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2022 ◽  
pp. 193-203
Author(s):  
Gaby Wijers

UNFOLD: Mediation by Reinterpretation is a research project and interdisciplinary network initiated by LIMA, Platform for Media Art in Amsterdam, that examines reinterpretation as an emerging practice for artistic production, presentation, and preservation of media works. New elements stretch the boundaries of traditional preservation methods and require insights from both the artist and the curator to decide how pieces can be restaged. This essay investigates how to deal with the changes of digital/media artworks over time, and how to preserve and mediate their performative aspects.


2022 ◽  
pp. 307-331
Author(s):  
Psyence Vedava

This chapter suggests that embodied ritual practices of the feminine—involving media, art, psycho-spiritual technologies, and techniques of the occult—manifest transmedial auric fields that weave the dance of Aurora, the dance of awakening of the Goddess of Light. These fields resonate with the universal heart vibe, channeling the healing energies of the cosmic Mother to the physical, the digital, the mental, and the tech-noetic. Specific examples from the work of three women are presented, namely Dr. Lila Moore, Vedava (the author of this chapter) and Sedona Soulfire. These modern creatrixes actualize their media priestess function by fusing consciousness and the imaginative with the ancient and the futuristic, in the convergence of art, body, technology, and 21st century feminine spirituality.


Poetics ◽  
2022 ◽  
pp. 101644
Author(s):  
Fereshteh Adi Saatlo Anzures ◽  
Lénia Marques

Author(s):  
Asmati Chibalashvili
Keyword(s):  

The Author’s Role in the New Media Art: Composers’ Experiments


Author(s):  
Asa McMullen

A review of James J. Hodge, Sensations of History: Animation and New Media Art. Minneapolis: University of Minnesota Press, 2019. 232 pp. $27.00.


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