Harriet Beecher Stowe and Lord Byron: A Case of Celebrity Justice in the Victorian Public Sphere

2005 ◽  
Vol 10 (2) ◽  
pp. 229-256
Author(s):  
Michelle Hawley
Prospects ◽  
1998 ◽  
Vol 23 ◽  
pp. 147-169
Author(s):  
M. Lynn Byrd

In September 1869, Harriet Beecher Stowe published “The True Story of Lady Byron's Life” in the Atlantic Monthly and Macmillan's Magazine. Public outcry was so great that less than a year later she published Lady Byron Vindicated: A History of the Byron Controversy, From Its Beginning in 1816 to the Present Time. This was a four-hundred-page volume that defended not only Lady Byron but also Mrs. Stowe. The book only fanned the flames of rebuke and debate. From 1869 to 1870, at least forty-one review articles of Stowe's work were published, including a response by Mark Twain. In the same time period, eight books were published in response, including Medora Leigh's autobiography. It announces in its subtitle that it contains “an introduction and commentary of the charges brought against Lord Byron by Mrs. Beecher Stowe” (Leigh defends the poet).


Prospects ◽  
1977 ◽  
Vol 2 ◽  
pp. 373-384
Author(s):  
Jean Willoughby Ashton

In the September, 1869, issue of theAtlantic Monthly, Harriet Beecher Stowe published an article in which she claimed that Lord Byron, the poet, had committed incest with his half-sister. These charges had been made before and are generally accepted by Byron biographers today, but the publication of such a claim in a respectable literary journal in 1869 touched an exposed nerve of American consciousness. For weeks, Harriet Stowe was attacked in newspapers throughout the country as a liar and a fool who had sought money and notoriety by pandering to obscene and depraved tastes. The article was termed “startling in accusation, barren in proof, inaccurate in dates, infelicitous in style.” The author's literary reputation plummeted, and theAtlantic Monthlylost more than a third of its subscribers in a single year. The moral sensibilities of thousands of Americans had been outraged; this violation of a taboo unleashed resentments, which had apparently been smoldering since the end of the Civil War, against Stowe, the Beecher family, and the liberal causes with which both were identified.


2014 ◽  
Vol 7 (1) ◽  
pp. 64-77
Author(s):  
Doris Wolf

This paper examines two young adult novels, Run Like Jäger (2008) and Summer of Fire (2009), by Canadian writer Karen Bass, which centre on the experiences of so-called ordinary German teenagers in World War II. Although guilt and perpetration are themes addressed in these books, their focus is primarily on the ways in which Germans suffered at the hands of the Allied forces. These books thus participate in the increasingly widespread but still controversial subject of the suffering of the perpetrators. Bringing work in childhood studies to bear on contemporary representations of German wartime suffering in the public sphere, I explore how Bass's novels, through the liminal figure of the adolescent, participate in a culture of self-victimisation that downplays guilt rather than more ethically contextualises suffering within guilt. These historical narratives are framed by contemporary narratives which centre on troubled teen protagonists who need the stories of the past for their own individualisation in the present. In their evacuation of crucial historical contexts, both Run Like Jäger and Summer of Fire support optimistic and gendered narratives of individualism that ultimately refuse complicated understandings of adolescent agency in the past or present.


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