Corps de femmes et maisons d’enfants dans Enfants du diable de Liliana Lazăr

Women Bodies and Children’s Homes in Liliana Lazar’s Enfants du diable [The Devil’s Children]. Many contemporary Romanian writers who chose French as a literary language seem to share a common interest in revisiting through fiction Romania’s relatively recent communist past, thus exposing the dysfunctionalities of the ‘multilaterally developed socialist society’ during the last years of Nicolae Ceaușescu’s dictatorship. In her novel, Enfants du diable (2016), Liliana Lazar’s merit is to emphasize the abusive nature of the Romanian totalitarian regime by exploring a topic which is normally less taken into account by post-communist Romanian fiction, namely the private body of women transformed into a public, even political body after the implementation of the Anti-abortion Decree 770/1966. Our aim is to examine the way in which Lazar’s book deals with this topic and its social and personal consequences, as well as its denunciation of a less evident form of the communist carceral system, namely the institutionalization of orphaned children. Keywords: communism, totalitarian regime, women’s body, orphanage, carceral system, Liliana Lazar, Nicolae Ceaușescu

MUSEUMFICATION OF EVERYDAY LIFE: EVERYDAY LIFE AS A SPACE OF MEMORY OF A BYGONE AGE

The article is dedicated to the artistic and philosophical reflection on the everyday life of the communist era in the novel «The Museum of Unconditional Surrender» («Muzej bezuvjetne predaje», 1996) by Dubravka Ugrešić.The main attention is paid to the museumfication of elements of everyday life of the former Eastern bloc countries (SFRY, USSR in particular), i.e. transformation of material traces of the communist past into museum exhibits.After the fall of communist regimes in the Eastern bloc countries, and the disappearance of some of these states from the world map, entire layers of garbage and material remnants, including utilitarian objects accompanying the bygone everyday life, have remained. As long as the communist era has gone, the traces of its everyday life have acquired new meanings, associated with memory and nostalgia. These meanings define a new hypostasis of everyday objects: their hypostasis as museum exhibits.A world-famous Croatian writer Dubravka Ugrešić witnessed the formation and the breakup of Yugoslavia. In the novel«The Museum of Unconditional Surrender», written during her voluntary exile in Berlin, she depicts the museumfication of communist everyday life, revealing its new, metaphysical sense.The artistic world of the novel is organized within the metaphor of museum, which is emblematic for the postmodern philosophical and aethetical paradigm. The main action takes place in Berlin. Being a shelter for countless refugees and emigrants form the former socialist states, this city is seen as a total museum. Its dwellers repeatedly refer to themselves as to «walking museum exhibits». Thus, not only things, but also people get museumficated as remnants of a bygone era.The Museum of the Unconditional Surrender of the German Armed Forces, which gave the title to the novel, stands as a symbol of repressive mechanisms of the collective memory, promoting the coherent ideological metanarrative of the official history. Dubravka Ugrešić is aimed to deconstruct the museum as an ideological body, depicting some alternative storages of memory in the novel.First, it is the so-called «home museum» – a private collection of disordered photos and everyday things from the past. Besides, there are Berlin landfills and flea markets where things and people from the disappeared countries are found together. These alternative «museums» accumulate the uncoherent, subjective, heterogenic memory of the past. Such memory opposes the coherent metanarrative of a classic public museum.Looking through the different aspects of collective memory materialized in everyday objects, the article analyzes the relation between garbage and cultural memory, trivial objects and art, as well as the writer’s conception of museum.

Hidden Continuities?: The Avatars of “Judicial Lustration” in Post-Communist Romania

This Article grapples with the instrumentalization of the past in Romania, in the specific context of “judicial lustration” measures. It argues that decommunization and lustration policies, which could not be pursued in the immediate aftermath of the collapse of state socialism in 1989, were weaponized much later and used in order to advance other purposes. In 2006, an expedited judicial vetting procedure, in the context of the EU-driven fight against corruption, was repurposed by the center-right as a lustration instrument. In the same year, the dismantling of an intelligence service created after 1991 in the Justice Ministry (SIPA) to monitor ‘vulnerabilities’ in the justice system has set in motion a long series of failed attempts to bring closure to the question regarding the service’s archives, fomenting continuities of suspicion until today. More recently, in 2018, a form of ‘mock-judicial lustration’ has been used by the political left to deflect or at least delegitimize repressive anti-corruption policies. The new “lustration procedure” implicitly equated the recent cooperation between prosecutors and intelligence officers, in the context of the fight against corruption, with past practices of collusion between the members of the judiciary and the communist Securitate. These three episodes of ‘dealing with the past’ are reviewed in order to showcase path-dependencies. Such path-dependencies are not linked only with carryovers from or throwbacks to the communist past. Rather, pre- and post-communist deficiencies of modernization, combined more recently with gaps in post-accession monitoring by the EU Commission, create continuities of peripheral instrumentalism. Various narratives, such as decommunization, the fight against graft, judicial reform and the rule of law are used to legitimize short-term consequentialism, evincing a resilient, structural resistance to legislative and legal normativity.

MONGOLIA’S INDEPENDENT INTERNET?

AOIR 2021 conference theme “independence” of the internet provides an opportunity for researchers to reevaluate internet development in the global south by applying theories of “informational capitalism” (Castells, 2000; Schiller, 2000) and “surveillance capitalism” (Suboff, 2019). This paper aims to trace the development of informational society in Mongolia, a 30-year-old democracy in the Central Asian steppe. With a nomadic culture, a Buddhist tradition, and a communist past, Mongolia’s information society has unique encounters with global corporations such as Google, Apple, Facebook, Amazon and Microsoft (GAFAM). The paper focuses on juxtapositions of information society with traditional, cultural, political, and social aspects of Mongolian life. I establish how Mongolia is positioned in various global information society perspectives, by investigating tensions that have not been addressed in this nation’s context of a communist past and an ongoing nomadic lifestyle. I also trace the historic development of information and communication technology (ICT) initiatives during the socialist and post-communist eras. Online speech controversies, misinformation, and commercial speech on social media all tested Mongolia’s new Constitution of 1992. The constitution promulgates a free press and the freedom of speech in the zeitgeist of the 1990s to prioritize the eradication of communist-era political censorship and communist party control. One cannot help but notice the gap in the legal frameworks of Mongolian institutions between the current and the “aspired to” states of democratization and protection of human rights and cultural experiences.

Paradoxes of Transition. Dan Lungu, Iulian Ciocan and Dumitru Crudu’s Characters between Nostalgia and Change

One of the transition paradoxes from totalitarianism to democracy is nostalgia for the communist past that persists in society and 30 years after the fall of the totalitarian regime. This phenomenon represents, according to the specialists in the field, the expression of the revolt against the socio-political and economic transformations of the transition. Nostalgia becomes a place of refuge for those who do not find themselves in today's society. In the present work there will be analyzed the novels „Heaven of the Hens” and „I am a communist woman!” by Dan Lungu, „Slaughter in Georgia” and „People from Chisinau” by Dumitru Crudu, „Sasha Kozak’s Land” by Iulian Ciocan which configure literary typology of the nostalgic character after communism.

Introduction: Remembering the Socialist Past

This text focuses on qualitative research of the past when it comes to the communist regimes in Europe, particularly Slovakia (as part of former Czechoslovakia). The authors introduce the ongoing research project Current Images of the Socialism as well as its methodological and theoretical frames. They present the findings and challenges, as also articulated during the international conference Memory of the Communist Past (2020) and introduce selected articles included in this special issue.

Museums and Transitional Justice: Assessing the Impact of a Memorial Museum on Young People in Post-Communist Romania

Memorial museums are frequently established within transitional justice projects intended to reckon with recent political violence. They play an important role in enabling young people to understand and remember a period of human rights abuses of which they have no direct experience. This paper examines the impact of a memorial museum in Romania which interprets the human rights abuses of the communist period (1947–1989). It uses focus groups with 61 young adults and compares the responses of visitors and non-visitors to assess the impact of the museum on views about the communist past, as well as the role of the museum within post-communist transitional justice. The museum had a limited impact on changing overall perceptions of the communist era but visiting did stimulate reflection on the differences between past and present, and the importance of long-term remembrance; however, these young people were largely skeptical about the museum’s role within broader processes of transitional justice. The paper concludes that it is important to recognize the limits of what memorial museums can achieve, since young people form a range of intergenerational memories about the recent past which a museum is not always able to change.

Differences in Occurrence of Unethical Business Practices in a Post-Transitional Country in the CEE Region: The Case of Slovakia

This study aims to contribute to the understanding of unethical practices in business and asks whether certain types of organizations are considerably more exposed to unethical business practices than others are. Drawing from the tenets of institutional theory, the paper investigates the occurrence of unethical practices in different organizational “fields”, namely the industry sector (with focus on Finance and Construction), company membership in professional networks, company ownership (public/private), and company age. The method of stratified random sampling by proportional allocation is used to establish the sample (n = 1295), composed mostly of company owners and higher managers. Results show that, in general, the industry sector, membership in professional networks, and company age are associated with significant variance in the perceived incidence of unethical practices, whereas company ownership has no significant effect in this regard. More specifically, the construction sector is significantly more exposed to unethical practices than other sectors in the sample, while the finance sector is not. Companies with membership in professional networks report a significantly lower occurrence of unethical practices. Young companies are significantly more exposed than their more mature counterparts; however, here the effect of company size must be accounted for. The research was conducted in one of the former CEE block countries—Slovakia. Given their common communist past and comparable peripeties with the transition process, these findings might be useful for understanding business ethics issues in a wider context of the CEE region.