scholarly journals Just a Hunch: Reading, Writing, ... and Architecture

2021 ◽  
Author(s):  
◽  
Elspeth Jane Simms

<p>Victor Hugo’s character, Claude Frollo, expressed Hugo’s linguistic analogy for architecture in his novel of 1831, Notre-Dame de Paris. Frollo directs the eyes of his companions from the book resting on his desk to the shadow of the nearby Notre-Dame cathedral, stating: ‘This will kill that’. Hugo expressed the belief that prior to the printing press, the communication of mankind occurred through architecture. His concern was for the fate of architecture following the invention of a new form of communication; the printed text. This thesis questions the concern that print will ‘kill’ architecture through an exploration of architectural research and design led by text. A validity of print as an experimental tool for architectural design is established through a range of output; visual and physical expression, creative writing, and formal writing. These design modes reveal unique architecture from within Hugo’s Notre-Dame de Paris. The outcomes of this research draw attention to the imaginative possibilities that text provides for architecture. It finds that architecture exists within text and allows for interpretation and conversion, into both real and imagined space. It provides a framework through which this can occur within other text, not just Notre-Dame de Paris. The conclusion is reached that text is a design tool which offers significant opportunities to the experimentation and design of architecture.</p>

2021 ◽  
Author(s):  
◽  
Elspeth Jane Simms

<p>Victor Hugo’s character, Claude Frollo, expressed Hugo’s linguistic analogy for architecture in his novel of 1831, Notre-Dame de Paris. Frollo directs the eyes of his companions from the book resting on his desk to the shadow of the nearby Notre-Dame cathedral, stating: ‘This will kill that’. Hugo expressed the belief that prior to the printing press, the communication of mankind occurred through architecture. His concern was for the fate of architecture following the invention of a new form of communication; the printed text. This thesis questions the concern that print will ‘kill’ architecture through an exploration of architectural research and design led by text. A validity of print as an experimental tool for architectural design is established through a range of output; visual and physical expression, creative writing, and formal writing. These design modes reveal unique architecture from within Hugo’s Notre-Dame de Paris. The outcomes of this research draw attention to the imaginative possibilities that text provides for architecture. It finds that architecture exists within text and allows for interpretation and conversion, into both real and imagined space. It provides a framework through which this can occur within other text, not just Notre-Dame de Paris. The conclusion is reached that text is a design tool which offers significant opportunities to the experimentation and design of architecture.</p>


1989 ◽  
Vol 21 (2) ◽  
pp. 48-50 ◽  
Author(s):  
Wendy E. Mackay ◽  
Deborah G. Tatar

Author(s):  
Els De Vos ◽  
Eva Storgaard

The joint European+ project Re-use of Modernist Buildings (RMB) started its activities in 2016. It is an educational collaboration between different European universities and organisations. The main objectives of this initiative is on the one hand to enhance student and staff mobility through a shared educational programme on master degree level; on the other hand it is to develop transformation strategies for modernist  buildings, mainly from the post-war period. RMB wants to develop an educational approach to this specific architectural heritage based on common definitions, approaches and methodologies. It takes its point of departure in existing research, educational practices and reference projects in the partner countries. This paper discusses the need for appropriate approaches to modernist buildings, definitions of re-use strategies and the position of RMB – as well as how the project’s educational programme is conceived and structured. Additional a more detailed description of the concept and the making of a so-called Case Study Handbook of Modernist Buildings follows, illuminating its asset as an important research and design tool.


2004 ◽  
Vol 8 (2) ◽  
pp. 99-99

With the UK's 2008 Research Assessment Exercise looming, we make no apologies for publishing a further exploration of the nature of architectural research. In her paper (pp141–147), Jane Rendell makes a lucid and persuasive case that design is a complex interdisciplinary activity that sits uneasily within current definitions of research. For Rendell, architectural design, just as much as writing, can be practised as a form of criticism, a proposition that was explored at ‘Critical Architecture’, the recent conference at the Bartlett School in London (pp105–108).


2019 ◽  
Vol 79 ◽  
pp. 01014
Author(s):  
Xuyu Tian ◽  
Shuntao Wu ◽  
Peiling He ◽  
Xiong Zhou ◽  
Zhaonian Bian ◽  
...  

Membrane materials and open-close roof buildings are new building materials and structural forms, which have developed rapidly in recent years. This new form of close combination of architecture and nature has enriched the connotation of architecture, exhibited the city, but also to the architectural design and construction has brought great challenges. Through the research and analysis of the performance of the membrane material, this study provides a reference for the design and construction of the domestic membrane material for the opening and closing roof structure.


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