Some Attitudes And A Posture: Religious Metaphor and Ritual in Tennessee Williams' Query of the American God

Modern Drama ◽  
1970 ◽  
Vol 13 (2) ◽  
pp. 201-215 ◽  
Author(s):  
John Fritscher
Keyword(s):  
Tennessee Williams

Tennessee Williams

2013 ◽  
Author(s):  
John S. Bak
Keyword(s):  
Tennessee Williams

The Evolution of American Dramatic Realism

2019 ◽  
pp. 505-526
Author(s):  
Eileen J. Herrmann
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Tennessee Williams ◽  
Arthur Miller ◽  
American Drama ◽  
August Wilson ◽  
David Mamet ◽  
Sam Shepard ◽  
Rachel Crothers ◽  
Susan Glaspell

Realism in American drama has proved its resiliency from its inception at the end of the nineteenth century to its transformation into modern theater in the twentieth century. This chapter delineates the evolution of American realistic drama from the influence of European theater and its adaptation by American artists such as James A. Herne and Rachel Crothers. Flexible enough to admit the expressionistic techniques crafted by Susan Glaspell and Eugene O’Neill and leading to the “subjective realism” of Tennessee Williams and Arthur Miller, realism has provided a wide foundation for subsequent playwrights such as David Mamet, August Wilson, and Sam Shepard to experiment with its form and language.

Tennessee Williams: A Study of the Short Fiction

1989 ◽  
Vol 63 (3) ◽  
pp. 488
Author(s):  
Stephen Grecco ◽  
Dennis Vannatta
Keyword(s):  
Short Fiction ◽  
Tennessee Williams
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