Latin-American Political Thought and Ideology, The Quest for Change in Latin America. Sources for a Twentieth Century Analysis and United States Policy Toward Latin America. A Study in Domestic and International Politics

1971 ◽  
Vol 47 (4) ◽  
pp. 883-884
Author(s):  
J. A. Camacho
1966 ◽  
Vol 8 (1) ◽  
pp. 54-74 ◽  
Author(s):  
John D. Martz

In few areas of the world are the role and contribution of the intellectual elite more significant than in Latin America. Its membership has historically been in the forefront of major political and social movements, and there has been somewhat less of the distaste for politics and public responsibility than is often found elsewhere. Leading intellectuals are widely respected and nationally prominent, enjoying a degree of prestige that is scarcely exceeded in any other region. The pensador—sometimes likened to the eighteenth-century philosophe— has been intimately involved in major political movements from colonial times to the present.


Author(s):  
Eugenia Tarzibachi

Abstract The introduction of commercialized disposable pads and tampons during the twentieth century changed the experience of the menstrual body in many (but not all) countries of the world. From a Latin-American perspective, this new way to menstruate was also understood to be a sign of modernization. In this chapter, Tarzibachi describes and analyzes how the dissemination and proliferation of disposable pads and tampons have unfolded first in the United States and later in Latin America, with a particular focus on Argentina. She pays particular attention to how the Femcare industry shaped the meanings of the menstrual body through discourses circulated in advertisements and educational materials. Tarzibachi explores how the contemporary meanings of menstruation are contested globally, as the traditional Femcare industry shifts its rhetoric in response to challenges from new menstrual management technologies, new forms of menstrual activism, and the increasing visibility of menstruation in mainstream culture.


Author(s):  
Alderí Souza De Matos

Latin America is a significant part of the so-called two-thirds world. During the twentieth century, the region witnessed the vigorous growth of the Protestant churches. One of them is the Presbyterian communion, whose first congregations were established in the 1850s. For more than a century, Presbyterian denominations in the United States and Scotland made an enormous investment in the evangelization of Latin America. Nevertheless, despite their significant presence in Mexico and Brazil, Presbyterian churches represent a small percentage of the region’s total Protestant constituency. They have, however, made contributions to society that are out of proportion to their numbers. Besides their important spiritual and ethical emphases, they have impacted countless individuals, families, and communities through their educational and medical efforts. Their greatest challenge today is to establish clear priorities and devote their energies to strengthening Presbyterian work in the countries they have already reached and implanting their faith in the areas where it is absent. Latin American Presbyterians are convinced that the Reformed faith can greatly benefit their part of the world.


2019 ◽  
Vol 72 (1) ◽  
pp. 1-42 ◽  
Author(s):  
Sergio Ospina Romero

Gabriel García Márquez's literary portrait of the arrival of the pianola in Macondo in One Hundred Years of Solitude functions as a metaphor for the reception and cultural legitimization of player pianos in Latin America during their heyday in the 1910s and 1920s. As a technological intruder, the player piano inhabited a liminal space between the manual and the mechanical as well as between unmediated musical experiences and the mechanically mediated consumption of sounds. It thus constitutes a paradigmatic case by which to examine the contingent construction of ideas about tradition and modernity. The international trade in player pianos between the United States and Latin America during the first decades of the twentieth century was developed in tandem with the commercial expansion and political interventionism of the United States throughout the Americas during the same period. The efforts of North American businessmen to capture the Latin American market and the establishment of marketing networks between US companies and Latin American dealers reveal a complex interplay of mutual stereotyping, First World War commercial geopolitics, capitalization on European cultural/musical referents, and multiple strategies of appropriation and reconfiguration in relation to the player piano's technological and aesthetic potential. The reception of player pianos in Latin America was characterized by anxieties very similar to those of US consumers, particularly with regard to the acousmatic nature of their sounds and their perceived uncanniness. The cultural legitimization of the instrument in the region depended, however, on its adaptation to local discourses, cultural practices, soundscapes, expectations, language, gender constructions, and especially repertoires.


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