The Term Osq’opili (“a Former Ossetian”) in Eighteenth-Century Georgian Documents and in Early Twenty-First-Century Traditionalist Debates of North Ossetia-Alania

This essay traces and analyzes modern-critical scholarship on the Minor Prophets or Book of the Twelve Prophets from the late eighteenth century through the early twenty-first century. It differentiates between the Christian practice from the time of Jerome and Theodore of Mopsuestia that treated the Twelve as twelve individual Minor Prophets that were collected together and the Jewish practice of reading the Twelve as the Book of the Twelve Prophets. Early treatment of the Minor Prophets focuses especially on the early work of J. G. Eichhorn (1780–1783), W. M. L. de Wette (1817), F. Hitzig (1838), H. Ewald (1840–1841), and B. Duhm (1875, 1922). More modern treatment of the Book of the Twelve Prophets focuses especially on the work of K. Budde (1922), R. E. Wolfe (1935), D. Schneider (1979), O. H. Steck (1991, 1999), James D. Nogalski (1993, 2011), Jakob Wöhrle (2006, 2008), and the author (Sweeney 2000).

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Romanticism

New Romantic Cyborgs ◽

10.7551/mitpress/9780262035460.003.0002 ◽

2017 ◽

Author(s):

Mark Coeckelbergh

Keyword(s):

Nineteenth Century ◽

Twentieth Century ◽

Eighteenth Century ◽

First Century ◽

Late Eighteenth Century ◽

Early Twenty ◽

Late Eighteenth ◽

Twenty First Century ◽

1960S And 1970S

In chapter 2 historical Romanticism is outlined as it emerged and thrived in Germany, Britain, and France around 1800 and as it reached deep into the nineteenth century. The works and lives of Rousseau, Novalis, Morris, and others are discussed for this purpose. Moreover, he social and political side of Romanticism (Ruskin, Morris, and Marx) and romantic Gothic are discussed. Historical Romanticism is then linked to romanticism more broadly defined. The author argues that in many ways romanticism still persists today and that there is a line to be drawn start from Rousseau in the late eighteenth century to twentieth century counterculture and beyond. Even in the early twenty-first century forms of subjectivity are very much shaped by Romanticism - mainly in the form of our heritage from 1960s and 1970s romantic counterculture.

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Continuing Visions

10.1093/oso/9780198813279.003.0011 ◽

2018 ◽

Author(s):

Linda Freedman

Keyword(s):

Social Activism ◽

William Blake ◽

First Century ◽

Ridley Scott ◽

American Novel ◽

Early Twenty ◽

Protest Group ◽

Late Twentieth ◽

Twenty First Century ◽

Dead Man

The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s late twentieth- and early twenty-first century American legacy. This chapter begins with the 1982 film Blade Runner, which was directed by the British Ridley Scott but had an American-authored screenplay and was based on a 1968 American novel, Do Androids Dream of Electric Sheep? It moves to Jim Jarmusch’s 1995 film, Dead Man and Paul Chan’s twenty-first century social activism as part of a protest group called The Friends of William Blake, exploring common themes of democracy, freedom, limit, nationhood, and poetic shape.

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