Parenthetic Aside in a 1789 Analysis of Mozart’s K. 284
In a 1789 treatise, the Darmstadt musician J.G. Portmann presents what amounts to a multi-level harmonic analysis of Mozart’s Sonata for Piano in D, K. 284, I. Portmann’s interpretation of the movement’s exposition is in line with concepts expressed by other eighteenth-century theorists, but suggestively differs from standard modern conceptions of the form, especially in its understanding of what nowadays is labeled as the secondary theme.
2015 ◽
Vol 109
(3)
◽
pp. 574-591
◽
Keyword(s):
2021 ◽
2005 ◽
Vol 152
(2)
◽
pp. 157
◽
Keyword(s):
2001 ◽
Vol 148
(1)
◽
pp. 35
◽