Husserls aisthetisch-ästhetischer Begriff des Sprachleibes

Communication is formed and passed on simultaneously historically and lively in its a2sthetical corpus, sensory content and in its objective-generally valid meaning: Everybody in the same communit can enunciate and understand a statement in the same way not only through one’s own experience, but also through secondary takeover. Language forming belongs in its entirety, in the perceived and non-perceived meanings, to the human community life. The non-perceived given meanings are conveyed in a communicative community through the symbolic language. The formation of symbols presupposes a trustworthiness between the communicators and it also sets further a continuation of the trustful receiving from the past to the future. Communication can strive for its historical permanence by virtue of the universality of symbols, and symbols can render an idea identifiable and transmittable on the basis of its reference to word of life.

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Deceptive Strategies in Literature: The Meaning of Folded Story

Jurnal Humaniora ◽

10.22146/jh.43880 ◽

2019 ◽

Vol 31 (3) ◽

pp. 302

Author(s):

Silvia Rosa

Keyword(s):

Ethnic Group ◽

Past History ◽

Literary Work ◽

Community Life ◽

Symbolic Language ◽

Oral Literature ◽

The Past ◽

West Sumatra ◽

History Of ◽

Kinship Structure

Tambo Minangkabau is a storehouse of knowledge about the history of the Minangkabau people. Initially, it developed as oral literature, passed from generation to generation in the Minangkabau community in West Sumatra, an Indonesian provinces with a matrilineal kinship structure. However, after the Minangkabau people embraced Islam, Tambo began to be written using Jawi characters in Arabic thus becoming an historical literary work. Tambo tells the history of the Minangkabau ethnic group and also the history of customs and Minangkabau culture. Tambo records past events, stories about the origins of Minangkabau ancestors, philosophy, norms and laws in community life, and even the tragedies that have occurred in this ethnic group. To express the tragedies that have occurred in the past history of the Minangkabau ethnic group, Tambo uses the power of symbolic language. There are two episodes in Tambo that illustrate this. This article reveals the strategy of hiding a tragedy by the Minangkabau tribe through the power of the use of language in historical literary works, especially those depicted in the episodes of “Teka-teki Kayu Tataran” and “Teka-teki Unggas”.

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