Early Modern Characters in the Late Modern Age:

Author(s):  
Nikolaus Müller-Schöll
Keyword(s):  
2021 ◽  
pp. 026327642097828
Author(s):  
Bülent Diken

I treat despotism as a virtual concept. Thus it is necessary to expose its actualizations even when it appears as its opposite, refusing to recognize itself as despotism. I define despotism initially as arbitrary rule, in terms of a monstrous transgression of the law. But since the monster is grounded in its very formlessness, it cannot be demonstrated. However, one can always try to de-monstrate it through disagreements. In doing this, I deal with despotism not as a solipsistic undertaking but as part of a constellation that always already contains two other elements: economy and voluntary servitude. I give three different – ancient, early modern and late modern – accounts of this nexus, demonstrating how despotism continuously takes on new appearances. I conclude, in a counter-classical prism, how the classical nexus has evolved in modernity while the focus gradually shifted towards another triangulation: neo-despotism, use and dissent.


Nuncius ◽  
2012 ◽  
Vol 27 (2) ◽  
pp. 309-329 ◽  
Author(s):  
Silvia Marinozzi

In the early 1980s a systematic investigation was begun by G. Fornaciari and his staff of a series of mummies from central and southern Italy, and in particular of important Renaissance remains. The study of a substantial number of artificial mummies has shed light on the human embalming techniques connected with the methods and procedures described by medical and non-medical authors in the early modern period. This has made it possible to reconstruct the history of the art of mummification, from the ‘clyster’ techniques to the partial or total evisceration of the corpse, to the intravascular injection of drying and preserving liquors. In addition to the bodies of Aragonese princes and members of the Neapolitan nobility, interred in the Basilica of San Domenico in Naples are the remains of important French personages dating to the modern age. Among the tombs arranged in two parallel rows to the right of the balcony are four sarcophagi containing the bodies of the wife and three children of Jean Antoine Michel Agar, who served as the Minister of Finance of the Kingdom of Naples from 1809 to 1815. The type of wrapping used for the corpses of the children presents strong analogies to those of ancient Egyptian mummies.


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