Skvortsova E.L. Japanese Aesthetics of the Twentieth Century. Anthology. St. Petersburg: Center for Humanitarian Initiatives, 2021

2021 ◽  
Vol 32 (1) ◽  
pp. 174
Author(s):  
А. Butko-Gulyanitsky

2019 ◽  
Vol X (28) ◽  
pp. 113-126
Author(s):  
Marko S. Grubačić

This paper deals with the key concepts of Japanese aesthetics, whose peculiarities arose at the intersection of cultural-historical, poetic and literarytheoretical impulses at a time when clear distinctions between literary, visual and applied arts in Japan were absent. The analysis of the assumptions of their emergence - which frequently alternate between political and aesthetic propositions - is conducted by consulting and interpreting relevant sources in order to question or confirm the established interpretations. Keywords: Japanese Aesthetics, fūryū, iki, mono-no-aware, yūgen, nihonjinron, Mingei theory



2011 ◽  
Vol 66 (2) ◽  
pp. 319-333
Author(s):  
Irmela Hijiya-Kirschnereit


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.



2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor




2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  


Author(s):  
Christian Mair
Keyword(s):  




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