An Autobiographical Narrative Inquiry of Self-Awareness of an Art Therapist

2020 ◽  
Vol 16 (1) ◽  
pp. 111-139
Author(s):  
Min-Ju Sim ◽  
◽  
Gab-Sook Kim
Author(s):  
Jennifer Lynne Bird ◽  
Eric T. Wanner

This narrative provides an introduction to the concept of multigenre writing and explains methods of multigenre writing used in the field of medicine to create the concept of multigenre medicine. The authors use the theory of narrative inquiry and the practice of multigenre writing to explain the implications of using writing to assist in healing from physical pain. The collaborative qualitative research project illustrates how writing can lead teachers to a stronger self-awareness of what patients need both physically and emotionally to heal.


2013 ◽  
Vol 37 (4) ◽  
pp. 415-431 ◽  
Author(s):  
Michael J. Dubnewick ◽  
Karen M. Fox ◽  
D. Jean Clandinin

2018 ◽  
Vol 11 (2) ◽  
pp. 199-210
Author(s):  
Sandra Jack-Malik

This research is nestled within Huber, Murphy, and Clandinin’s (2011) understanding of curriculum making as situated not only in schools, but also in homes and communities and at the intersections of all three. It also relies on Clandinin, Murphy, Huber, and Orr’s (2010) reconceptualization of tension as a space where educative experiences can occur. An autobiographical narrative inquiry into home, school, and community curriculum making, highlights an educator’s efforts to teach relationally while being wide-awake to how past experiences inform future ones. This inquiry brings to life tension-filled moments and, in so doing, creates a space to know teachers as curriculum makers at home, at school, and in the community. It also suggests one of the values of autobiographical narrative inquiry is the safe space it creates to empathically enter the world of others. Mostly it encourages the reader to think about curriculum making as sentient, ever changing, and as an available support as teachers struggle to sustain their practices.


2014 ◽  
Vol 7 (2) ◽  
pp. 271-282 ◽  
Author(s):  
Muna Saleh ◽  
Jinny Menon ◽  
D. Jean Clandinin

Questions of diversity and inclusion are central to learning to engage in narrative inquiry. By engaging in autobiographical narrative inquiry (Clandinin & Caine, 2012; Clandinin & Connelly, 2000), we tell and retell stories related to diversity. In doing so, we puzzle about inquiring in ethical ways alongside diverse participants. We tell and retell three stories in our efforts to break with the taken-for-granted in our lives. We draw forward resonances around the challenging, yet ethical necessity, of facing ourselves (Anzaldua, 1987/1999; Lindemann Nelson, 1995) as we attend to the complexity of lives.


2021 ◽  
Vol 12 (1) ◽  
pp. 8-21
Author(s):  
Muna Saleh

An autobiographical narrative inquiry exploring possibilities of co-composing curriculum alongside children, youth, families, colleagues, and community members that honours different ways of knowing and being in ways that honours (the poetry of) our grandmothers.


2020 ◽  
Vol 22 (1) ◽  
pp. 24-38
Author(s):  
Darcy Courtland

In this paper I explore my evolving understandings of literacy and ways of knowing. Using autobiographical narrative inquiry (Clandinin & Connelly, 2000), the first section of my paper delves into the ways I have previously negotiated concepts of literacy as an educator and novice researcher. In the second section of my paper, I turn towards Indigenous scholarship (Antone, 2003; Cardinal, 2010; Young, 2005) as I embrace my conception of literacy as “life lived” in conjunction with Freire’s (1985) concept of dwelling in uncertainty. By engaging narratively with my own literacy and learning experiences during the first year of my doctoral program, I negotiate uncertainty through three threads of learning: slowing down, being open to vulnerability, and walking humbly in good


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