scholarly journals New Approaches to Visual Scale and Visual Shape

2021 ◽  
Author(s):  
Paul Linton

Human 3D vision is thought to triangulate the size, distance, direction, and 3D shape of objects using vision from the two eyes. But all four of these capacities rely on the visual system knowing where the eyes are pointing. Dr Linton's experimental work on size and distance challenge this account, suggesting a purely retinal account of visual size and distance, and likely direction and 3D shape. This requires new accounts of visual scale and visual shape. For visual scale, he argues that observers rely on natural scene statistics to associate accentuated stereo depth (largely from horizontal disparities) with closer distances. This implies that depth / shape is resolved before size and distance. For visual shape, he argues that depth / shape from the two eyes is a solution to a different problem (rivalry eradication between two retinal images treated as if they are from the same viewpoint), rather than the visual system attempting to infer scene geometry (by treating the two retinal images as two different views of the same scene from different viewpoints). Dr Linton also draws upon his book, which questions whether other depth cues (perspective, shading, motion) really have any influence on this process.

2014 ◽  
Vol 23 (1) ◽  
pp. 450-465 ◽  
Author(s):  
Kwanghyun Lee ◽  
Anush Krishna Moorthy ◽  
Sanghoon Lee ◽  
Alan Conrad Bovik

2009 ◽  
Vol 26 (1) ◽  
pp. 35-49 ◽  
Author(s):  
THORSTEN HANSEN ◽  
KARL R. GEGENFURTNER

AbstractForm vision is traditionally regarded as processing primarily achromatic information. Previous investigations into the statistics of color and luminance in natural scenes have claimed that luminance and chromatic edges are not independent of each other and that any chromatic edge most likely occurs together with a luminance edge of similar strength. Here we computed the joint statistics of luminance and chromatic edges in over 700 calibrated color images from natural scenes. We found that isoluminant edges exist in natural scenes and were not rarer than pure luminance edges. Most edges combined luminance and chromatic information but to varying degrees such that luminance and chromatic edges were statistically independent of each other. Independence increased along successive stages of visual processing from cones via postreceptoral color-opponent channels to edges. The results show that chromatic edge contrast is an independent source of information that can be linearly combined with other cues for the proper segmentation of objects in natural and artificial vision systems. Color vision may have evolved in response to the natural scene statistics to gain access to this independent information.


Quality estimation in images is an area which demands high attention of researchers. Many recent algorithms in Image quality assessment relies on the computation of definite values from the image or comparison with the original pristine image. Here, we propose the extraction of a set of specific features from image and processing is done on these extracted features to obtain the objective quality score. The detailed inspection of behaviour of this set of highly specific image features extracted through less complex mathematical procedure from a collection good quality and low quality set of Natural Scene Statistics images available in LIVE dataset is elaborated in this work. Our studies and results are compared with the subjective opinion value and is proven to be accurate. The obtained results are demonstrated using statistical and graphical manner for promptness in understanding the nature of quality of the image. Thus the proposed feature set is proven to be complete in assessing the quantitative quality value of any Natural image.


2015 ◽  
Vol 15 (12) ◽  
pp. 1287
Author(s):  
Emily Cooper ◽  
Anthony Norcia

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