scholarly journals Research on Creative Derivative Creation and Brand Operation Strategy of Terracotta Army Cultural Heritage from the Perspective of Cultural Renaissance

Author(s):  
Xingwei Qu ◽  
Qinchuan Zhan
2020 ◽  
Vol 8 (6(75)) ◽  
pp. 24-26
Author(s):  
Zhazira S. Baisarina

The new millennium constitutes new dimensions of the need for new ways of understanding social exchanges, political power and economic profit and historical figures. This study discusses the perception of spiritual and moral ideas of an outstanding Kazakh poet and thinker Abai Qunanbaiuly in the dialogue of world cultures. In order to achieve this target, we intend to discuss the aspects of promoting Kazakh cultural heritage within the works of Abai analyzing studies of Kazakh and Western scholars. As a result of the discourse, the awareness of Abai's modernized thoughts was accepted as cultural contribution to the world perception.


2018 ◽  
Vol 26 (3) ◽  
pp. 264-280 ◽  
Author(s):  
Patrick Karjala ◽  
Dean Lodes ◽  
Kari Noe ◽  
Anna Sikkink ◽  
Jason Leigh

In this article, we present our development of a virtual reality simulation of sailing on the Hōkūle‘a, a Polynesian double-hulled sailing canoe built in Hawai‘i in 1974, which completed its worldwide journey in 2017. The construction and sailing of this vessel is of significant importance to the Hawaiian cultural renaissance of the 1970s and 1980s; of particular relevance is Hawaiian wayfinding, the cultural practice of navigating across the open ocean to a destination without the use of maps or modern navigation instruments. By developing the simulation, we aimed to assist in the cultural preservation of the star navigation portion of Hawaiian wayfinding techniques, and to help to educate future generations of non-instrument navigators. The first implementation of Kilo Hōkū as a cultural heritage project in virtual reality was to test its viability as a tool for Modern Hawaiian wayfinders to use in classroom instruction, and its realism as an accurate reproduction of the Hōkūle‘a’s sailing experience. The reaction to the simulation from current practicing Modern Hawaiian wayfinders was positive, and indicates that further study is warranted in testing the efficacy of the simulation for teaching Hawaiian wayfinding to future navigators, as well as preserving and spreading knowledge of Hōkūle‘a and of Modern Hawaiian wayfinding beyond Hawai‘i.


2021 ◽  
Vol 53 (1) ◽  
pp. 44-60
Author(s):  
Mai Misaki

AbstractThis article discusses the role of colonial oppression in creating conflicting perspectives in the reproduction of dance as Indigenous cultural heritage. The debate on kahiko, the ancient Hawaiian dance, of which practice was severely controlled and then revived through the cultural renaissance, demonstrates that the radical deprivation of the practice has created multiple understandings of the dance among different practitioners. Of primary importance in these respects is the intergenerational divide within the dance community, manifest in the critical perspective of the post-renaissance variant of kahiko, which highlights the “continuity” of the practice through the colonial rupture.


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