Treason of the Black Intellectuals? For Burnley A. (‘Rocky’) Jones (1937-)

Odysseys Home ◽  
2002 ◽  
Keyword(s):  
2021 ◽  
pp. 167-200
Author(s):  
Cynthia J. Davis

With other turn-of-the-century Black intellectuals, Charles Chesnutt remained skeptical about the putative value of both human suffering and emotionally restrained and distanced responses to it. As a self-identified realist writing about race relations both during slavery and after Reconstruction, Chesnutt could not have ignored suffering altogether, yet representing it risked inadvertently perpetuating pernicious contemporary myths about Black inurement to pain. The challenge for Chesnutt across a range of fictional genres was to get a predominantly white audience to finally see Black suffering that they otherwise routinely ignore, discount, or deny. Upending racialized sensitivity hierarchies, Chesnutt flips the racist script that casts white people as sensitive to pain and Black people as insensitive to it. He also associates civilized superiority not simply with a remarkable sensitivity to suffering but with an even rarer inclination to respond altruistically even on behalf of those from whom the respondent feels demonstrably distanced.


1985 ◽  
Vol 16 ◽  
pp. 337
Author(s):  
Mary Turner ◽  
Ivaar Oxaal

This concluding chapter likewise contains a eulogy from the other editors of this book, as well as a commentary on the publication history of Barrett's posthumous manuscript. Through discussing the aims of compiling Barrett's work into a “clear, cogent argument” and the emotional forces that had shaped the creation of this volume, the chapter turns to the effects of a lack of closure for Barrett's untimely death. It briefly details the circumstances thereof, while also noting a disturbing trend of several other murders of prominent gay black intellectuals in recent years. The chapter ends on an uplifting note, however, as it closes with some hopeful remarks from the editors on continuing with Barrett's legacy to a tradition of black intellectual engagement.


Author(s):  
Patricia de Santana Pinho

Brazil, like some countries in Africa, has become a major destination for African American tourists seeking the cultural roots of the black Atlantic diaspora. Drawing on over a decade of ethnographic research as well as textual, visual, and archival sources, Patricia de Santana Pinho investigates African American roots tourism, a complex, poignant kind of travel that provides profound personal and collective meaning for those searching for black identity and heritage. It also provides, as Pinho’s interviews with Brazilian tour guides, state officials, and Afro-Brazilian activists reveal, economic and political rewards that support a structured industry. Pinho traces the origins of roots tourism to the late 1970s, when groups of black intellectuals, artists, and activists found themselves drawn especially to Bahia, the state that in previous centuries had absorbed the largest number of enslaved Africans. African Americans have become frequent travelers across what Pinho calls the "map of Africanness" that connects diasporic communities and stimulates transnational solidarities while simultaneously exposing the unevenness of the black diaspora. Roots tourism, Pinho finds, is a fertile site to examine the tensions between racial and national identities as well as the gendered dimensions of travel, particularly when women are the major roots-seekers.


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