Creative Genius

CFA Magazine ◽  
2003 ◽  
Vol 14 (6) ◽  
pp. 40-43
Author(s):  
Cynthia Harrington
Keyword(s):  
Creative Genius

RESTORATION OF MONUMENTS OF UZBEKISTAN ARCHITECTURE

2021 ◽  
Vol 4 (6) ◽  
pp. 53-59
Author(s):  
Malika Makhmudova ◽  
Keyword(s):  
Scientific Research ◽  
Architectural Heritage ◽  
Scientific Methods ◽  
Creative Genius ◽  
Special Place ◽  
The People

The article is about restorers who have devoted their lives to the study, restoration and promotion of architectural monuments of Uzbekistan. Also, examples from the experience of restoration are given.Uzbekistan is a country of ancient culture, whose monuments are living witnesses of the creative genius of the people. Since the 1920s, significant works on their restoration are presented here, during which a kind of restoration school was formed, which is more than 100 years old; in this important matter, a special place belongs to two leading specialists -restorers -M.F. Mauer and B.N. Zasypkin. The article tells about the scientific and creative activities and the legacy of these restorers.The significance of the article lies in the application of the results of the conducted scientific research of the activities of restorers and architects of Uzbekistan in the modern practice of the restoration of architectural monuments. Also, the presentation of scientific methods for restoration on the example of the works of M. F. Mauer, B. N. Zasypkin, L. Yu. Mankovskaya, I. I. Notkin contributes to the preservation of the architectural heritage of Uzbekistan

The creative genius: John Nash

Resonance ◽  
2016 ◽  
Vol 21 (9) ◽  
pp. 769-772
Author(s):  
Sujatha Babu ◽  
Nagarajan Krishnamurthy ◽  
T. Parthasarathy
Keyword(s):  
John Nash ◽  
Creative Genius

The creative genius of the efficiency experts

Refractories ◽  
1975 ◽  
Vol 16 (7-8) ◽  
pp. 395-397
Author(s):  
N. N. Kalinicheva
Keyword(s):  
Creative Genius

The Perceiving I

1981 ◽  
Vol 29 (3) ◽  
pp. 44-45
Author(s):  
Grace M. Burton
Keyword(s):  
Human Species ◽  
Creative Genius ◽  
As If

On seeing mathematical truths most people act as if they believe that mathematical truths are “right out there,” and simply need to be observed to be taken into one's own memory banks. Some mathematicians (and for all I know other “pure” scientists) believe that knowledge is solely a product of the creative genius of the human species—that it is independent of all such referents as “real matter.” Speculations on the nature of knowledge might be passed off as amusing entertainments for professors in their ivory towers were it not for the fact that teachers act on their beliefs about knowledge, even though they may never have consciously formulated them.

Before the Gates of Excellence: The Determinants of Creative Genius

1992 ◽  
Vol 105 (1) ◽  
pp. 152
Author(s):  
Frank Barron ◽  
R. A. Ochse
Keyword(s):  
Creative Genius

The Significance of Lamia

PMLA ◽  
1935 ◽  
Vol 50 (2) ◽  
pp. 550-561
Author(s):  
John Hawley Roberts
Keyword(s):  
The Self ◽  
Creative Imagination ◽  
Creative Genius ◽  
The Aesthetic

In an article Poetry of Sensation or of Thought? I attempted to show how Endymion and Hyperion: A Fragment are related to the æsthetic problem that Keats first analyzed in Sleep and Poetry. At that time I suggested that the Odes and Lamia, following as they do the abandoning of Hyperion: A Fragment, are the outpourings of a mind released at last from the self-imposed duty of writing a poetry of humanitarian philosophy and allowed to indulge its creative genius for the poetry of sensation. It was my contention (and still is) that Keats had been trying to force himself, like his own Apollo, to accept “Knowledge enormous” as Beauty—knowledge “of the agony and strife of human hearts”; whereas at least one half of his being was affirming passionately that Feeling, particularly that which passes through the refinery of the creative imagination, is Beauty. It was his acceptance of this side of his nature that produced most of the poems written in the spring of 1819. But during the summer of 1819 Keats plunged once more into the old conflict. It will be the purpose of this paper to show how Lamia and The Fall of Hyperion are related to it.

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