms with the changes taking place in a rapidly industrializing city. In contrast to scholarship that has emphasized the role of regional literature in this time period, my project uses periodical and print culture studies to analyze the localized literary culture of Pittsburgh. Instead of looking broadly at national literary culture that was disseminated from the East Coast outward, I argue for the need for research that broadens the scope of late-nineteenth century American literature by examining smaller networks of print.

British Marketing Enterprise: The Changing Roles of Merchants, Manufacturers, and Financiers, 1700–1860

1979 ◽  
Vol 53 (2) ◽  
pp. 205-234 ◽  
Author(s):  
Stanley D. Chapman
Keyword(s):  
Nineteenth Century ◽  
World War I ◽  
American Revolution ◽  
Industrial Revolution ◽  
Napoleonic Wars ◽  
World War ◽  
Process Of Change ◽  
Changing Roles ◽  
Three Phases

The Industrial Revolution, the Napoleonic Wars, the American Revolution, and our emergence as an independent trading nation all worked profound changes upon the British marketing enterprise, but it is an oversimplification, according to Dr. Chapman, to conclude that manufacturers quickly or entirely replaced traditional British merchant banking houses even down to World War I. He develops three phases of a long-drawn-out process of change that served Britain's needs poorly throughout the nineteenth century.

The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’

2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Historical Fiction ◽  
Gender Relations ◽  
Victorian Fiction ◽  
New Man ◽  
Victorian Period ◽  
The New Woman ◽  
Definition Of ◽  
Victorian Age

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.

Sign in / Sign up

Export Citation Format

Share Document