BOOK REVIEW: Samira Kawash.DISLOCATING THE COLOR LINE: IDENTITY, HYBRIDITY, AND SINGULARITY IN AFRICAN-AMERICAN LITERATURE. Stanford: Stanford UP, 1997.

2000 ◽  
Vol 31 (1) ◽  
pp. 222-223
Author(s):  
Lindon Barrett
Keyword(s):  
African American ◽  
American Literature ◽  
African American Literature ◽  
Color Line

scholarly journals Beyond the Color Line: A Postmodernist Reading of Ishmael Reed’s Flight to Canada

2020 ◽  
Vol 3 (3) ◽  
pp. p1
Author(s):  
Bi Boli Dit Lama Berté GOURE
Keyword(s):  
African American ◽  
American Literature ◽  
Race And Ethnicity ◽  
African American Literature ◽  
Intrinsic Value ◽  
The Novel ◽  
Color Line ◽  
Creative Genius

Though African American literature can be regarded by some theorists as a means of defining the racial self, a postmodernist reading of Ishmael Reed’s Flight to Canada delves into the intrinsic value of that literature which supersedes the traditional racial connotation ascribed to it. Reed not only castigates the metanarrative of the American cultural and democratic thought through the exposure of its inconstancies and the criticism of traditional ideas on race and ethnicity, but he also gives proof of his creative genius by operating a carnivalization of the novel genre itself.

Trey Ellis's Platitudes: Redefining Black Voices

2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha
Keyword(s):  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
African American Literature ◽  
Black Experience ◽  
Racial Issues ◽  
Black Voices ◽  
Late Twentieth ◽  
One Year ◽  
Late Twentieth Century

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.

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