Aggiornamenti su Bartolomeo Varnucci

2021 ◽  
Vol 84 (3) ◽  
pp. 325-364
Author(s):  
Daniele Guernelli

Abstract This article outlines the figure of the Florentine Bartolomeo Varnucci, an illuminator who for decades had his workshop in the Badia Fiorentina, where he was assisted by his brothers Giovanni and Chimenti. They where all cartolai, craftsmen able to take care of the production of manuscripts as a whole, from the preparation of the parchment to the binding. Active from the third to the eighth decade of the fifteenth century, Bartolomeo was able to interpret the rise of humanistic book production, with its typical decoration of white vine stems, but also to move through the vast requests of the devotional world, more inclined to conservative artistic solutions. This contribution gives a complete survey of the artist’s milieu and work, adding several new works to his catalogue.

Traditio ◽  
1996 ◽  
Vol 51 ◽  
pp. 257-286 ◽  
Author(s):  
Christopher S. Celenza

There are many still unstudied aspects of the cultural history of early Quattrocento Rome, especially if we consider the years before 1443, the date of the more or less permanent re-entry into the civitas aeterna of Pope Eugenius IV. The nexus between the still ephemeral papacy and the emerging intellectual movement of Italian Renaissance humanism is one of these aspects. It is hoped that this study will shed some light on this problem by presenting a document that has hitherto not been completely edited: the original will of Cardinal Giordano Orsini. As we shall see, this important witness to the fifteenth century provides valuable information on many fronts, even on the structure of the old basilica of Saint Peter. The short introduction is in three parts. The first has a discussion of the cardinal's cultural milieu with a focus on the only contemporary treatise specifically about curial culture, Lapo da Castiglionchio's De curiae commodis. The second part addresses the textual history of the will as well as some misconceptions which have surrounded it. The third part contains a discussion of the will itself, along with some preliminary observations about what can be learned from the critical edition of the text here presented for the first time.


Law in Common ◽  
2019 ◽  
pp. 213-240
Author(s):  
Tom Johnson

This chapter explores the growing use of English as a written ‘legal vernacular’ over the course of the fifteenth century. It argues that one can only understand the emergence of vernacular writing in legal discourse by looking to the local contexts of legal production. The emergence of English as a legal vernacular did not take hold uniformly across late-medieval society, and so we need to think more carefully about the specific kinds of discursive value that it held; the chapter argues that, as a legal language, English worked as a signifier of authenticity, a mode of signalling fidelity to real speech, and as a way of gesturing towards wider audiences or publics. This leads to the third argument that the growing significance granted to English as a legal language affected common people in late-medieval England in ambivalent ways. While in some ways the processes of vernacularization in the fifteenth century seem to follow a trajectory towards a more inclusive public discourse, as the ‘common tongue’ spoken by the majority of the populace became a language appropriate for expressing ideas about legitimacy, it was ultimately constrained by the relatively limited modes in which English was allowed to be legal.


1991 ◽  
Vol 10 ◽  
pp. 235-303 ◽  
Author(s):  
Rob C. Wegman

In 1449, the records of the church of Our Lady at Antwerp mention a new singer, Petrus de Domaro (see Figure 1). He does not reappear in the accounts of 1450, and those of the subsequent years are all lost. Musical sources and treatises from the 1460s to 80s call him, with remarkable consistency, P[etrus] de Domarto, and reveal that he was an internationally famous composer in the third quarter of the fifteenth century.


2001 ◽  
Vol 96 (2) ◽  
pp. 459
Author(s):  
Julia Boffey ◽  
Margaret Connolly

2011 ◽  
Vol 16 (6) ◽  
pp. 571-599
Author(s):  
Eduard Frunzeanu ◽  
Isabelle Draelants

AbstractA short astrological treatise about the properties of the planets in the zodiac, called De motibus / iudiciis planetarum and attributed to Ptolemy (inc. Sub Saturno sunt hec signa Capricornus et Aquarius et sunt eius domus), appears from the thirteenth century onwards in two distinct traditions: in the encyclopedias of Bartholomew the Englishman and Arnold of Saxony, both written around 1230–1240, and in astronomical miscellanies copied in the fifteenth century either in or around Basel and in Northern Italy. These fifteenth-century manuscripts fall into two distinct groups of astronomical texts: the first is copied together with the De signis of Michael Scot, the second together with a part of the third book of Hyginus' De astronomia. The present article aims to describe the characteristics of the distinct textual filiations of De m. / iud. pl. and gives the first critical edition of the text.


2020 ◽  
Vol 29 ◽  
Author(s):  
Duchowny Aléxia ◽  
Pereira Luíza

El objetivo de este trabajo es identificar la fecha aproximada de la producción del texto del manuscrito Lybro de magyka, la tercera parte de una obra sobre astrología, en espanõl, comprada por Hernando Colón en 1527, que se conserva hoy en la Biblioteca Colombina, Sevilla, bajo la inscripción Ms. 5-2-32. Nuestra hipótesis es que el texto fue escrito entre los siglos XIII y XVI. Por lo tanto, la base teórica está constituida por gramáticas históricas de la lengua española que traen las siguientes características representativas del español medieval que nos permitieran elaborar criterios para el análisis que comprobarían o no la hipótesis inicial: 1) la formación de adverbios con el sufijo -mientre; 2) los masculinos hechos en -a que adoptan concordancia femenina; 3) la aspiración de la f- inicial; 4) el cambio de la copulativa et para y; 4) el adverbio suso. Los resultados permiten observar que la lengua del manuscrito fecha probablemente de finales del siglo XIV o del siglo XV, lo que se encuentra de acuerdo con las hipótesis de autoría propuestas por los trabajos acerca del Lybro de magyka hasta el momento. Así, el presente estudio contribuye para la reconstrucción de la historia del códice y para los estudios acerca de la lengua española. The objective of this work is to identify the approximate date of the production of the text of the manuscript Lybro de magyka, the third part of a work on astrology, in Spanish, purchased by Hernando Colón in 1527, which is preserved today in the Biblioteca Colombina, Seville, Spain, under the registration Ms. 5-2-32. Our hypothesis is that the text was written between the thirteenth and sixteenth centuries, and is a copy of a Catalan translation. Therefore, the theoretical basis is constituted by works of internal and external history of the Spanish language that bring representative characteristics of the medieval Spanish. The characteristics below allow to elaborate criteria for the analysis that would verify or not the initial hypothesis: 1) the formation of adverbs with the suffix -mientre ; 2) the masculine ones made in -a that adopt feminine concordance; 3) the change of the copulative et to y; The results show that the language of the manuscript probably dates from the fifteenth century, which is in accordance with the hypotheses of authorship proposed by the works on the Lybro de Magyka so far. Thus, the present study contributes to the reconstruction of the history of the codex and to the studies about the Spanish language.


Fragmentology ◽  
10.24446/5i85 ◽  
2019 ◽  
Vol 2 ◽  
pp. 35-63
Author(s):  
Ivana Dobcheva

Shortly after its foundation in 748, the Benedictine monastery of Mondsee became an important centre for book production in Upper Austria. The librarians renewed their holdings over several phases of increased activity. In the fifteenth century, old and outdated books fell into the hands of the monastic binders, who cut up and reused them as binding waste for new manuscripts, incunabula or archival materials. These fragments often offer the only clues we have for the existence of specific texts in the monastic library and should be regarded as important sources for the study of the liturgical, scholarly and everyday life of Mondsee. This paper summarises the challenges to gathering, identifying, describing, and digitizing the material, the approach taken to achieve these ends, and an initial evaluation of Mondsee fragments used as binding waste.


Author(s):  
Xavier van Binnebeke

Florence was the center of humanist book production, not only in Italy, but more generally in the West. This essay discusses the new style of classical and humanist books produced in fifteenth-century Florence, focusing on script, decoration, major libraries (the Angeli, the badia, San Marco), collectors (the Medici, Parentucelli, Jean Jouffroy, King Alfonso of Naples, Federico da Montefeltro), and the booksellers (Guarducci, Vespasiano).


2020 ◽  
Vol 135 (573) ◽  
pp. 303-336
Author(s):  
Querciolo Mazzonis

Abstract This essay sheds new light on the spirituality and historical significance of the influential and controversial Dominican friar Battista Carioni da Crema (c.1460–1534). A popular spiritual writer, charismatic founder of devout associations such as the Barnabites, and a spiritual director of several well-known Catholic figures, including Gaetano Thiene, Battista’s significance has not yet been fully acknowledged. The essay considers his spirituality in the framework of reforming movements emerging in Italy in the first half of the sixteenth century. In dialogue with previous interpretations of Battista, the essay provides a novel and systematic analysis of his notion of perfection and concept of the Church. Synthesising ascetic and mystic spiritual influences rooted in the monastic and humanist culture of the fifteenth century, Battista presented a distinctive view of Christian life, which included an ecclesiological perspective and a new geography of the sacred. Defined as the ‘third life’ and conceived in a period of religious fluidity, it neither fitted emerging Lutheran ideas nor the orthodox Catholicism of the Roman Church. In addition, the essay argues that Battista’s proselytism can be seen as an attempt to reform society which preceded proposals for religious reform made by groups such as the Spirituali.


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