scholarly journals Tecnología, desarraigo, y prácticas focales José Ortega y Gasset y Albert Borgmann frente a la alienación tecnológica del mundo

10.25185/10.3 ◽  
2021 ◽  
Vol 10 ◽  
Author(s):  
Alexander Castleton
Keyword(s):  
Jose Ortega Y Gasset

Ondankbaarheid. Over een 'schandelige' gedachte bij José Ortega y Gasset

2001 ◽  
Vol 17 (4) ◽  
Author(s):  
Jacques De Visscher
Keyword(s):  
Jose Ortega Y Gasset

The revolt of the masses. José Ortega y Gasset

1933 ◽  
Vol 5 (1) ◽  
pp. 111-112
Author(s):  
Andrew C. McLaughlin
Keyword(s):  
Jose Ortega Y Gasset ◽  
The Masses

The Historical Thought of José Ortega Y Gasset. Christian Ceplecha

1960 ◽  
Vol 32 (3) ◽  
pp. 265-266
Author(s):  
Dante A. Puzzo
Keyword(s):  
Jose Ortega Y Gasset ◽  
Historical Thought

Concord and Liberty. José Ortega y Gasset

Ethics ◽  
1947 ◽  
Vol 57 (3) ◽  
pp. 222-224
Author(s):  
Homer H. Dubs
Keyword(s):  
Jose Ortega Y Gasset

scholarly journals De la melancolía liberal al “ethos” liberal: en torno a “La rebelión de las masas” de José Ortega y Gasset

ENDOXA ◽  
2000 ◽  
Vol 1 (12-1) ◽  
pp. 313 ◽  
Author(s):  
Pedro Cerezo Galán
Keyword(s):  
Jose Ortega Y Gasset

Las empresas politicas de Jose Ortega y Gasset: "El Sol", "Crisol", "Luz" (1917-1934)

1972 ◽  
Vol 77 (3) ◽  
pp. 800
Author(s):  
Juan J. Linz ◽  
Gonzalo Redondo
Keyword(s):  
Jose Ortega Y Gasset

José Ortega y Gasset

1983 ◽  
pp. 449-459
Author(s):  
Linda A. Bell
Keyword(s):  
Jose Ortega Y Gasset

scholarly journals Claves de la poética machadiana en proverbios y Cantares

2002 ◽  
Vol 10 (1) ◽  
pp. 31-49
Author(s):  
Virginia Romo Martinez
Keyword(s):  
Jose Ortega Y Gasset

Los Proverbios y Cantares se publicaron por primera vez en Revista de Occidente - sin la dedicatoria a José Ortega y Gasset, en 1923. Un afio despues, al recogerse en Nuevas Canciones, se ornitieron varias piezas y se incluy6 la dedicatoria mencionada; en la portadilla figuraba la fecha [1917-1920]. Poesías Completas de 1928 incorpora Nuevas Canciones, suprirniendo cuatro composiciones más de Proverbios y Cantares, de manera que quedaron las 99 coplas que forman la versión definitiva. El sentir que transmiten es el del autor en los últimos años de su estancia en Baeza y primeros de Segovia, período clave en su evolución, para cuyo estudio es inestimable la ayuda que nos ofrece su cuademo de apuntes, publicado póstumamente bajo el titulo de Los Complementarios. Estamos ante una obra de transición tanto por el momenta vital en que se escribió (Baeza-Segovia), como por enlazar poéticamente y sin rupturas dos momentos culminantes en su hacer literario: el mundo de Campos de Castilla y el de sus apócrifos; y lo hace, dando vida independiente a una sección ya concebida en Campos de Castilla, en cuyo seno se da a luz al término que precisamente definirá parte de la obra de Abel Martín, me refiero al término "complementario": "Busca a tu complementario, I que marcha siempre contigo, I y suele ser tu contrario" (XV).

scholarly journals The Reconstruction of the European Mind: T. S. Eliot’s Criterion and the Idea of Europe

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Jeroen Vanheste
Keyword(s):  
Interwar Period ◽  
Specific Role ◽  
The Political ◽  
European Identity ◽  
Hugo Von Hofmannsthal ◽  
Jose Ortega Y Gasset ◽  
European Culture ◽  
European Tradition ◽  
Political Events ◽  
European Values

T. S. Eliot was the founder and editor of the Criterion, a literary and cultural review with a European focus that was published during the interwar period. The Criterion functioned as a platform for intellectuals with a shared perception of European culture and European identity. It was part of a network of European periodicals that facilitated an intellectual exchange between writers and thinkers with a common orientation. Examples of other reviews in the Criterion network were the Nouvelle Revue Française from France, La Fiera Letteraria and Il Convegno from Italy, the Revista de Occidente from Spain (edited by José Ortega y Gasset), and Die Neue Rundschau, the Europäische Revue, and the Neue deutsche Beiträge (edited by Hugo von Hofmannsthal) from Germany. In this article, I investigate the specific role the Criterion network of reviews and intellectuals played as an infrastructure for the dissemination of ideas about European culture during the interwar period. I also discuss the content of these ideas about the ‘European mind’. As to the latter, I suggest that Eliot positioned himself as well as his magazine in the European tradition of humanist thinking. Unfortunately, the Criterion’s ambition for a reconstruction of the European mind would dissipate as the European orientation of the 1920s was displaced by the political events of the 1930s. Eliot and his Criterion network expressed a Europeanism that has often been overlooked in recent research. The ideas discussed in this network remain interesting in our time, in which discussions about European values and European identity are topical. What is also highly interesting is the role cultural reviews played during the interwar period as a medium for exchanging such ideas.

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