scholarly journals INTERVIEW WITH A WRITER AS A SOURCE OF METAPOETIC DATA ON THE LANGUAGE OF MODERN FICTION

2018 ◽  
pp. 57-61
Author(s):  
El'mira Feyasovna Tugusheva ◽  
◽  
Lidiya Arkad'evna Fedorchukova ◽  
Nelya Pavlovna Filatova ◽  
◽  
...  
Keyword(s):  
Modern Fiction

Medieval and Modern in Chaucer's Troilus and Criseyde

PMLA ◽  
1977 ◽  
Vol 92 (2) ◽  
pp. 203-216
Author(s):  
James I. Wimsatt
Keyword(s):  
Troilus And Criseyde ◽  
Modern Fiction ◽  
Scholarly Attention

While recent scholarly attention to the medieval aspects of Troilus and Criseyde has overshadowed the older custom of critics to associate it with modern fiction, its kinship with such later literature is authentic. The poem’s plentiful medieval materials—for which Chaucer draws extensively on Dante, Machaut, and Boethius—invite interpretation of it in terms of traditional modes: the epic, the romance, and the philosophical demonstration. Chaucer, however, completely undercuts the usual effects of these modes with irony, at the same time employing the elements and techniques of realism. The irony cooperates with the realism to make a work that finally is like modern fiction in identifying the essentially human through the particularity of its presentation.

Neuroscience and Modern Fiction

2015 ◽  
Vol 61 (2) ◽  
pp. 209-225 ◽  
Author(s):  
Stephen J. Burn
Keyword(s):  
Modern Fiction

The Metamorphoses of David Garnett

PMLA ◽  
1958 ◽  
Vol 73 (4-Part1) ◽  
pp. 386-392
Author(s):  
W. R. Irwin
Keyword(s):  
Modern Fiction

David Garnett achieved a triumphal entry into the citadel of fiction with two short fantasies, Lady into Fox (1922) and A Man in the Zoo (1924). The former was awarded the James Tait Black Prize and the Hawthornden Prize. The latter was welcomed by eagerly waiting reviewers, who expressed their delight that he could follow a tour de force, the most dangerous of beginnings, with a work showing intellectual solidity and range as well as virtuosity. Both books have kept their places of esteem in modern fiction.

scholarly journals Introduction: Cluster on Modern Fiction

PMLA ◽  
1991 ◽  
Vol 106 (2) ◽  
pp. 205-208
Author(s):  
Richard Brodhead
Keyword(s):  
Modern Fiction

scholarly journals Book Review: Literature and Politics Today: The Political Nature of Modern Fiction and Drama

2015 ◽  
Vol 55 (1) ◽  
pp. 74
Author(s):  
Shannon Pritting
Keyword(s):  
Literary Criticism ◽  
Review Literature ◽  
Recent Book ◽  
The Political ◽  
University Of Arkansas ◽  
Politics And Literature ◽  
Literature And Politics ◽  
Modern Fiction ◽  
The University

The editor, M. Keith Booker, Professor of English at the University of Arkansas, has served as editor on many reference works in literature as well as many books on genres and literary movements, specific authors, and other critical works. Booker also edited the last reference work dedicated to literature and politics, Encyclopedia of Literature and Politics: Censorship, Evolution, and Writing, a three-volume set published in 2005 by Greenwood, which is surprisingly the only current reference work dedicated solely to examining the connection between literature and politics. There are many recent book-length critical works on literature and politics, but these monographs typically focus on a genre or other refined topic such as a literary movement or single author. The compact single-volume Literature and Politics Today is a welcome addition to reference work in literature and politics. Certainly, other reference works in literary criticism cover some of the topics related to the intersection of politics and literature, but do not have the political focus of Literature and Politics Today.

scholarly journals A Rest in the West. Translation of Modernity and Modernism in William Heinesen's „Grylen“ / Týðing av moderniteti og modernismu í „Grylen” eftir William Heinesen

2017 ◽  
Vol 59 ◽  
pp. 87
Author(s):  
Bergur Rønne Moberg
Keyword(s):  
Short Story ◽  
Oral Tradition ◽  
Second World War ◽  
Faroe Island ◽  
World War ◽  
Modern Fiction ◽  
The One ◽  
A Minor ◽  
Second World ◽  
Complex Question

<p><strong>Úrtak</strong></p><p>Greinin viðger ‘týðingar’spurdómar í stuttsøguni „Grylen“ (1957) eftir William Heinesen. Søgan tekur støði í einum elligomlum føstulávintssiði í Føroyum – at ganga grýla – sum doyði út beint fyri seinna heimsbardaga. Í søguni hjá Williami verður grýlan til ein dionýsiskan figur kallaður Grylen, sum er ólýsandi og ímyndar orðloysi. Greinin vísir, hvussu metatilvitaða frásøgufólkið letur seg hugkveikja av hesum fyribrigdi  við  áhaldandi at umringja tað við nýggjum myndum. Týdda grýlan verður greinað sum 1) eitt ontologiskt tulkingartilvitað frásøgufólk og sum 2) eitt eyðkenni við bókmentamentan í  útjaðaranum. Stuttsøgan fær skap sum ein navngevingargongd av einari undantaksveru, og tað er við støði í hesum botnloysi, at frásøgufólkið tulkar og týðir grýluna til eitt listaligt úttrykk. Grylen umboðar eina rest, sum dregur seg undan modernaðum mannagongdum. Við støði í hugsanum hjá Franco Moretti og Andreas Huyssen verður týðingin samstundis knýtt at landafrøðiliga útjaðaranum, sum skapar ein serligan tørv á týðing í royndini at minka um munin millum ‘miðdepil’ og ‘útjaðara’. Í hesum samteksti umboðar Grylen og oyggin Stapa eitt mentanarligt eftirsleip, sum verður gjørt til eina styrki. Hetta ’writing back’ brúkar føroyskan miðaldarsið og fornaldarligt evni sum Dionysos til at seta spurning við hegemoniska(n) modernitet og modernismu og við hvat er miðdepil og hvat er útjaðari.</p><p><strong> </strong></p><p><strong>A</strong><strong>bstract</strong></p><p>This analysis addresses the issue of translation in William Heinesen’s short story „Grylen“ (1957). It is a story of an old Dionysiac Faroese ritual, which died out around The Second World War. The narrator sets himself the task of transplanting this Dionysos into modern fiction.  Due  to  the  muteness  of  the  Gryla the literary connection to the myth can only be established by virtue of interpretation as demonstrated as an explicit mediation of the mythical silence. The muteness appear as a matter of interpretation while being encircled in  conflicting  images.  Focus  is  partly  given on the interpreted Gryla as a complex question of ontological interpretation and partly as an expression of cultural translation linked to aesthetic development in the geographical periphery. Due to the muteness of the Gryla, the whole story appears as a course of naming the nameless forces that work within Dunald, who is the one having the Gryla. Based on Franco Moretti’s og Andreas Huyssen’s notion of ‘centre and periphery’, the question of translation is connected to the Faroe Island as a non­metropolitan culture. Due to the cultural backlog in the periphery there is a special need for translations caused by the discrepancy between the trans­atlantic modernity and a minor culture as the Faroese still close to nature and the oral tradition. In response to the cultural backlog the dynamics of translation become a privileged perspective creating connections between   modern   and   premodern   aspects. The Faroese reaction represents an alternative modernity and an alternative (geo)modernism writing back to a rule­based hegemonic modernity an modernism in order to give an account of the encounter with another world, which evades direct contact and brings into question what is periphery and what is centre.</p><p> </p>

scholarly journals VALENCE OF PREDICATES IN THE ACTIVE-PASSIVE TRANSFORMATION IN GERMAN AND UKRAINIAN

2020 ◽  
pp. 77-82
Author(s):  
Tsymbalista L.R.
Keyword(s):  
Sampling Method ◽  
Syntactic Structure ◽  
Hand Position ◽  
Continuous Sampling ◽  
Left Hand ◽  
Decisive Effect ◽  
Modern Fiction ◽  
The Subject ◽  
The Right

Валентність предиката має вирішальний вплив на структуру речення. Хоча активний і пасивний варіанти речення опису-ють одну й ту ж ситуацію, предикат проходить крізь трансформацію, яка тісно пов’язана з явищем валентності. У цій статті проаналізовано валентність предиката та її вплив на цю трансформацію у німецькій та українській мовах на прикладах із сучасної літератури.Мета. Метою статті є порівняння трансформації «актив – пасив» у німецькій та українській мовах та опис ролі валентності у цьому процесі.Методи. Для проведення дослідження було зібрано методом суцільної вибірки приклади пасивних конструкцій із сучас-них художніх текстів німецькою та українською мовами, які опісля було оброблено та проаналізовано з використанням типо-логічного, зіставного, описового методів, а також методу моделювання.Валентність предиката проявляється у його здатності формувати зв’язки з іншими елементами в реченні та дає змогу передбачити додаткові позиції у синтаксичній структурі речення, які можуть бути заповнені обов’язковими чи факультатив-ними компонентами. Для предиката властиві два типи валентності, які залежать від позиції поширювачів у реченні. Якщо лівобічну позицію переважно пов’язують із суб’єктом, то правобічна зазвичай стосується актантів з об’єктним, адресатним, локативним чи інструментальним значеннями.Результати. Зважаючи на те, що одна й та ж функція пасивних конструкцій у німецькій та українській мовах реалізується різними формами, валентні зміни у кожній з конструкцій мають свої особливості. Спільною рисою цих перетворень виступає зменшення облігаторних актантів на одну одиницю, яка може бути заповнена факультативно у разі комунікативної потреби у інформації про виконавця дії.Висновки. Можна зробити висновок, що валентність предиката є багатогранним феноменом, що підлягає впливу не лише формально-граматичних, а й семантико-синтаксичних чинників, а також мовленнєвої ситуації загалом. Відповідно, змін у валентності предикатів протягом трансформації з активу у пасив не можна уникнути. The valence of the predicate has a decisive effect on the structure of the sentence. Although the active and passive variant of the sentence describes the same situation, the predicate goes through a transformation that also has to do with valence. This article analyzes the valency of the predicate and its influence on such transformation in German and Ukrainian based on the examples from modern literature.Purpose. The purpose of the article is to compare the active-passive transformation in German and Ukrainian and to describe the role of valence in this process.Methods. For the research, we collected the examples of passive constructions from modern fiction in German and Ukrainian using the continuous sampling method, which were then processed and analyzed using typological, comparative, descriptive methods as well as the modelling method.The valence of the predicate verb shows in its ability to connect with other sentence elements and enables the prediction of the additional positions in the syntactic structure of the sentence, which can be supplemented by mandatory or optional components. The predicate is characterized by two types of valence, which depend on the position of the fillers in the sentence: the left-hand position is mainly connected the subject of the utterance, and the right-hand position has to do with actants which define object, addressee, location or have instrumental meaning.Results. Due to the fact that the same function of passive constructions in German and Ukrainian is realized in different forms, the valence changes in each of the constructions have their own features. A common feature of these transformations is the reduction of obligatory actants by one unit, which can be filled in optionally in case of communicative need for information about the performer of the action.Conclusions. We reach the conclusion that the valence of the predicate is a multilevel phenomenon that is influenced not only by formal grammatical but also by semantic and syntactic factors as well as the language situation in general. Accordingly, changes in the valence of predicates during the active-passive transformation are inevitable.

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