Food in the Counterinsurgency of the Malayan Emergency:

2021 ◽  
pp. 127-144
Author(s):  
YVONNE TAN
Keyword(s):  
2021 ◽  
Vol 29 (1) ◽  
pp. 47-65
Author(s):  
Carlo Bonura

This article considers two films by the Malaysian filmmaker Amir Muhammad, The Last Communist of 2006 and the Village People Radio Show of 2007. Both films are focused on the Malayan Emergency and the lives of a small group of Malayan communists. Through an engagement with Walter Benjamin’s essay “The Storyteller,” the analysis in this article examines the aesthetic forms that structure Amir’s films, namely nonlinear narratives, intertextuality, and the use of images and stories as comparative frames. This article argues that Amir’s films enable audiences to recognize how the truth of a communist past in Malaysia, both of its politics and suppression, inflects the present. The films provide an opening to recognize how the absence of communism today is the effect of the ideological clearing of all leftism that became the hallmark of the end of the British Empire in Malaysia. Communism is made meaningful in Amir’s films both as a lived experience and as a displacement that is absent from the postcolonial everyday.


1993 ◽  
Vol 4 (3) ◽  
pp. 302-306
Author(s):  
KARL M. HACK
Keyword(s):  

Author(s):  
Peter Boomgaard ◽  
John Robert Shepherd ◽  
Bernice Jong Boers ◽  
Michael Hitchcock ◽  
Dwight Y. King ◽  
...  

- Peter Boomgaard, John Robert Shepherd, Marriage and mandatory abortion among the 17th-century Siraya. Arlington: American Anthropological Association, 1995, iv + 99 pp. [American Ethnological Society Monograph Series 6.] - Bernice de Jong Boers, Michael Hitchcock, Islam and identity in Eastern Indonesia. Hull: The University of Hull Press, 1996, ix + 208 pp. - Dwight Y. King, Audrey R. Kahin, Subversion as foreign policy; The secret Eisenhower and Dulles debacle in Indonesia. New York: The New Press, 1995, 230 + 88 pp., George McT. Kahin (eds.) - Han Knapen, Harold Brookfield, In place of the forest; Environmental and socio-economic transformation in Borneo and the eastern Malay peninsula. Tokyo, New York, Paris: United Nations University Press, 1995, xiv + 310 pp. [UNU Studies on Critical Environmental Regions.], Lesley Potter, Yvonne Byron (eds.) - Niels Mulder, E. Paul Durrenberger, State power and culture in Thailand. New Haven: Yale University, Southeast Asia Studies, 1996, vii + 200 pp. [Monograph 43.] - Peter Pels, Margaret J. Wiener, Visible and invisible realms; Power, magic and colonial conquest in Bali. Chicago: University of Chicago Press, xiv + 445 pp. - Marie-Odette Scalliet, Annabel Teh Gallop, Early views of Indonesia; Drawings from the British Library. Pemandangan Indonesia di masa lampau; Seni gambar dari British Library. London: The British Library, Jakarta: Yayasan Lontar, 1995, 128 pp., 86 ill., 39 pl. - Cornelia M.I. van der Sluys, Marina Roseman, Healing sounds from the Malaysian rain forest; Temiar music and medicine. Berkeley, Los Angeles: University of California Press, 1993, xvii + 233 pp. - Cornelia M.I. van der Sluys, John D. Leary, Violence and the dream people; The Orang Asli in the Malayan emergency, 1948-1960. Athens, Ohio: Ohio University, Center for International Studies, 1995, xxiii + 238 pp. [Monographs in International Studies, Southeast Asia Series 95.] - H. Steinhauer, Darrell T. Tryon, Comparative Austronesian Dictionary; An introduction to Austronesian studies, Berlin, New York: Mouton de Gruyter, 1995, Part I, Fascicle I: xxviii pp + p.1-666; Fascicle II: xix pp + p.667-1197; Part II: xviii + 749 pp; Part III: xviii + 739 pp; Part IV: xviii + 767 pp. [Trends in Linguistics, Documentation 10 (Werner Winter and Richard A. Rhodes, eds).]


Author(s):  
Tom Rice

In his chapter on ‘Merdeka for Malaya: Imagining Independence Across the British Empire’, Tom Rice explores how this film produced by the Malayan Film Unit in 1957 portrays Malaya’s path to independence. Through this case study, Rice brings relevant nuances to the accepted discourse of change between the colonial and post-colonial periods. He demonstrates that both the film and the film infrastructure reveal a continued British influence, although they also validate the transition to an independent state. In his argument, the process of independence as it is recorded on film remains mainly idealised and conceals tensions for the sake of the project of imagining the new nation. Rice also Focuses on the period of the Malayan Emergency (1948-1960), and the Malayan Film Unit.


Sign in / Sign up

Export Citation Format

Share Document