A Comparative Perspective on Kabir and George Herbert's Poetry

The Bhakti movement in India attempted reforms by fighting caste rigidities and superstitions. Almost around the same time the Cambridge reformers were attempting to reform the Catholic Church and propagating Protestant ideas. This paper attempts a comparative perspective on George Herbert’s poetry in relation to some aspects of Bhakti poetry in India, especially with reference to Kabir. George Herbert who was a Metaphysical poet is classified as a devotional poet for the corpus of religious poetry he wrote. The approach of this Metaphysical poet and poets like Kabir from the Bhakti movement has certain points of comparison. Certain similarities in the discourse of the disciple as slave to his Lord; as the lover in search of a union etc. finds place in this discussion. This paper engages in a close study of the religious poetry of George Herbert and that of Kabir in relation to the trends of the Bhakti movement. The language used by most Bhakti poets is simple and words from the vernacular languages of India find a presence in pure or mixed form. Kabir uses the ‘sadhukkadi’ or ‘khichdi’ language. Though Herbert wrote in the English language the world-view of both the poets is quite similar. Some of the images and the philosophy that manifests itself in the two poets are examined through this comparative study.

Paradoxical Desire in the Poetry of Sidney, Spenser, Donne, and Herbert

<p>Inspired by conventional Petrarchism, early modern English poets adopted the concept and rhetoric of paradox in their articulations of desire while revealing significant progression and innovation. Desires expressed by the poet-lovers in the poems of Philip Sidney, Edmund Spenser, John Donne, and George Herbert are the culmination of attempts to coordinate incongruent and contrasting extremes. This thesis examines how desire operates as paradox in Philip Sidney’s Astrophil and Stella, Philip and Mary Sidney’s Psalms, Spenser’s Amoretti and Epithalamion, Donne’s amorous and religious poems, and Herbert’s poems. Chapter One discusses Astrophil’s desire in Astrophil and Stella as demonstrating the Petrarchan lover enfolded in Neoplatonism. It also explores Donne’s amorous poems, which apply religious vocabularies to communicate sexual love, filling the gap between the distant extremes, establishing a paradoxical unity. In Chapter Two, the thesis compares Spenser’s speakers in Amoretti and Epithalamion and the Sidneys’ Psalmist as Neoplatonic lovers, both of whom search within the physical realms—nature and the body—to express the desire for their divine beloved. In Chapter Three, I compare Donne’s religious poems and selected lyrics from George Herbert’s The Temple. I argue that in Donne’s religious poems, spiritual love is mediated through fleshly desire in a sacramental poetics. The relationship between physical desire and spiritual love is comprehended through sacramental analogy. Comparably, in Herbert’s The Temple, the internal and external components of religious desire reflect the Sacramental theories in which Eucharistic elements communicate their divine referents. The effective way to express love for God, paradoxically, is to establish a spiritual justification for an affirmative embrace of sexuality, making fleshly desire serve as a vehicle of Divine grace. As Donne asserts in his Paradoxes and Problems, “by Discord things increase”. The poet-lovers in the works this thesis explores constantly yearn to imitate and represent their beloved by means of “Discord” and the performance of paradoxical unity. Accordingly, paradoxical desire becomes the inevitable consequence of the poet-lover as a desiring subject who approaches a supposedly insuperable obstacle when he correlates with the beloved obj</p>

Paradoxical Desire in the Poetry of Sidney, Spenser, Donne, and Herbert

<p>Inspired by conventional Petrarchism, early modern English poets adopted the concept and rhetoric of paradox in their articulations of desire while revealing significant progression and innovation. Desires expressed by the poet-lovers in the poems of Philip Sidney, Edmund Spenser, John Donne, and George Herbert are the culmination of attempts to coordinate incongruent and contrasting extremes. This thesis examines how desire operates as paradox in Philip Sidney’s Astrophil and Stella, Philip and Mary Sidney’s Psalms, Spenser’s Amoretti and Epithalamion, Donne’s amorous and religious poems, and Herbert’s poems. Chapter One discusses Astrophil’s desire in Astrophil and Stella as demonstrating the Petrarchan lover enfolded in Neoplatonism. It also explores Donne’s amorous poems, which apply religious vocabularies to communicate sexual love, filling the gap between the distant extremes, establishing a paradoxical unity. In Chapter Two, the thesis compares Spenser’s speakers in Amoretti and Epithalamion and the Sidneys’ Psalmist as Neoplatonic lovers, both of whom search within the physical realms—nature and the body—to express the desire for their divine beloved. In Chapter Three, I compare Donne’s religious poems and selected lyrics from George Herbert’s The Temple. I argue that in Donne’s religious poems, spiritual love is mediated through fleshly desire in a sacramental poetics. The relationship between physical desire and spiritual love is comprehended through sacramental analogy. Comparably, in Herbert’s The Temple, the internal and external components of religious desire reflect the Sacramental theories in which Eucharistic elements communicate their divine referents. The effective way to express love for God, paradoxically, is to establish a spiritual justification for an affirmative embrace of sexuality, making fleshly desire serve as a vehicle of Divine grace. As Donne asserts in his Paradoxes and Problems, “by Discord things increase”. The poet-lovers in the works this thesis explores constantly yearn to imitate and represent their beloved by means of “Discord” and the performance of paradoxical unity. Accordingly, paradoxical desire becomes the inevitable consequence of the poet-lover as a desiring subject who approaches a supposedly insuperable obstacle when he correlates with the beloved obj</p>

CULTURAL IDENTITY AND SYMBOLIC INTERACTIONISM IN KARMA BROWN’S NOVEL “RECIPE FOR A PERFECT WIFE”

In a literary work, two characters can be narrated as the attention center that contains the cultural identity from certain generation. Meanwhile, a symbol actually can cause an interaction within characters. This research discusses about cultural identity and symbolic interactionism reflected in a novel. There is a novel entitled “Recipe for a Perfect Wife” by Karma Brown that tells about two female characters that are represented as a housewife from different generation. This research uses descriptive qualitative as the research methodology and content analysis as the method in analyzing the object of the research, a novel entitled “Recipe for a Perfect Wife”. This research also uses the intrinsic approach to analyze the characterization, plot, and setting. This research reveals two kinds of a housewife. They are a housewife and working woman, and a full-housewife. This research finds five cultural identities in the past and present time that is related with a housewife reflected by two female characters in the novel by using cultural identity theory by Stuart Hall. This research also reveals the symbol and memory even three concepts of symbolic interactionism that is mind, self, and society based on symbolic interactionism theory by George Herbert Mead.

PEMBENTUKAN KONSEP DIRI SATUAN PASPAMPRES RI

The results showed that individual PASPAMPRES personnel have thoughts and self-assessment of quality and are superior, have a favorable opportunity for promotion compared to other unit personnel. This study aims to determine how the formation of self-concept in the personnel of the PASPAMPRES unit based on the situation and facts where PASPAMPRES is an elite unit containing selected and qualified soldiers who have certain skills and privileges to be able to carry out Presidential VVIP security duties. A strict personnel admission selection where not all TNI soldiers can pass and have the desired qualifications make PASPAMPRES personnel called superior and elected personnel. The reason this research was conducted was to find out how this situation had its own impact on the self-concept of the selected PASPAMPRES personnel. The theory used is the Symbolic Interactionism theory by George Herbert Mead, Self-Concept and Group Thought Theory. This research methodology uses a constructivism paradigm with a qualitative approach and data collection techniques using interviews. The focus of this research focuses on how the mind, self, and society as well as the climate of the PASPAMPRES unit can influence the formation of personnel self-concept.

Da sociedade ao indivíduo e de volta à sociedade: socialização e individuação em G. H. Mead

Este ensaio tem por tema central os processos de socialização e de individuação em George Herbert Mead. Trata-se de um texto teórico e hermenêutico, com fins propedêuticos, ligado ao campo da filosofia da educação. O objetivo consiste em discutir como Mead, em seus escritos, compreende e descreve os processos de formação dos sujeitos sociais, e quais as possíveis correlações desses processos com a capacidade de viver em comunidade, sob a égide da ética e da democracia. No texto, argumenta-se que o processo de formação do self remete à socialização individuadora, e que a emergência da consciência do ‘si mesmo’ somente é possível por meio da interação e da participação efetiva na vida da comunidade. Por isso, é possível ponderar que a incapacidade de pensar e agir desde uma perspectiva social representa um déficit formativo, de reponsabilidade do próprio indivíduo e também da sociedade.