Introduction: Nontheatrical Film

Film History ◽  
2007 ◽  
Vol 19 (4) ◽  
pp. 339-343 ◽  
Author(s):  
Dan Streible ◽  
Martina Roepke ◽  
Anke Mebold
Keyword(s):  
2019 ◽  
pp. 23-61
Author(s):  
Kit Hughes

Forgoing an examination of the media industries, Chapter 1 focuses instead on the rise of what one might call the mediated industries. A prehistory of television at work, this chapter traces an intensifying relationship between electronic media and the workplace that follows the development and industrial application of telegraphy, telephony, recorded sound, wireless, applied radio, Muzak, faxing, and nontheatrical film. Situating this discussion in the context of scholars’ treatment of communication and empire, it argues that television occupies a key transitional position for the mediated corporation in which electronic communication’s dual uses as a logistical tool and as a conduit for cultural production converge. These processes illustrate the development of an alternative media sector and the symbiotic relationship between the “knowledge industries” and corporate expansion, as well as the specificities of how media infrastructures are created at scale.


1961 ◽  
Vol 14 (3) ◽  
pp. 40-42
Author(s):  
Henry Breitrose
Keyword(s):  

Author(s):  
Florian Hoof

This chapter, by Florian Hoof, describes how the military utilized vocational training films in the 1910s and how producing, promoting, and selling such films turned into a profitable business model for filmmakers. It specifically looks at vocational training films produced by Frank Gilbreth for the U.S. Army in the context of the Great War. Due to the development of industrialized warfare, concepts from Gilbreth’s industrial work proved to be newly relevant for the military. Film addressed the problem of how to organize the transfer of complex topics in military training. The chapter sheds new light on the interrelations between film, the organizational culture of the military, and educational theory. Lastly, the utilization of film in the military is situated in the broader context of a film history on nontheatrical film.


2019 ◽  
pp. 1-22
Author(s):  
Kit Hughes

The introduction describes television’s use as an instrument of orientation engaged in cultural and logistical management in three interrelated senses: (1) shaping viewers’ understanding of their world and their place within it, (2) enabling action in space, and (3) offering a site for groups and institutions to engage the “problem” of electronic workplace communication. Arguing that industrial television sought to acclimate workers to the conditions of post-Fordism, it describes this transition in the US, focusing on one vector of the move to post-Fordism that was a favored target of television: the diminishing boundaries between work and nonwork. It also provides an overview of three bodies of literature: (1) media studies understandings of the conjuncture between labor and audiences (e.g., the audience commodity), (2) the cultural and political interventions of useful cinema, nontheatrical film, and institutional media research, and (3) methodologies for historical studies of emergent technologies. It ends with a chapter overview.


Leonardo ◽  
2016 ◽  
Vol 49 (5) ◽  
pp. 421-427
Author(s):  
Colin Williamson

This article explores the topic of scientific discovery in two cases of intersections between imaging technologies and sleight-of-hand magic in the domain of nontheatrical film and media. The first case is the French psychologist Alfred Binet’s use of chronophotography to study magicians in the 1890s. The second is the reanimation of Binet’s study by cognitive (neuro)scientists beginning in the early 2000s using eye-tracking cameras and other digital-imaging devices. The author focuses on how both cases treat the magician as a medium of discovery and how both use optical devices to “see” visual processes related to the experience of wonder.


1965 ◽  
Vol 74 (9) ◽  
pp. 802-805 ◽  
Author(s):  
Thomas W. Hope

2016 ◽  
Vol 55 (2) ◽  
pp. 1-24 ◽  
Author(s):  
Marsha Gordon ◽  
Allyson Nadia Field

1967 ◽  
Vol 76 (12) ◽  
pp. 1264-1278
Author(s):  
Thomas W. Hope

1969 ◽  
Vol 78 (11) ◽  
pp. 973-988
Author(s):  
Thomas W. Hope

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