Race Differences in Feminism and Guilt

1981 ◽  
Vol 49 (1) ◽  
pp. 45-46 ◽  
Author(s):  
Steve Slane ◽  
Lisa Morrow

A measure of feminism and Mosher's Forced-choice Guilt Inventory, which assesses sexual guilt, guilt about hostility, morality conscience, and total guilt, were administered to 179 white and 34 black women. Correlations indicated that women high on feminism scored lower on the four measures than nonfeminists. Black and white women did not differ in strength of feminist beliefs, but separate correlations performed for black and white women indicated that for black women feminism was related to less guilt about hostility while in white women feminism was related to less sexual guilt and morality conscience but was unrelated to guilt about hostility. The results suggest that the underrepresentation of black women in the women's liberation movement reflects the different needs of black and white women, not differences in strength of feminist beliefs.

2020 ◽  
Vol 14 (3) ◽  
pp. 321-330 ◽  
Author(s):  
Samantha Lampe

As the Women’s Liberation Movement developed in the 1970s, women challenged society’s limited female representation as either the Madonna or the whore. Musicals in the 1970s, including Grease (1972), Chicago (1975) and Evita (1979), complicated the female image through the juxtaposition of feminine stereotypes in the heroine’s persona. With each of the shows centralizing the plot around analysing the contradictory feminine image, the women perform in both public and private settings, along with other characters critiquing their personas. From feminist protesters to the writings of Simone de Beauvoir and Betty Friedan, Sandy, Roxie and Eva reflect the requests of contemporary women to display their gender as something beyond the perceived dichotomy of Madonna or whore in their music performances.


Soundings ◽  
2021 ◽  
Vol 77 (77) ◽  
pp. 37-54
Author(s):  
Sheila Rowbotham ◽  
Jo Littler

In this interview Sheila Rowbotham talks to Jo Littler about her involvement in feminism and politics over several decades. This ranges across her role in the Women's Liberation Movement, left activism, historical scholarship, work with in the Greater London Council (GLC), involvement in the international homeworking movement and her secret life as a poet.


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