IDENTITY, MEMORY, AND AUTOBIOGRAPHICAL WRITING IN TWELFTH- AND THIRTEENTH-CENTURY FRENCH LITERATURE

2021 ◽  
pp. 137-152
Author(s):  
MERITXELL SIMÓ
Queeste ◽  
2021 ◽  
Vol 28 (1) ◽  
pp. 246-276
Author(s):  
Lisa Demets

Abstract This article analyses the production and consumption of francophone manuscripts in thirteenth-century Flanders from a multilingual perspective. The polyglot linguistic reality of the County of Flanders, home to both Dutch- and French-speaking communities, is evident in documentary sources and manuscripts from around 1200. Using a database compiled for The Multilingual Dynamics of the Literary Culture of Medieval Flanders (ca 1200–ca 1500) project, the quantitative evidence for the apparent popularity of French literature will be scrutinized in the extant manuscripts produced and used in Flemish urban, monastic, and court environments during the thirteenth century. Furthermore, manuscript case studies related to the Flemish court illustrate how thirteenth-century francophone literary culture is shaped by social milieus and user contexts, including examples of the interregional francophone networks of noblewomen, cultural exchange between the court and urban elites, and a renewed interest in crusader history.


1982 ◽  
Vol 24 (2) ◽  
pp. 185-210 ◽  
Author(s):  
Sarah Melhado White

French literature has specialized, almost since its beginning, in accounts of eroticism and courtship. During the twelfth century, Northern romance and Southern lyric described an idealized heterosexuality and its role in honing the aristocratic individual. In the thirteenth century, a new genre appeared that dealt with sexual encounter in more materialistic terms. The new form, the fabliau, added to literary language a vocabulary of vulgarisms from the spoken vernacular. At the same time, it gave European literature a new theme: sexuality that betokens not personal fulfillment, but rivalrous interpersonal struggle.


Romanticism ◽  
2017 ◽  
Vol 23 (1) ◽  
pp. 1-14 ◽  
Author(s):  
Richard Lansdown

Berlioz’ Mémoires (1870) and Delacroix's Journal (1893) are commonly seen as two of the greatest records of Romantic creativity. They also share a common background in French Romanticism, and are powerful instances of two great forms of autobiographical writing. This essay takes these features into account, but also contrasts the two Romantic artists — and human individuals — recorded in these books.


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