scholarly journals A Fourth Century Head in Central Museum, Athens

1895 ◽  
Vol 15 ◽  
pp. 194-201 ◽  
Author(s):  
E. F. Benson
Keyword(s):  
Fourth Century ◽  
Present Condition ◽  
Left Hand ◽  
Right Hand ◽  
Image Position ◽  
The Right

There is among the fourth century works in the Central Museum at Athens a head found at Laurium. It is made of Parian marble but it has been completely discoloured by slag or refuse from the lead mines, and is now quite black. In its present condition it is quite impossible to obtain a satisfactory photograph of it, and the reproduction given of it in the figure is from a cast.It has been published, as far as I am aware, only in M. Kavvadias' catalogue. There it is described as a head of the Lykeian Apollo. This identification rests solely on a passage of Lucian, who mentions a statue of the Lykeian Apollo in the gymnasium at Athens.He says of it ( 7)—It will be seen from a glance at the photograph that the grounds for this identification are very slender. The left hand with the bow does not exist, and the only reason for supposing therefore that this is a head of the Lykeian Apollo consists in the fact that the right hand of the statue rests on the head. This in itself seems insufficient and, among other reasons, it is I think rendered impossible by the phrase For the hand is not idly resting, it is not a tired hand; the posture of the fingers is firm and energetic.

An inequality relating means

1944 ◽  
Vol 40 (3) ◽  
pp. 253-255
Author(s):  
J. Bronowski
Keyword(s):  
Arithmetic Mean ◽  
Arithmetic Means ◽  
Geometric Means ◽  
Left Hand ◽  
Right Hand ◽  
Image Position ◽  
The Right

1. Let a, b be positive constants; and let y1, y2, …, yn be real exponents, not all equal, having arithmetic mean y defined by(here, and in what follows, the summation ∑ extends over the values i = 1, 2, …, n). Then it is clear thatsince the right-hand sides are the geometric means of the positive numbers whose arithmetic means stand on the left-hand sides. I know of no results, however, which relate the ratios and and I have had occasion recently to require such results. This note gives an inequality between these ratios, subject to certain restrictions on a and b.

A New Fragment of Greek Music in Cairo

1931 ◽  
Vol 51 (1) ◽  
pp. 91-100 ◽  
Author(s):  
J. F. Mountford
Keyword(s):  
Extreme Right ◽  
Bottom Edge ◽  
Left Hand ◽  
Right Hand ◽  
Formed Part ◽  
Image Position ◽  
The Right

The papyrus numbered 59533 in the Catalogue Général of the Cairo Museum is a mere scrap (13 cm. × 12 cm.), on one side of which is written a fragmentary text with suprascript musical signs:The writing is along the fibres, that is to say, on the recto if the scrap originally formed part of a roll; the verso is blank; and the papyrus has been folded horizontally. The right-hand and the top seem to be the original edges of a sheet or roll; the left-hand is clearly defective, and though the bottom edge may be the original edge of a sheet, it is not the bottom of a roll. The writing is carried to the extreme right-hand edge, without a margin. Below the text there is some scribbling which seems to have no particular significance and is probably to be taken as a probatio pennae rather than as a signature.

scholarly journals Some Inequalities for Stop-Loss Premiums

1977 ◽  
Vol 9 (1-2) ◽  
pp. 75-83 ◽  
Author(s):  
H. Bühlmann ◽  
B. Gagliardi ◽  
H. U. Gerber ◽  
E. Straub
Keyword(s):  
Continuous Function ◽  
Random Variable ◽  
Left Hand ◽  
Right Hand ◽  
Image Position ◽  
The Right ◽  
Stop Loss

In this paper any given risk S (a random variable) is assumed to have a (finite or infinite) mean. We enforce this by imposing E[S−] < ∞.Let then v(t) be a twice differentiate function withand let z be a constant with o ≤ z ≤ 1.We define the premium P as followsor equivalentlyNotation: v−(∞) = ∞.The definitions (1) and (equivalently) (2) are meaningful because of theLemma: a) E[v(S − zQ)] exists for all Q∈(− ∞, + ∞).b) The set{Q∣ − ∞ < Q < + ∞, E[v(S−zQ)]>v((1−z)Q)} is not empty.Proof: a) b) Because of a) E[v(S−zQ)] is always finite or equal to + ∞ If v(− ∞) = − ∞ then E[v(S − zQ)] > v((1 − z)Q) is satisfied for sufficiently small Q. The left hand side of the inequality is a nonincreasing continuous function in P (strictly decreasing if z > 0), while the right hand side is a nondecreasing continuous function in Q (strictly increasing if z > 1).If v(− ∞) = c finite then E[v(S − zQ)] > c(otherwise S would need to be equal to − ∞ with probability 1) and again E[v(S − zQ)] > v((1 − z)Q) is satisfied for sufficiently small Q.

On an inequality for the normal distribution arising in bioequivalence studies

1999 ◽  
Vol 36 (1) ◽  
pp. 279-286
Author(s):  
Yi-Ching Yao ◽  
Hari Iyer
Keyword(s):  
Normal Distribution ◽  
Random Variable ◽  
Normal Random Variable ◽  
Individual Bioequivalence ◽  
Left Hand ◽  
Right Hand ◽  
Standard Normal Random Variable ◽  
Standard Normal ◽  
Image Position ◽  
The Right

For (μ,σ2) ≠ (0,1), and 0 < z < ∞, we prove that where φ and Φ are, respectively, the p.d.f. and the c.d.f. of a standard normal random variable. This inequality is sharp in the sense that the right-hand side cannot be replaced by a larger quantity which depends only on μ and σ. In other words, for any given (μ,σ) ≠ (0,1), the infimum, over 0 < z < ∞, of the left-hand side of the inequality is equal to the right-hand side. We also point out how this inequality arises in the context of defining individual bioequivalence.

On an inequality for the normal distribution arising in bioequivalence studies

1999 ◽  
Vol 36 (01) ◽  
pp. 279-286 ◽  
Author(s):  
Yi-Ching Yao ◽  
Hari Iyer
Keyword(s):  
Normal Distribution ◽  
Random Variable ◽  
Normal Random Variable ◽  
Individual Bioequivalence ◽  
Left Hand ◽  
Right Hand ◽  
Standard Normal Random Variable ◽  
Standard Normal ◽  
Image Position ◽  
The Right

For (μ,σ2) ≠ (0,1), and 0 &lt; z &lt; ∞, we prove that where φ and Φ are, respectively, the p.d.f. and the c.d.f. of a standard normal random variable. This inequality is sharp in the sense that the right-hand side cannot be replaced by a larger quantity which depends only on μ and σ. In other words, for any given (μ,σ) ≠ (0,1), the infimum, over 0 &lt; z &lt; ∞, of the left-hand side of the inequality is equal to the right-hand side. We also point out how this inequality arises in the context of defining individual bioequivalence.

Editorial Note

1946 ◽  
Vol 11 (1) ◽  
pp. 2-2
Keyword(s):  
Editorial Note ◽  
Speech Sounds ◽  
Left Hand ◽  
Hand Column ◽  
Right Hand ◽  
Infant Speech ◽  
The Right

In the article “Infant Speech Sounds and Intelligence” by Orvis C. Irwin and Han Piao Chen, in the December 1945 issue of the Journal, the paragraph which begins at the bottom of the left hand column on page 295 should have been placed immediately below the first paragraph at the top of the right hand column on page 296. To the authors we express our sincere apologies.

scholarly journals Digit Variability in Carotenoid Scores Obtained with the Veggie Meter: A Pilot Study (P02-001-19)

2019 ◽  
Vol 3 (Supplement_1) ◽  
Author(s):  
Velarie Ansu ◽  
Stephanie Dickinson ◽  
Alyce Fly
Keyword(s):  
Indiana University ◽  
Left Hand ◽  
Funding Sources ◽  
Right Hand ◽  
Period Data ◽  
The Mean ◽  
The Right ◽  
Post Hoc ◽  
Main Effects ◽  
Mean Square Errors

Abstract Objectives To determine which digit and hand have the highest and lowest skin carotenoid scores, to compare inter-and-intra-hand variability of digits, and to determine if results are consistent with another subject. Methods Two subjects’ first(F1), second(F2), third(F3) and fifth(F5) digits on both hands were measured for skin carotenoids with a Veggie Meter, for 3 times on each of 18 days over a 37-day period. Data were subjected to ANOVA in a factorial treatment design to determine main effects for hand (2 levels), digits (4), and days (18) along with interactions. Differences between digits were determined by Tukey's post hoc test. Results There were significant hand x digit, hand x day, digit x day, and hand x digit x day interactions and significant simple main effects for hand, digit, and day (all P < 0.001). Mean square errors were 143.67 and 195.62 for subject A and B, respectively, which were smaller than mean squares for all main effects and interactions. The mean scores ± SD for F1, F2, F3, and F5 digits for the right vs left hands for subject A were F1:357.13 ± 45.97 vs 363.74 ± 46.94, F2:403.17 ± 44.77 vs. 353.20 ± 44.13, F3:406.76 ± 43.10 vs. 357.11 ± 45.13, and F5:374.95 ± 53.00 vs. 377.90 ± 47.38. For subject B, the mean scores ± SD for digits for the right vs left hands were F1:294.72 ± 61.63 vs 280.71 ± 52.48, F2:285.85 ± 66.92 vs 252.67 ± 67.56, F3:268.56 ± 57.03 vs 283.22 ± 45.87, and F5:288.18 ± 34.46 vs 307.54 ± 40.04. The digits on the right hand of both subjects had higher carotenoid scores than those on the left hands, even though subjects had different dominant hands. Subject A had higher skin carotenoid scores on the F3 and F2 digits for the right hand and F5 on the left hand. Subject B had higher skin carotenoid scores on F5 (right) and F1 (left) digits. Conclusions The variability due to hand, digit, and day were all greater than that of the 3 replicates within the digit-day for both volunteers. This indicates that data were not completely random across the readings when remeasuring the same finger. Different fingers displayed higher carotenoid scores for each volunteer. There is a need to conduct a larger study with more subjects and a range of skin tones to determine whether the reliability of measurements among digits of both hands is similar across the population. Funding Sources Indiana University.

The State Policy towards the Homeless in Moldova between the ‘Left Hand’ and the ‘Right Hand’. The Case of Chișinău Shelter

Südosteuropa ◽  
2019 ◽  
Vol 67 (2) ◽  
pp. 175-195
Author(s):  
Petru Negură
Keyword(s):  
Homeless People ◽  
Severe Disabilities ◽  
The State ◽  
Small Scale ◽  
Left Hand ◽  
Right Hand ◽  
Binary Approach ◽  
The One ◽  
The Right ◽  
Depth Interviews

Abstract The Centre for the Homeless in Chișinău embodies on a small scale the recent evolution of state policies towards the homeless in Moldova (a post-Soviet state). This institution applies the binary approach of the state, namely the ‘left hand’ and the ‘right hand’, towards marginalised people. On the one hand, the institution provides accommodation, food, and primary social, legal assistance and medical care. On the other hand, the Shelter personnel impose a series of disciplinary constraints over the users. The Shelter also operates a differentiation of the users according to two categories: the ‘recoverable’ and those deemed ‘irrecoverable’ (persons with severe disabilities, people with addictions). The personnel representing the ‘left hand’ (or ‘soft-line’) regularly negotiate with the employees representing the ‘right hand’ (‘hard-line’) of the institution to promote a milder and a more humanistic approach towards the users. This article relies on multi-method research including descriptive statistical analysis with biographical records of 810 subjects, a thematic analysis of in-depth interviews with homeless people (N = 65), people at risk of homelessness (N = 5), professionals (N = 20) and one ethnography of the Shelter.

scholarly journals The Left Hand Doesn’t Know What the Right Hand Is Doing—or Does It?

Cell Reports ◽  
2016 ◽  
Vol 17 (11) ◽  
pp. 2809-2810
Author(s):  
Jody C. Culham
Keyword(s):  
Left Hand ◽  
Right Hand ◽  
The Right

Nog een suggestie voor het onderwerp van Rembrandts historiestuk te Leiden: De grootmoedigheid van Alexander

1987 ◽  
Vol 101 (2) ◽  
pp. 89-94
Author(s):  
J. Bruyn
Keyword(s):  
17Th Century ◽  
General Nature ◽  
History Painting ◽  
Emotional Words ◽  
Left Hand ◽  
Right Hand ◽  
Political Allegory ◽  
The Subject ◽  
Background Wave ◽  
The Right

AbstractOf the nine interpretations proposed for Rembraradt's history Painting of 1626 now at Leiden, none is really convincing. Il seems attractive to think of palamedes Condemned by Agamemncm as the subject because of its political significance in the year after the publication of Voredel's tragecty Palamedcs or Innocence Murdered, which denounced the execution of the Remonstrant leader Johan van Oldenbarnevelt in 1619. γet the scene depicted does not fit any episode frorn the Palamedes story. It appears rather to represent three young men appearing before a crowned figure who makes a pronouncement, probably one of magnanimity or clemency. It is conceivable that the subject was taken from Q. Curtius Rufus's Historiae Alexandri Magni Macedonis, ofwhich several editions, including translations into the vernacular, were published in Holland in the first decades of the 17th century. The episode in question was known to the young Rubens, but does not seem to have been illustrated by any other artist. At the beginning of the seventh book it is described how Alexander summoned before. him in the presence of the army two oj three brothers, who had been close friends of Philotas, a former, friend of his who had been executed for plotting against his life. The youngest brother, Poleinon, had panicked and fled but was caught and brought back at the very moment when Alexander had accused the brothers and the eldest, Amyntas, after having been released from his bonds and given a spear which he held in his left hand, had embarked on his szzccess ful defence. The appearance of Polemon infuriated the soldiers, but when he took the blame on himself and prrifessed his brothers' innocence, they were moved to tears. So too was Alexander who, prompted by their cries, absolved the brothers. This anecdote does at least explain some of the features of Rembrandt's scene. The young man standing on the right with his right hand raised as if swearing an oath would be the eloquent Amyntas with a spear in his left hand. Hidden behind him kneels the second brother, Simias, while Polemon, 'a young man just come to maturity and in the first bloom of his youth', has fallen on one knee in the foreground, underlining his emotional words with his right hand bressed to his heart. Alexander raises his sceptre in token of his absolution and some men in the background wave and shout from a socle they have climbed. Interpreted in this way, the scene coralains not a topical political allegory but, as would seem usual with history paintings, a message of a more general nature: the magnanimity of Alexander as an 'exemblum virtutis'.

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