Chinese National Cinema. Yingjin ZhangHitchcock with a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China's Moral Voice. Jerome SilbergeldPostsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution. Chris Berry

2006 ◽  
Vol 55 ◽  
pp. 216-219
Author(s):  
Mary Farquhar
Author(s):  
Roman Malek

Jesus Christ has been the subject of manifold and intensive reflection in the Chinese context and has shown various faces. The essay surveys the innumerable works of biblical, apologetical, catechetical, liturgical, general theological, literary, and art-historical nature on Jesus Christ covering the periods from Tang and Yuan dynasties (seventh–ninth centuries and twelfth–fourteenth centuries) to the “Cultural Revolution” (1966–1976). The essay observes how various Chinese portraits of Jesus Christ engage with Chinese religions, and how the Chinese context limited the possibilities for the unfolding of a specific face and image of Jesus much more than other Asian and Western contexts. It raises the question of the future: Which faces and images of Jesus Christ will the Chinese context still generate? In this vast part of Asia, will he remain a vox clamantis in deserto?


Asian Survey ◽  
1968 ◽  
Vol 8 (5) ◽  
pp. 349-363 ◽  
Author(s):  
Jurgen Domes

Asian Survey ◽  
1974 ◽  
Vol 14 (4) ◽  
pp. 372-395 ◽  
Author(s):  
Harvey W. Nelsen

1981 ◽  
Vol 3 (2) ◽  
pp. 36-46
Author(s):  
Ulf Haxen

The conquest of Spain by the Arabs, allegedly prompted by leaders of the Jewish population after the fall of the Visigothic regime, 711, opened up an era in Medieval European history which stands unmatched as far as cultural enlightenment is concerned. Philosophy, belles lettres and the natural sciences flourished in the academies established by the Arab savants in the main urban centres. In the wake of the cultural revolution, a new branch of scholarship came into being – Hebrew philology. From the midst of this syncretistic, Mozarabic, milieu a remarkable poetic genre emerged. The study of Mozarabic (from Arabic, musta’riba, to become Arabicized) poetry has proved as one of the most fertile and controversial fields of research for Semitist and Romanist scholars during the past decades.


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