A Guidelines for the Media Art of Forest Park Using the Forms and Principles Natural Art

2019 ◽  
Vol 3 (4) ◽  
pp. 143-149
Author(s):  
Yoo Seok Kim ◽  
◽  
Eun Seo Song ◽  
Sung-Dae Hong
Keyword(s):  
Media Art ◽  
Forest Park ◽  
The Media

The Media-Art Exhibition TenYearsAfter_v4.0_OuterSpace

Leonardo ◽  
2008 ◽  
Vol 41 (5) ◽  
pp. 454-459
Author(s):  
Soo-jin Lee ◽  
Kwang-yun Wohn
Keyword(s):  
Media Art ◽  
Art Exhibitions ◽  
Art Exhibition ◽  
Research Results ◽  
Mainstream Media ◽  
The Media

TenYearsAfter is an annual media art exhibition based in Korea, begun in 2003, organized by Kwang-yun Wohn and curator Mira Kim to facilitate collaboration among engineers, scientists, artists and designers. Unlike other major media-art exhibitions, TenYearsAfter has included artworks by mainstream media artists, independent experiments, and products and research results by artists and non-artists alike. The fourth exhibition in this series, TenYearsAfter_v4.0_OuterSpace, organized by the authors, was held in 2006. This article elaborates on the process of organizing this event and contemplates the implications of annual media art events in the Korean media art context.

scholarly journals Media Aesthetics: Two Examples in the Spanish Art

1970 ◽  
Vol 18 ◽  
pp. 127-146
Author(s):  
F. R. Contreras ◽  
Pedro Antonio Hellin Ortuño
Keyword(s):  
Computer Graphics ◽  
New Media ◽  
Media Art ◽  
Contemporary Evolution ◽  
Creative Art ◽  
The Media ◽  
Spanish Art ◽  
Relationship Of ◽  
Electronic Technologies ◽  
Postmodern Thinking

This article unveils an aesthetic based on the intervention of machinery into creative art procedures. The study goes deeply into a machine-related aesthetic from philosophic reflections, which range from the incursions of, firstly, optical technologies (photography, cinematography) and then electronic technologies (videograph, computer graphics, networks). The research throws new light on the notion of Media Art. The media have opened up to artists the possibilities of the laboratory for aesthetic experimentation and the innovative inter-relationship of art, science, and technology.  In this sense, the text demonstrates how new media creativity experiments with forms more representative of postmodern thinking.  For the purposes of a better exemplification of the question raised, this article has briefly analysed the works of two Spanish artists, representative of the two different phases. The first example opens with the commencement of an incipient Media Art in the technological and mystical ruminations of José Val del Omar. In the second example, the contemporary evolution into internet experimentation of Antoni Muntadas is demonstrated. Este artículo descubre una estética basada en la intervención de las máquinas en los procedimientos creativos del arte. El estudio profundiza en una estética del maquinismo desde la reflexión filosófica, que abarca desde la incursión de las tecnologías ópticas (fotografía, cinematografía) a las tecnologías electrónicas (videografía, computer graphics, redes). La investigación aporta nuevas luces sobre la noción del Media Art. Los medios han abierto a los artistas las posibilidades del laboratorio de experimentación estética entre arte, ciencia e innovación tecnológica. En este sentido, el texto demuestra como la nueva creatividad mediática ensaya formas más representativas del pensamiento posmoderno. Para una mejor ejemplaridad de la cuestión planteada, el artículo ha analizado brevemente las obras de dos artistas españoles representativos de momentos distintos. En el primer ejemplo, se expone el comienzo de un incipiente Arte de Medios en la cavilaciones tecnológicas y místicas de José Val del Omar. En el segundo ejemplo, se muestra  la evolución contemporánea en el ensayo con Internet de Antoni Muntadas.

scholarly journals Media, Art and Politics: The Centenary of the First World War in Britain

2015 ◽  
Vol 13 (1) ◽  
Author(s):  
Peter Goodwin
Keyword(s):  
First World War ◽  
Media Art ◽  
World War ◽  
Art And Politics ◽  
The First World War ◽  
The Media ◽  
The University ◽  
First World

Peter Goodwin takes a critical look at how the media and arts in Britain have responded to the centenary of the First World War. He asks what this tells us about popular consciousness and the mechanisms of bourgeois ideology in Britain in the second decade of the 21st century.This contribution is a podcast of a Communication and Media Researach Institute (CAMRI) seminar that took place on January 21, 2015, at the University of Westminster.

Representation Type Depending on Senses in the Media Art

2011 ◽  
Vol 11 (1) ◽  
pp. 591-601
Author(s):  
Hwang, Kyungseob ◽  
KIMHyungGi ◽  
조이수
Keyword(s):  
Representation Type ◽  
Media Art ◽  
The Media

Critiquing the Media: Art Knowledge inside and outside of School

Art Education ◽  
1997 ◽  
Vol 50 (4) ◽  
pp. 46 ◽  
Author(s):  
Kerry Freedman
Keyword(s):  
Media Art ◽  
The Media

scholarly journals Evaluation the Software Tools Quality to Thesaurus in the Implementation of a Controlled Media Art Vocabulary

2020 ◽  
pp. 1-12
Author(s):  
Miguel Angel Marzal ◽  
Beatriz Ríos ◽  
Diego Ferreyra
Keyword(s):  
Linked Data ◽  
Fine Arts ◽  
Software Tools ◽  
Controlled Vocabulary ◽  
Media Art ◽  
Audiovisual Communication ◽  
Research Teams ◽  
Virtual Spaces ◽  
The Media ◽  
Digital Objects

In this project, he develops the evaluation of seven thesaurus software tools, in the implementation of a controlled vocabulary, for the CAAC (Collections and Archives of Contemporary Art of the Faculty of Fine Arts of Cuenca, UCLM) in collaboration with UC3M; framed in the "Media Art vocabulary" project. For the conservation of artistic products as digital objects of the museum of Cuenca, Spain. The Construction and application of the thesaurus, Web implementation, publication of its terms as Linked Data, using TemaTres Software. A customized method is used combining quality, usability and semantic web techniques. A method was designed to evaluate the characteristics of each of the tools. Such as the availability of download, easy of access, use, learning, deployment on the server, sharing, and exchange of data, and free use. This study is a part project to Vocabularies for a Media Art Archives and Collections Network. This project establishes the scientific and methodological convergence of two research teams, one from Humanities, Art and Fine Arts, the other from Documentation, with a support of Computer Science and Audiovisual Communication. The importance of project progress lies in metadata labeling, identification by descriptors of the specific thesaurus, guarantee of semantic reuse of content, interoperability for a network of Media Art archives and collections, its digital continuity and dissemination in virtual spaces Wide projection. Winning the TemaTres tool, the thesaurus was implemented in the period from April to July 2019.

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