scholarly journals THE PROPHET MUHAMMAD AND THE QURAN

2021 ◽  
Vol 6 (11(75)) ◽  
pp. 04-17
Author(s):  
V. Kubarev

Based on an independent analysis of artifacts, ancestral tree and astronomical phenomena related to the deeds, life and death of the Prophet Muhammad, as well as historical evidence of the first appearance and legal use of the Quran in the life of Muslims, the author drew conclusions about the integration of several historical figures of the VII and XII centuries into the personality of the Prophet Muhammad. They became Khagan Kubrat, aka Emperor Heraclius, the Arabian Prophet or Caliph of the Rashidun Caliphs and the true Prophet Muhammad, who lived in 1090–1052. The Quran was created in 1130–1152. The proposed interpretation does not undermine the canons of the faith of Islam, but establishes the truth. 

2021 ◽  
pp. 181-199
Author(s):  
O. Yu. Osmukhina ◽  
A. D. Karpov ◽  
E. A. Beloglazova

The specificity of the synthesis of elements included in the historical narrative, and Christian motives, images in the novel of the largest contemporary Russian prose writer Zakhar Prilepin is comprehended in the article. The relevance of the article is due to the need to build a coherent and consistent history of the development of Russian literature over the past two decades, an important part of which is the legacy of the popular writers. The scientific novelty of the work lies in the fact that for the first time in Russian literary criticism “Abode” is considered from the proposed perspective: its genre specificity is analyzed in a Christian context. It has been established that, despite the presence of elements of documentary, adventurous, love-psychological novels, in terms of genre, “The Abode” can be attributed to a historical novel (it depicts a turning point in Russian history through a conflict between historical figures and fictional “average” heroes, combines historical facts and fiction). At the same time, an interest in eternal moral issues, problems of life and death, conscience and duty, love and fidelity in their Christian understanding becomes a feature of Prilepin’s understanding of the historical theme. In their work, the authors of the article used comparative historical, biographical, socio-cultural methods, as well as the method of a holistic analysis of a work of art. 


Author(s):  
Sotiboldieva Sarvinoz Ruzievna

Every nation has its own way of life, culture, spiritual and religious values. These values are also reflected in the fiction, which is the product of the artistic thinking of that nation. Since the creation of the Holy Qur'an, the Bible, the Torah, and the Psalms, they have played an important role in the lives of people who believe in a particular religion. One of the main reasons for this is the existence in the holy books of stories didactic in spirit about life and death, good and evil. The writers make effective use of these stories, as well as the exemplary lives of the prophets and religious historical events, in shaping the plot of their works, and in increasing the effectiveness of the ideas they put forward. Considered one of the hearts of ancient civilization, Iran is famous for its heroic spirit and epic traditions that glorify kings. But the twentieth century went down in history as the century in which modern-type novelism flourished in Iran. It was a new century for Iranian novelists to be recognized not only domestically but also globally. The purpose of the study is to shed light on the impact of religious narratives on the art of the work, their ideological and artistic function. The study found that sacred narratives given in the sacred books and the new interpretation of religious-historical figures in the modern Persian novels has significantly impacted on the styles of writers. KEYWORDS: Qur'an, Torah, Bible, Modern Persian Romanism, Style, Abel and Cain, Archetype, Motive, Life of Prophets, Religious Story.


2018 ◽  
Vol 26 (2) ◽  
Author(s):  
Margaret Steyn

 Ancient Rome had a longstanding and turbulent history with eastern queens, beginning, before its very foundation, with Dido, and most famously exemplified by Cleopatra. Literature suggests powerful women from the East were particularly feared and loathed, considered the ultimate “Others”. The Palmyrene queen, Zenobia, who claimed her descent from Cleopatra and briefly conquered Egypt, was reportedly grudgingly admired and, although finally vanquished by Aurelian and purportedly displayed in his triumph, may have been allowed to retire comfortably to a villa in Tivoli. Reconstructing the lives and interrogating the existence of these often marginalised historical “protagonists” is often difficult as the sources are often unreliable and depict these uncomfortable subjects either marginally or with disquiet. In this article, the reconstruction of the historical figure of Zenobia will be interrogated through a review of the literature available on this female figure in an attempt to answer the question of whether or not it is possible to reconstruct “marginalised” historical figures from the historical evidence available to us today. Furthermore, it will be shown that although it may be possible to reconstruct these figures, the image that is created is often tainted by the original texts, which often lack veracity and were almost certainly purposefully created.


Author(s):  
Richard T. Vann ◽  
David Eversley
Keyword(s):  

PsycCRITIQUES ◽  
2009 ◽  
Vol 54 (35) ◽  
Author(s):  
Frank Farley ◽  
Debbie Joffe Ellis
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document