scholarly journals The colour of time: Stephen Shore’s American Surfaces 1972-2014

2021 ◽  
Author(s):  
Lisa Muzzin
Keyword(s):  
New York ◽  
Metropolitan Museum ◽  
Imaging Technology ◽  
Metropolitan Museum Of Art ◽  
Artistic Production ◽  
Colour Photography ◽  
And Shifts ◽  
The Relationship

In 1972 American photographer Stephen Shore (b. 1947) started the series of chromogenic colour photographs titled American Surfaces (1972-73). In the decades following the initial production of this work and its 1974 acquisition by the Metropolitan Museum of Art in New York, the material qualities and aesthetics of colour photography underwent dramatic changes. This thesis explores the relationship between developments in colour imaging technology and shifts in artistic production from the making of American Surfaces to the present, and explores the increased recognition now given to colour photography as art. In 2016, American Surfaces can be found in a variety of forms including: two publications, numerous recently created digital chromogenic colour exhibition prints, and the original 1972-73 prints at The Met. Focusing on the materiality of this culturally and historically significant body of colour photographic work, this thesis examines three different iterations of American Surfaces from initial production in 1972 to 2014 and their impact on the interpretation of the series.

scholarly journals The colour of time: Stephen Shore’s American Surfaces 1972-2014

2021 ◽  
Author(s):  
Lisa Muzzin
Keyword(s):  
New York ◽  
Metropolitan Museum ◽  
Imaging Technology ◽  
Metropolitan Museum Of Art ◽  
Artistic Production ◽  
Colour Photography ◽  
And Shifts ◽  
The Relationship

In 1972 American photographer Stephen Shore (b. 1947) started the series of chromogenic colour photographs titled American Surfaces (1972-73). In the decades following the initial production of this work and its 1974 acquisition by the Metropolitan Museum of Art in New York, the material qualities and aesthetics of colour photography underwent dramatic changes. This thesis explores the relationship between developments in colour imaging technology and shifts in artistic production from the making of American Surfaces to the present, and explores the increased recognition now given to colour photography as art. In 2016, American Surfaces can be found in a variety of forms including: two publications, numerous recently created digital chromogenic colour exhibition prints, and the original 1972-73 prints at The Met. Focusing on the materiality of this culturally and historically significant body of colour photographic work, this thesis examines three different iterations of American Surfaces from initial production in 1972 to 2014 and their impact on the interpretation of the series.

On white marble half-lotus meditation statues carved in Wuding Era of the Eastern Wei Dynasty

2019 ◽  
Vol 19 (1) ◽  
pp. 182-194
Author(s):  
Hyun-Sook So
Keyword(s):  
New York ◽  
Comparative Study ◽  
Metropolitan Museum ◽  
White Marble ◽  
City Area ◽  
Metropolitan Museum Of Art ◽  
Right Hand ◽  
Second Year ◽  
Made In ◽  
Wei Dynasty

Abstract In 2012, large amounts of white marble Buddhist statues of the Eastern Wei and Northern Qi Dynasties were unearthed from the Buddhist sculpture hoard at Bei Wuzhuang in Ye City Site. This paper makes a comparative study on a bodhisattva statue in meditation seated in half-lotus posture (resting right ankle on the knee of pendent left leg and holding right hand upward) among them and another sculpture of the same type and made in the same period unearthed at the Xiude Monastery site in Dingzhou; from the double-tree, stupa and coiling dragon designs shown by them, this paper explores the commonalities and differences of the Buddhist arts in these two areas. Moreover, this paper reveals that this motif emerged earlier in the Ye City area than in the Dingzhou area, and diffused to the latter after it became popular in the Ye City area. By these conclusions, this paper infers that the white marble meditating statue seated in half-lotus position with the date of the second year of Wuding Era (544 CE) in the collection of the Metropolitan Museum of Art in New York, USA was produced in Ye City area.

The museum's mummies: an inside view

1970 ◽  
Vol 80 (1) ◽  
Author(s):  
David T Miniberg
Keyword(s):  
New York ◽  
Cause Of Death ◽  
Metropolitan Museum ◽  
Noninvasive Technique ◽  
Metropolitan Museum Of Art ◽  
Cat Scan ◽  
Museum Staff ◽  
Inside View

We have performed CAT scan imaging of the thirteen mummies in the New York The Metropolitan Museum of Art. This noninvasive technique allowed us to ascertain the age (+/- 5 years), the height and the sex of these individuals. In two cases we were able to establish the cause of death – one man dying as the result of trauma and one woman dying of sepsis secondary to an abscess in the mandible. We discovered two necklaces of amulets on one of the mummies and integrating the CAT scan images, we were able to identify the amulets. These two necklaces had previously been unknown to the museum staff. In one instance, the museum has the encaustic portrait mask in place on the mummy itself, so we were able to compare the portrait with the CAT scan image of the mummy and establish that in this particular case the image was a true portrait rather than an idealized portrayal of the person.

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