The Semeiosis of Poetic Metaphor

Author(s):  
Michael Haley
Keyword(s):  
Author(s):  
Benedict Taylor

For the nineteenth century, music was commonly characterized as the “art of time,” and provided a particularly fertile medium for articulating concerns about the nature of time and the temporal experience of human life. This chapter examines some of the debates around music and time from the period, arranged thematically around a series of conceptual issues. These include the reasons proposed for the links between music and time, and the intimate connection between our subjective experience of time and music; the use of music as a poetic metaphor for the temporal course of history; its use by philosophers as an instrument for the explication of temporal conundrums; its alleged potential for overcoming time; its various forms of temporal signification across diverse genres; and the legacy of nineteenth-century thought on these topics today.


Poetics ◽  
1976 ◽  
Vol 5 (4) ◽  
pp. 383-402 ◽  
Author(s):  
Tanya Reinhart
Keyword(s):  

Language ◽  
1991 ◽  
Vol 67 (2) ◽  
pp. 320 ◽  
Author(s):  
Ray Jackendoff ◽  
David Aaron ◽  
George Lakoff ◽  
Mark Turner
Keyword(s):  

Author(s):  
Massimo Gusso

The Gallo-Roman imperial accession of Avitus, following the Vandal plunder, is presented by Sidonius Apollinaris (Carm. 7) as an effective opportunity for the revival of the Western empire in a utopian and mythical-historical perspective, which uses repertoires of Roman Republican History. An neglected tradition of that same history is thus revived, incidentally, with precedents ranging from the Gallic siege to civil wars and beyond. In this context, some senatorial ateliers where communications functional to the idea of a senate “free from the emperor” were experimented, could have made use of a certain “republican” modality of the use of prodigies in the most unscrupulous way, with recourse to even very complex propaganda paradigms.


Author(s):  
Steve Odin

There exist parallels between the Buddhist concept of Indra’s Net and the notion of moral perspective-taking. According to Alfred North Whitehead’s process metaphysics, the aesthetic continuum of nature is an organization of perspectives, whereby each occasion is akin to a Leibnizian monad, or metaphysical point, each functioning as a living mirror that reflects the entire universe from its own unique standpoint as a microcosm of the macrocosm. The metaphysical perspectivism underlying Whitehead’s ecological concept of nature along with a brief consideration of how Whitehead’s perspectivism illuminates the Japanese aesthetic concept of nature can be visualized by the poetic metaphor of Indra’s Net. Whitehead’s Leibnizian perspectivism was reformulated by George Herbert Mead, and later by Lawrence Kohlberg and Jürgen Habermas and can be integrated into an ethical procedure for moral perspective-taking, whereby free moral agents learn to put themselves into the perspectives of others in the community.


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