Über die Lehre des Spinoza in Briefen an den Herrn Moses Mendelssohn

Author(s):  
Friedrich Heinrich Jacobi
Keyword(s):  
1984 ◽  
Author(s):  
ALEXANDER ALTMANN
Keyword(s):  

Author(s):  
Frederick Beiser
Keyword(s):  
The Arts ◽  

Frederick Beiser’s chapter demonstrates the palpable impact of Moses Mendelssohn on Lessing’s Laocoon. Mendelssohn composed his own treatise about the differences between the arts in 1757, paying particular attention to hybrid artistic forms that combined ‘natural’ and ‘arbitrary’ signs through their fusion of ‘successive’ and ‘instantaneous’ elements. In his comments on an early draft of Laocoon, Mendelssohn reminded Lessing that poetry—due to the arbitrariness of its signs—could also successfully express objects that coexist with one another rather than consecutive actions in time. Of all Mendelssohn’s comments on Laocoon, Beiser argues, this was the one that most troubled Lessing as he tried to develop a system for understanding ancient ‘poetry’ and ‘painting’.


AJS Review ◽  
2007 ◽  
Vol 31 (1) ◽  
pp. 211-214
Author(s):  
Willi Goetschel
Keyword(s):  

2008 ◽  
Author(s):  
Konrad Paul Liessmann

Im Rückgriff auf die Ursprünge der philosophischen Ästhetik im 18. Jahrhundert (Johann Georg Sulzer, Moses Mendelssohn, Friedrich Schiller, Jean Paul, Friedrich Schlegel, Immanuel Kant) analysiert Konrad Paul Liessmann die Vielfalt ästhetischer Empfindungen. Er verteidigt sie gegen die Beschränkungen durch die Kunsttheorien der Moderne ebenso wie gegen die These, dass in Geschmacksfragen alles subjektiv und damit gleich gültig sei.


Author(s):  
Vladimir N. Belov ◽  
◽  
Aleksandra Yu. Berdnikova ◽  
Yulia G. Karagod ◽  
◽  
...  

The article analyzes the main characteristic features of the philosophy of religion of the founder of the Marburg school of neo-Kantianism Hermann Cohen. Special attention is paid to Cohen’s criticism and reinterpretation of Kant’s “practical philosophy” from the point of view of the philosophy of religion: Cohen supplements and expands Kant’s provisions on moral law and moral duty, interpreting them as divine commandments. The authors emphasize the fundamental importance for Cohen of the “internal similarity” between Kant’s ethical teaching and the main provisions of Judaism. The sources of Kant’s own ideas about the Jewish tradition are shown, which include the work of Moses Mendelssohn “Jerusalem” and the “Theologicalpolitical treatise” by Baruch Spinoza. Cohen’s criticism of these works is analyzed an much attention is paid to the consideration of Cohen’s attitude to Spinoza’s philosophical legacy in general. The interpretation of the postulates of Judaism by Cohen (and their “inner kinship” with Kant’s moral philosophy) in ethical, logical, and political contexts is presented. Cohen’s understanding of such religious-philosophical and doctrinal phenomena as law, grace, Revelation, teaching, the Torah, messianism, freedom, the Old Testament and the New Testament, etc. is provided and analyzed. The main points of Cohen’s religious teaching as “ethical monotheism” are considered; in particular, the authors analyze his understanding of the idea of God as “the only one”, which is highlighted in the works of Paul Natorp. It is concluded that Cohen’s philosophy of religion, which is based on the postulates of Judaism as well as Kant’s “practical philosophy”, could be characterized by the terms “ethical monotheism”, “universalism” and “humanism”.


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