scholarly journals Procesy i egzekucje „żywych trupów” przed sądami miejskimi i wiejskimi w XVI–XVIII wieku – przyczynek do wierzeń w magia posthuma na Śląsku

2019 ◽  
Vol 16 (4 (1)) ◽  
pp. 77-92
Author(s):  
Daniel Wojtucki

There are references reaching back to the Middle Ages, regarding the fear of the “undead” or “living dead” who would rise from their graves in a local cemetery to haunt and harm the community. The fear of the “undead” was extremely strong, and the entailing hysteria often affected entire communities. In the 16th to the 18th century, in Silesia, effective forms of coping with the harmful deceased were developed. Analysing the preserved source material, we are able to determine that the basic actions involved finding the grave of the “undead” in the cemetery, exhuming the corpse and destroying it. However, this did not always mean the total annihilation of the poor man’s corpse. The trial and execution of the corpse of a person suspected of the harmful activity against the living took place observing almost the same rules as in the case of the living. Apart from the authorities, who usually commissioned local jurors to handle the situation, opinions and advice were also sought from the clergy as well as gravediggers and executioners. The last were considered to be experts of sorts and were often called upon to see corpses of the suspected dead. In the analysed cases of posthumous magic (magia posthuma) in Silesia, we deal with two directions of handling the corpse accused of a harmful posthumous activity. In both cases, the main decision was made to remove such corpses from the cemetery’s area. Costs of the trial and execution of the “undead” were considerable. They included expenses incurred due to rather frequent court hearings at which sometimes dozens of witnesses were heard, payments to expert witnesses, payments to guards watching graves, costs of legal instructions, services of gravediggers who would dig up suspicious graves, and, finally, the remuneration of executioners and their people. In the second half of the 18th century, despite relevant decrees issued by supreme authorities, trials and executions of the dead were not completely abandoned.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 390-392
Author(s):  
Raymond J. Cormier

It doesn’t pay to sing about the poor! Literary patronage in the Middle Ages is as old as poetry itself. The aristocratic context guaranteed a rich intellectual focus, whether we consider the poetry of praise or blame, and whether fulsome or just simple. Authorized compositions offered to a patron implied a hope for favorable compensation, and with his (or her) audience assured, the ceremonial promotion of the kingdom by the poet brought glory to the sponsor. Following a benefactor’s tastes within a cultural climate of liberality and magnanimity might bring unimaginable rewards to a court poet. A quick example from the life of Fortunatus: the renowned Gregory of Tours rewarded the poet with gifts, such as an estate on the Vienne River.


2000 ◽  
Vol 105 (2) ◽  
pp. 598
Author(s):  
Allen J. Frantzen ◽  
Jean-Claude Schmitt ◽  
Teresa Lavender Fagan
Keyword(s):  
The Dead ◽  

Author(s):  
Yannick Cormier

In many parts of Europe and especially in the Iberian Peninsula (Spain, Portugal, and the Basque Country), archaic and mysterious figures regularly haunt carnival rites since the Middle Ages (but referring, according to some specialists like A. Darpeix, member of the historical and archaeological society of Perigord, to a distant shamanic and Neolithic antiquity). They are masks adorned with skins of animals, vegetables, and straw, surrounded by bells and bones, often crowned with horns and pieces of wood. Thus arises the wild man within modern paganism to symbolize the rebirth of nature emerging from winter. The figures are essentially ambiguous, at the crossroads of nature and culture. The masks always speak of the mysteries of existence: in traditional societies, they were or still are the figures of ancestors and spirits of the dead, that of protective or evil spirits.


2016 ◽  
Vol 85 (4) ◽  
pp. 803-809
Author(s):  
Euan Cameron

Robert Bartlett's book on the cult of saints in the Middle Ages clearly constitutes a major achievement. Its scope is vast; its approach ranges from the chronological to the thematic; it embraces many cultural, as well as theological and religious, aspects of the subject. Finally, it is informed by a rich comparative vision that includes wide-ranging discussion of other religions.


Parergon ◽  
1996 ◽  
Vol 13 (2) ◽  
pp. 255-258
Author(s):  
J. S. Ryan
Keyword(s):  
The Dead ◽  

2017 ◽  
Vol 62 (1-2) ◽  
pp. 41-46
Author(s):  
Helma Schaefer

In her article, the author discusses the merits of the German craft bookbinder Paul Kersten (1865-1943) in the development of modern decorative papers as an expression of artistic individuality in the field of applied arts. From the Middle Ages, decorative paper had been used in decoration and bookbinding. Bookbinding workshops had traditionally made starched marbled paper. The interest of Paul Kersten, coming from a bookbinding family, in these papers had already dated from his youth. During his travels abroad, he was aware of the poor state of the bookbinding craft, which was affected by the mass production of books and book bindings as well as the industrialisation of paper production at the end of the 19th century. Kersten helped to introduce Art Nouveau into the design of German bookbinding and the methods of the modern production of decorative papers. At first, he worked as a manager in German paper manufactures and then as a teacher of bookbinding. His work was later oriented towards Symbolic Expressionism and he also tried to cope with the style of Art Deco.


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