scholarly journals Cataloguing Andy Warhol’s family album 1969-1974.

Author(s):  
Stephanie Desgroseillers

This thesis project discusses the preservation of acclaimed twentieth century artist Andy Warhol’s Family Album. The album is comprised of Polaroid photographs he took and gathered in the early seventies. A highlight of Andy Warhol’s use of instant photography, as it pertains to his life and artistic work, is provided to present a concise basis to researchers. It details the steps undertaken to safely house this valuable object to prolong its life, and the cataloging methodology followed to grant access to the album without submitting it to excessive handling wear. It also offers recommendations on the preservation of dye diffusion material such as Polaroid’s Polacolor and SX-70 film types.

2021 ◽  
Author(s):  
Stephanie Desgroseillers

This thesis project discusses the preservation of acclaimed twentieth century artist Andy Warhol’s Family Album. The album is comprised of Polaroid photographs he took and gathered in the early seventies. A highlight of Andy Warhol’s use of instant photography, as it pertains to his life and artistic work, is provided to present a concise basis to researchers. It details the steps undertaken to safely house this valuable object to prolong its life, and the cataloging methodology followed to grant access to the album without submitting it to excessive handling wear. It also offers recommendations on the preservation of dye diffusion material such as Polaroid’s Polacolor and SX-70 film types.


2021 ◽  
Author(s):  
Stephanie Desgroseillers

This thesis project discusses the preservation of acclaimed twentieth century artist Andy Warhol's Family Album. The album is comprised of Polaroid photographs he took and gathered in the early seventies. A highlight of Andy Warhol's use of instant photography, as it pertains to his life and artistic work, is provided to present a concise basis to researchers. It details the steps undertaken to safely house this valuable object to prolong its life, and the cataloging methodology followed to grant access to the album without submitting it to excessive handling wear. It also offers recommendations on the preservation of dye diffusion material such as Polaroid's Polacolor and SX-70 film types.


2021 ◽  
Author(s):  
Stephanie Desgroseillers

This thesis project discusses the preservation of acclaimed twentieth century artist Andy Warhol's Family Album. The album is comprised of Polaroid photographs he took and gathered in the early seventies. A highlight of Andy Warhol's use of instant photography, as it pertains to his life and artistic work, is provided to present a concise basis to researchers. It details the steps undertaken to safely house this valuable object to prolong its life, and the cataloging methodology followed to grant access to the album without submitting it to excessive handling wear. It also offers recommendations on the preservation of dye diffusion material such as Polaroid's Polacolor and SX-70 film types.


2013 ◽  
Vol 43 (3) ◽  
pp. 311-330
Author(s):  
Gottfried Boehm

Abstract In addition to his artistic work, Paul Klee was a theoretician of the highest rank. Readings of his extensive writings evidence that he was a transformer of the immemorial eidetic concept of form toward its temporalization. As a standard he uses the mobility of nature and the cosmos, to which he anchors his generative concept of form. This essay concerns a reconstruction of some of his lines of argumentation from manuscripts that were not published during his lifetime. Among those are the role of the point (the “gray point”) as the source of linear and chromatic expression, the relation between kinesis and stasis in the work, and the models with which he analyzes the role of the artist and his position in the world. Klee’s insights are fruitful not only for an understanding of his own work but also for a history of the concept of form in the twentieth century.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  

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