<em>”</em>I Loved You, Man”: Masculinidades e identidades queer en <em>Shadow of a Man,</em> de Cherríe Moraga

Discussions and debates in and around the formation of Mexican American letters, including its periodization and formulations of its unique ontology, are reviewed, and discussions and analysis of key literary phenomena that have shaped in time (history) and space (region) Mexican American and Chicana/o letters are presented. Foundational scholars such as María Herrera-Sobek, Luis Leal, José Limón, and Juan Bruce-Novoa are considered along with scholar-creators such as Gloria Anzaldúa and Cherríe Moraga. A wide variety of Mexican American and Chicana/o authors of fiction, poetry, and nonfiction are reviewed, including Alurista, María Amparo Ruiz de Burton, Marío Suárez, Arturo Islas, Richard Rodriguez, and Ana Castillo, among many others.

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Translating in the contact zone

Translation and Interpreting Studies ◽

10.1075/tis.20098.vid ◽

2021 ◽

Author(s):

Mª Carmen África Vidal Claramonte

Keyword(s):

Contact Zone ◽

Gloria Anzaldua ◽

Sandra Cisneros ◽

Ana Castillo ◽

Cherrie Moraga ◽

Ana Lydia Vega ◽

Esmeralda Santiago ◽

Hybrid Language ◽

Pat Mora ◽

The U.S

Abstract The purpose of this article is to analyze the hybrid language used in the U.S. by a generation who think brown and write brown. I am referring to the so-called one-and-a-halfers, a generation that includes writers such as Gloria Anzaldúa, Cherríe Moraga, Sandra Cisneros, Pat Mora, Ilan Stavans, Ana Lydia Vega, Ana Castillo, Helena Viramontes, Esmeralda Santiago, or Tato Laviera, to name but a few. I aim to analyze how many migrants and refugees use language in a way that destroys consensus. It is in these spaces where the migration movements of the multiple souths talk back in a weird language which the Establishment fears. In these circumstances, translation becomes a tool to raise questions that disturb the universal promises of monolingualism.

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