Modern Arabic Poetry 1800-1970 [The Development of Its Forms and Themes under the Influence of Western Literature]

1979 ◽  
Vol 99 (1) ◽  
pp. 140
Author(s):  
Joseph Zeidan ◽  
S. Moreh
1968 ◽  
Vol 31 (1) ◽  
pp. 28-51
Author(s):  
S. Moreh

The beginning of the twentieth century marked a new and revolutionary stage in the history of Arabic poetry. Through the increasing influence of Western literature, some new genres which show only preliminary signs of emergence in the nineteenth century found official recognition, as in the case of the strophic verse, or experimenting with them was resumed, as in the case of the blank verse (shi'r mursal), which was first practisd by Rizq Allāh Ḥassūn in 1869 and which was revived in 1905, probably unconsciously, by Jamīl Ṣidqī al-Zahāwī (1863–1936), under the name of shi'r mursal.


2017 ◽  
Author(s):  
WAED ATHAMNEH
Keyword(s):  

1970 ◽  
Vol 1 (1) ◽  
pp. 75-87
Author(s):  
M.A. Khouri ◽  
H. Algar
Keyword(s):  

Labyrinth ◽  
2021 ◽  
Vol 22 (2) ◽  
pp. 156
Author(s):  
Hamad Al-Rayes

In this paper, I attempt to read the poetic principle behind the Tammuzi movement of modern Arabic poetry through the lens of speculative poetics. While speculative-poetic accounts of modern poetry, such as those provided by Allen Grossman, blazed new paths connecting poetry to personhood in modernity, their application to the development of modern poetry outside of Europe remains limited by their self-avowed focus on European history. This paper will outline a critical corrective to speculative poetics which, I argue, can be of value in extending its domain of application to Arabic projects of poetic modernity, particularly the two tendencies of "free verse" and "commitment" poetry that emerged out of the Tammuzi movement. 


1951 ◽  
Vol 71 (2) ◽  
pp. 155
Author(s):  
G. E. Von Grunebaum ◽  
A. J. Arberry

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