Fetal Personhood and Voice in Medieval French Literature

This essay examines medieval French literary representations of fetal speech and proposes a new understanding of medieval conceptions of personhood. Placing passages from the Roman de Fauvel, Histoire de Marie et de Jésus, Pelerinage de Jhesucrist, and Tristan de Nanteuil in conversation with elements of thirteenth-century theological, encyclopedic, and scientific discourses, as well as with contemporary sound studies and theories of the voice, this essay shows that emergent human personhood is constructed in medieval texts as an audible social phenomenon. Medieval personhood is a notion reliant on sound and speech, and thus on the presence of an audience: a person is a composite of body and soul occupying a social and vocalic space shared with other persons. This relational understanding allows for a redefinition of personhood: not as a quality originating at a fixed point in human development but as a social and sensory experience.

Itinerari amazzonici in Boccaccio: il retroterra romanzo

The theme of the Amazons accompanies Boccaccio’s vast literary production, from youth to maturity. The essay explores the interactions between texts of medieval french literature and Boccaccio’s works; at the same time, it aims to place Boccaccio’s works within the Angevin culture of Naples in the fourteenth century.

Shaping Identity in Medieval French Literature

Contributors to Shaping Identity in Medieval French Literature consider the multiplicity and instability of identity in medieval French literature, examining the ways in which literary identity can be created and re-created, adopted, refused, imposed, and self-imposed. Moreover, it is possible to take one’s place in a group while remaining foreign to it. Chrétien de Troyes’s Conte du Graal provides the perfect example of the latter. The tale opens with Perceval hunting alone in the forest, absorbed in his own pursuits, world, and thoughts. His “alone-ness” and self-absorption are evident as he moves toward an integration into a society from which he emerges both accepted and yet even more “different.” The ability to exist simultaneously inside and outside of a community serves as the focal point for the volume, which illustrates the breadth of perspectives from which one may view the “Other Within.” The chapters study identity through a wide range of lenses, from marginal characters to gender to questions of religious difference and of voice and naming. The works analyzed span genres—chanson de geste, romance, lyric poetry, hagiography—and historical periods, ranging from the twelfth century to the late Middle Ages. In so doing, they highlight the fluidity and complexity of identity in medieval French texts, underscoring both the richness of the literature and its engagement with questions that are at once more and less modern than they may initially appear.