John Shirley: Book Production and the Noble Household in Fifteenth-Century England

2001 ◽  
Vol 96 (2) ◽  
pp. 459
Author(s):  
Julia Boffey ◽  
Margaret Connolly
Fragmentology ◽  
10.24446/5i85 ◽  
2019 ◽  
Vol 2 ◽  
pp. 35-63
Author(s):  
Ivana Dobcheva

Shortly after its foundation in 748, the Benedictine monastery of Mondsee became an important centre for book production in Upper Austria. The librarians renewed their holdings over several phases of increased activity. In the fifteenth century, old and outdated books fell into the hands of the monastic binders, who cut up and reused them as binding waste for new manuscripts, incunabula or archival materials. These fragments often offer the only clues we have for the existence of specific texts in the monastic library and should be regarded as important sources for the study of the liturgical, scholarly and everyday life of Mondsee. This paper summarises the challenges to gathering, identifying, describing, and digitizing the material, the approach taken to achieve these ends, and an initial evaluation of Mondsee fragments used as binding waste.


Author(s):  
Xavier van Binnebeke

Florence was the center of humanist book production, not only in Italy, but more generally in the West. This essay discusses the new style of classical and humanist books produced in fifteenth-century Florence, focusing on script, decoration, major libraries (the Angeli, the badia, San Marco), collectors (the Medici, Parentucelli, Jean Jouffroy, King Alfonso of Naples, Federico da Montefeltro), and the booksellers (Guarducci, Vespasiano).


2021 ◽  
Vol 84 (3) ◽  
pp. 325-364
Author(s):  
Daniele Guernelli

Abstract This article outlines the figure of the Florentine Bartolomeo Varnucci, an illuminator who for decades had his workshop in the Badia Fiorentina, where he was assisted by his brothers Giovanni and Chimenti. They where all cartolai, craftsmen able to take care of the production of manuscripts as a whole, from the preparation of the parchment to the binding. Active from the third to the eighth decade of the fifteenth century, Bartolomeo was able to interpret the rise of humanistic book production, with its typical decoration of white vine stems, but also to move through the vast requests of the devotional world, more inclined to conservative artistic solutions. This contribution gives a complete survey of the artist’s milieu and work, adding several new works to his catalogue.


Author(s):  
Monique Hulvey

Without a university or parliament, Lyon became an important centre of book production and distribution over the last quarter of the fifteenth century. In the course of these years, favourable economic conditions with the development of a fourth annual fair and elaborate banking services, turned the provincial merchant town into a European marketplace. Constant movement of people, goods, and money, as well as a ten-year tax exemption for newcomers to the printing business, attracted printers and booksellers who placed Lyon at the heart of networks operating near and far. Contemporary material evidence from the buyers’ side documents the markets targeted by the Lyon book merchants during this key period, some of their strategies, and skills at time and distance management. It also suggests how, in their spheres of influence, the development of the book trade could have played a part in the evolution of urban and rural society. With little archival evidence at hand, we need to reassess the larger organisation of the Lyon book trade in the international landscape and the part played by the importation of books. A mapping of available data, and observations on bindings and provenance, is helping to define the role of the city in the circulation of books, printed locally or elsewhere, throughout France.


2001 ◽  
Vol 32 (2) ◽  
pp. 454
Author(s):  
Deborah Montuori ◽  
John Shirley ◽  
Margaret Connolly

2012 ◽  
Vol 17 (3) ◽  
pp. 273-308
Author(s):  
Geneviève Dumas ◽  
Caroline Boucher

AbstractFourteenthand fifteenth-century medicine is characterised by a trickle-down effect which led to an increasing dissemination of knowledge in the vernacular. In this context, translations and compilations appear to be two similar endeavours aiming to provide access to contents pertaining to the particulars of medical practice. Nowhere is this phenomenon seen more clearly than in vernacular manuscripts on surgery. Our study proposes to compare for the first time two corpora of manuscripts of surgical compilations, in Middle French and Middle English respectively, in order to discuss form and matter in this type of book production.


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