Feminism and the Feminist Press

2020 ◽  
pp. 468-482
Author(s):  
Kaitlynn Mendes ◽  
Jilly Boyce Kay

This chapter provides a review of existing literature on the shifting representations of feminist activism in the press from the 1900s to 2017, as well as a discussion of the ways feminists have created their own print materials to agitate for social change. The chapter also provides two original case studies, including how militant Irish suffrage campaigners were represented in the Irish press for protesting the 1912 Home Rule Bill, and how the Irish Women’s Liberation Movement was represented in six Irish newspapers from 1970-1982. Overall, the chapter identifies a gap in research particularly around Irish feminists and the press, who were active, but less studied compared to their British counterparts.

In August, 1970, barely six years ago, a few women demonstrated at the Arc de Triomphe in honor of “the wife of the unknown soldier.” And so for the first time the newspapers mentioned the MLF [Mouvement de libération des femmes or French Women’s Liberation Movement]. This name, similar to the American “Women’s Lib,” was given to the movement by the press, and the militants took it on for themselves. Ever since, the MLF has become very well known, or rather very poorly known, because the image propagated about them is one of hysterical shrews and lesbians. The primary merit of this book is to completely refute this cliché....


2020 ◽  
Vol 14 (3) ◽  
pp. 321-330 ◽  
Author(s):  
Samantha Lampe

As the Women’s Liberation Movement developed in the 1970s, women challenged society’s limited female representation as either the Madonna or the whore. Musicals in the 1970s, including Grease (1972), Chicago (1975) and Evita (1979), complicated the female image through the juxtaposition of feminine stereotypes in the heroine’s persona. With each of the shows centralizing the plot around analysing the contradictory feminine image, the women perform in both public and private settings, along with other characters critiquing their personas. From feminist protesters to the writings of Simone de Beauvoir and Betty Friedan, Sandy, Roxie and Eva reflect the requests of contemporary women to display their gender as something beyond the perceived dichotomy of Madonna or whore in their music performances.


Soundings ◽  
2021 ◽  
Vol 77 (77) ◽  
pp. 37-54
Author(s):  
Sheila Rowbotham ◽  
Jo Littler

In this interview Sheila Rowbotham talks to Jo Littler about her involvement in feminism and politics over several decades. This ranges across her role in the Women's Liberation Movement, left activism, historical scholarship, work with in the Greater London Council (GLC), involvement in the international homeworking movement and her secret life as a poet.


2021 ◽  
Vol 39 (1) ◽  
pp. 132-144
Author(s):  
Laura Levine Frader ◽  
Ian Merkel ◽  
Jessica Lynne Pearson ◽  
Caroline Séquin

Lisa Greenwald, Daughters of 1968: Redefining French Feminism and the Women's Liberation Movement (Lincoln, NE: University of Nebraska Press, 2018). Eric T. Jennings, Escape from Vichy: The Refugee Exodus to the French Caribbean (Cambridge, MA: Harvard University Press, 2018). Kathleen Keller, Colonial Suspects: Suspicion, Imperial Rule, and Colonial Society in Interwar French West Africa (Lincoln, NE: University of Nebraska Press, 2018).


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