A Study on the life and death studies in Hwang Seok-young's novel Baridegi

2019 ◽  
Vol 43 ◽  
pp. 209-232
Author(s):  
Hae-rang Park
Keyword(s):  
1984 ◽  
Vol 14 (4) ◽  
pp. 335-353 ◽  
Author(s):  
Klaus P. Jankofsky ◽  
Uwe H. Stuecher

Growing out of the authors' previous studies of death (Jankofsky's in literature and in historical documents primarily of the medieval period, and Stuecher's of clinical experiences with terminally ill children and adolescents), this cooperative interdisciplinary article identifies and discusses altruism as a basic trait of human character and behavior and explores its possible implications for the dying person. Altruism can be studied as a phenomenon which is like the “good death/bad death” topos of medieval chroniclers, thus permitting comparative evaluations over long periods of time and in different socioeconomic and political structures. As a trait observable in both the daily realities of a modern hospital setting and in the literary-aesthetic representation of human society and its values in medieval and modern literature, altruism is a part of the infinite variety of humanity's perceptions, activities, and experiences that make up the mosaic of life and death.


2019 ◽  
pp. 86-106
Author(s):  
Katja Herges

Contemporary textual and visual representations of cancer engage self-reflectively with death and dying, yet they often rely on normative notion of death as the end of an individual life. This article focuses on stylised cancer portraits of the young German Nana Stäcker which she took in collaboration with her mother and professional photographers during her chemotherapy and until her death. Intervening in the field of Queer Death Studies this article explores if and how these images allow us to rethink normative Western notions of death. Drawing on Rosi Braidotti’s posthuman theory of death and of female subjectivity, I argue that the photo shoots recast Nana’s illness and dying as a gendered and creative process of subject formation beyond individual death. Through creating aestheticised and eroticised camp images, Nana playfully performs und subverts a range of iconic Western femininities and styles both life and death as a constant becoming. Portraits of Nana as virtual female corpse further highlight this continuity of life and death by reinserting death into life. While these images resist a necropolitical engagement with cancer and dying, they suggest an impersonal and affirmative understanding of death that opens up bioethical questions about contemporary cultures of longevity and health. 


Author(s):  
Richard T. Vann ◽  
David Eversley
Keyword(s):  

PsycCRITIQUES ◽  
2009 ◽  
Vol 54 (35) ◽  
Author(s):  
Frank Farley ◽  
Debbie Joffe Ellis
Keyword(s):  

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