The Social Drama Program: A Technique of Teaching Sociology

1952 ◽  
Vol 26 (2) ◽  
pp. 89 ◽  
Author(s):  
Arthur Katona
1986 ◽  
Vol 2 (7) ◽  
pp. 237-242
Author(s):  
Elaine Aston

Even to sympathetic theatrical observers, ‘feminism’ in France at the turn of the century was often regarded as merely incidental to the larger concerns of the ‘social’ drama; and dramatic debate tended to focus on the issue of a woman's assertion of ‘freedom’ versus her presumably ‘natural’ functions as wife and mother. In this article, Elaine Aston illuminates such attitudes, utilizing both the texts of contemporary plays and discussion in journals current at the time. But she also detects early theatrical evidence of a slow shift towards a questioning of prevailing assumptions – and a belief (which today strikes her as enviable) in the power of theatre to effect social change.


1945 ◽  
Vol 13 (3) ◽  
pp. 266
Author(s):  
G. R. Hernandez ◽  
Leo Kirschenbaum
Keyword(s):  

2019 ◽  
Author(s):  
AWEJ-tls for Translation & Literary Studies ◽  
Tahar Bayouli ◽  
Imed Sammali

This paper examines the issue of genre classification in Death of a Salesman by focusing on the dialectic relation at the heart of the play’s structure between tragedy and social drama. It argues that the tragic resolution brought to the theme of social protest and the characterization of the protagonist is what gives the play its unique place as the quintessential modern tragedy. It is concluded that tragedy and the social theme are not mutually destructive in Death of a Salesman as some critics stated. Rather, they are combined to make an intense dramatic treatment of the modern American individual’s most pressing issues. Without being constrained by prescriptive standardized rules, Miller produced a dramatic form that rightly claims the status of what can be labeled a modern tragedy, appealing to modern audiences as rarely any other modern play did.


1944 ◽  
Vol 5 (3) ◽  
pp. 364-364
Author(s):  
W. E. Wilson
Keyword(s):  

Author(s):  
L. Lipich ◽  
O. Balagura

The article is devoted to the problem of formation of sociological imagination in the process of teaching sociology to students studying in technical educational institutions. The concept of “sociological imagination”, introduced into scientific circulation by the American sociologist Wright Mills, is being clarified. It turns out that the concept of sociological imagination has acquired the status of one of the main in modern sociology and began to play an important educational role, and in sociological science, respectively, methodological and methodological. Attention is paid to the peculiarities of teaching sociology in technical educational institutions, and in view of this, the problem of forming the sociological imagination of students. The fact is that sociology in technical educational institutions is not professional, so it is taught exclusively as a general discipline of worldview. The purpose of teaching sociology in such higher education institutions is to promote the formation of students’ sociological imagination, ie to help future specialists in engineering to develop the ability to think socially, ie to adequately perceive, comprehend and interpret social processes and phenomena, analyze and be ready to solve complex social problems. The solution of this problem involves the use of such methods of teaching sociology, which would be related to the specific practices of modern society, taking into account the universal and professional interests of future professionals. The own experience of teaching sociology at the National Transport University is analyzed. There are examples of using different methods of teaching sociology, aimed at forming a sociological imagination that allow students to perceive the social world around them and relate their professional problems with general social problems, educate and shape their civic position and increase their general cultural level.


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