scholarly journals THE DOMUS DEI IN PALEOLITHIC COSMOGONY. THE “MATRIOSHKA” MODEL.

Author(s):  
Jacinto Choza Armenta
Keyword(s):  

Abstract: 1. The axis mundi and the Paleolithic topical. 2.- The Paleolithic goddesses and ovoid canon 3.- The hopscotch and sacred geometry. 4.- The heavenly spheres from Pythagoras to Ptolemy. The “matrioshka” model.Key words: Paleolithic cosmogony, sacred geometry, “matrioshka”, temple.


Religions ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 156
Author(s):  
Julia Alonso

This paper is an investigation of the divine feminine power as depicted in the texts of Hispanic mystics from Sufi, Hebrew, and Christian traditions. This work is intended to investigate the origin and subsequent development of a transcendent reconciliation of polarity, its diverse manifestations, and the attainment of a common goal, the quintessential of the Perfect Human Being. The architect of the encounter that leads to Union is “Sophia.” She is the Secret. Only those who are able to discern Her own immeasurable dimension may contemplate the Lady who dwells in the sacred geometry of the abyss. Sophia is linked to the hermetic Word, She is allusive, clandestine, poetic, and pregnant with symbols, gnostic resonances, and musical murmurs that conduct the “traveler” through dwellings and stations towards an ancient Sophianic knowledge that leads to the “germinal vesicle,” the “inner wine cellar,” to the Initium, to the Motherland. She is the Mater filius sapientae, who through an alchemical transmutation becomes a song to the absent Sophia whose Presence can only be intuited. Present throughout the Creation, Sophia is the axis around which the poetics of the Taryuman al-ashwaq rotates and the kabbalistic Tree of Life is structured.



Author(s):  
David A. Leeming
Keyword(s):  


2018 ◽  
Vol 26 (1) ◽  
pp. 3-22
Author(s):  
Paul Kingsbury

In recent years, cultural geographers have begun to scrutinize the relationships between the ‘ordinary’ and the ‘extraordinary’. These studies assert that the ordinary and extraordinary are not fixed and discrete, but rather, mutable and connected. The main goal of this article is to explore how landscape can combine the ordinary and the extraordinary by reflecting on my participation in the 2017 Summer Lectures Crop Circle Conference in Devizes, England, and drawing on Jean-François Lyotard’s work, Discourse, Figure (1971). My argument is that crop circles and the conference participants’ research practices landscape the ordinary and extraordinary by magnifying disruptive yet alluring rifts ( écarts) between textual acts of reading and visual acts of seeing. I illustrate how such rifts, which Lyotard aligns with ‘figural space’ ( l’espace figurai), occur on and off the conference site as follows: first, through an awkward slowness demanded by drawing crop circles in a sacred geometry workshop; second, as a result of the opaque thickness of the local countryside wherein researchers struggled to locate crop circles in fields and navigate country lanes; and third, in the operations of desire in group consciousness workshops that propelled disagreements over how to access the sacred. The article concludes by acknowledging some of the limitations of my reading of figural space, as well as some reasons why we should ‘go figural’ in cultural geography.



Author(s):  
Andres J Washington
Keyword(s):  


Author(s):  
Tymoteusz Skiba

The Book is not only a crucial element of the fictional world of Schulz and Lem, but also a metaphor of creation. The poetic imagination of both writers is rooted in the mythical image of the ur-Book, the Authentic Scroll which makes the axis mundi of reality. The artistic task of Schulz was to reconstruct that lost idea, while Lem decided to abandon it in favor of a vision of enormous, overwhelming libraries. At any rate, the attitude toward the myth of the Book turns out to be a common element, if not a symbol characteristic of both Schulz’s and Lem’s fiction.



Author(s):  
Guadalupe Cantarero-García

At present, the implementation of the concepts of tellurism and sacred geometry in the schools of architecture is neither obvious nor simple. It starts with the historical heritage of patterns that are shaped and molded according to professorships that have worked independently in territories at different scales within building and urbanism. Moreover, they share the same premise of the occupation of space and creation. In this study, the authors focus on the intrinsic value of the land, its energy, and how this affects not only the overall design of the building, but also the interior of a healthy dwelling. The psychological, psychosomatic, and symptomatic effects on the human being are related to the intrinsic use of a dwelling, as well as to the building's placement on the land. The work method in this investigation has implemented a comparative case study carried out in El Pardo and Carabanchel.





2021 ◽  
pp. 5-27
Author(s):  
Benjamin A. Bross
Keyword(s):  


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