Diagnosis and Therapy for Dysphonia in the Professional Voice User

Author(s):  
Gi Cheol Park ◽  
Seong-Tae Kim ◽  
Soon Yuhl Nam
2015 ◽  
pp. 19-26
Author(s):  
John S. Rubin

1984 ◽  
Vol 92 (3) ◽  
pp. 251-254 ◽  
Author(s):  
Robert J. Feder

As the world shrinks and demands for quality performers precipitously increase around the globe, travel becomes an important part of the professional's life. The professional voice user may encounter many circumstances and situations over which he has little control and which may subject him to potential vocal irritation or injury. Airline travel is an aspect that, by and large, is uncontrollable but absolutely necessary for professional survival, yet it may have the potential for harm. The majority of airline traffic is carried by wide-bodied aircraft, mainly the Boeing 747 and 767, the Lockheed L1011, the McDonnell Douglas DC-10, and the European Airbus. Similar but smaller aircraft include the Boeing 707, 727, and 737 and the McDonnell Douglas DC-8 and DC-9. Basically, these aircraft appear to exhibit relatively similar in-flight environments, including ambient noise level, cabin temperature, pressurization, humidity, and ozone. Each of these factors will be discussed to clarify aspects of flight which have been taken for granted, about which there have been misconceptions, or which have not been sufficiently considered. As otolaryngologists it is incumbent on us to be familiar with the consequences of flight for those patients with actual or potential voice problems. A voice lost to professional endeavor may be more emotionally devastating than an ear or sinus impairment. Careful briefing of the patient who is a professional voice user has not been standard practice prior to airline flight but certainly should be strongly considered as a protective measure.


Author(s):  
Rhea John ◽  
Jayita Das Poduval

<p class="abstract"><strong><span lang="EN-US">Background: </span></strong>A professional voice user is defined as an individual who depends on the use of his or her voice to earn a living, and nowadays encompasses a gamut of professions ranging from highly skilled artistes to call center workers. All of them have various levels of vocal demand but not all are suitably equipped to meet these demands because of a lack of formal training.  </p><p class="abstract"><strong><span lang="EN-US">Methods: </span></strong><span lang="EN-US">This study was conducted as a short-term project under the auspices of the ICMR (Indian Council of Medical Research). The principal investigator is the first author, an undergraduate medical student, while the corresponding author is the faculty who guided the student in this endeavor. With a view to exploring how voice training, as opposed to voice therapy for a specific complaint or lesion, could improve the outcome and performance of a professional voice user with no prior training, we carried out this study in our institution and in a nearby school and college.</span></p><p class="abstract"><strong><span lang="EN-US">Results: </span></strong>Over half the subjects were found to have a complaint about their voice. There were equal numbers of men and women in this study and the age group of 26-30 years was the best represented. This age group is significant as it represents the start of the working life of a typical individual, in this case the professional voice user. A positive correlation was found between increasing age (and years of work experience) and the frequency of a voice complaint. With years of work experience more than 15 years, the frequency of voice problems decreased slightly. On cross checking, it was found that these persons were in more senior levels of work, and so had less work pressure.</p><p class="abstract"><strong><span lang="EN-US">Conclusions: </span></strong>This study shows that voice training has to be imparted over a considerable period of time even for the less skilled group of professional voice users. </p><p class="keywords"><strong><span lang="EN-US">Keywords: </span></strong>Voice assessment, Voice training, Professional voice user</p>


2013 ◽  
Vol 23 (1) ◽  
pp. 7-14 ◽  
Author(s):  
Kimberly Vinson

One of the many tasks a laryngologist is assigned to is the care of the professional voice. When discussing professional voice users, it is natural to consider performing artists such as singers, actors, voice-over artists, and broadcasters. However, this patient population includes many more groups. Clergy, attorneys, politicians, teachers, sales and customer service representatives, and coaches also should be considered professional voice users because their careers and livelihoods depend on the quality of their voices. The professional voice user often is a reluctant patient because he or she fears the inability to perform or that treatment, especially vocal surgery, may permanently affect his or her voice in a negative fashion. Caring for these patients requires special attention to these fears, as well as their schedules and deadlines. In this article, I will consider the management of vocal dysfunction in the performing vocal artist.


2018 ◽  
pp. 245-245
Author(s):  
Abir Bhattacharyya ◽  
Henry Zhang ◽  
Hassan Mohammed

2000 ◽  
Vol 33 (5) ◽  
pp. 967-981 ◽  
Author(s):  
Thomas Murry ◽  
Clark A. Rosen

Sign in / Sign up

Export Citation Format

Share Document