scholarly journals “Misterioso reino”

2021 ◽  
Vol 31 (3) ◽  
pp. 15-34
Author(s):  
Carolina Correia dos Santos
Keyword(s):  

O artigo parte da discussão sobre a literatura comparada na obra de Gayatri Spivak (2003), Death of a Discipline, para elaborar um modo de leitura de perto tipicamente feminista e pós-colonial, motivado por saberes parciais e localizados e uma ativa relação com o texto lido. Uma vez formulado e impelido ao encontro da teoria pós-colonial, este modo de leitura nos ajudará a recontar a história de Fitzcarraldo, filme de Werner Herzog, especialmente através da perspectiva dos índios que, resistentes ao contato com outros povos, surpreendentemente ajudam Fitzcarraldo a navegar e tornam-se indispensáveis na sua jornada. A junção dos conceitos transdisciplinares propostos pelo feminismo com a abordagem necessariamente política da teoria pós-colonial permite a este artigo criar e aprofundar-se no “reino misterioso” que Herzog menciona no diário escrito durante as filmagens.

2005 ◽  
Vol 22 (4) ◽  
pp. 28-56 ◽  
Author(s):  
Md. Mahmudul Hasan

Said’s critique of Orientalism provokes a comprehensive review by post-colonial theorists of the bulk of western knowledge regarding non-western countries. This Orientalist literature buttresses the colonial notion of a civilizing mission, which is also supported by many western feminists who provide theoretical grounds to such colonialist perceptions. Such post-colonial feminists as Gayatri Spivak, Chandra Mohanty, and Rajeswari Rajan analyze western feminism’s ideological complicity with Orientalist and imperialist ventures.


Author(s):  
Ina Kerner

This paper deals with the way in which European modernity, and the West more generally, are reflected upon in the field of post- and decolonial theories, which generally question those representations of the European/Western tradition of thought and politics that only focus on their positive aspects, but differ greatly with regard to the way in which they frame and formulate their critique of this tradition. I discuss three major positions in this field. They are characterized by the rejection of Western modernity (Walter Mignolo), by a deconstruction of core text and principles of the European Enlightenment (Gayatri Spivak), and by attempts at a renewal and hence a radicalization of some of its core normative claims, particularly humanism (Achille Mbembe).


2021 ◽  
Vol 2 (2) ◽  
pp. 43-68
Author(s):  
Alice Mogire ◽  
◽  
Justus Makokha ◽  
Oscar Macharia

The critical discussion in this article is on postcolonial identities and it centres on Dinaw Mengestu's novels Children of the Revolution and All Our Names. It is contended that the term postcolonial identities is taken to mean the awareness of the subaltern as they try to negotiate who they are within the chronotopic hybridized African space in the postcolonial context. In the epigraph above, Gayatri Spivak describes the culturally oppressed, the subaltern, as having neither antiquity nor ability for speech due to the milieu of colonial production in which they operate. Important for the study, history and speech happen in time-space. Therefore, the identities of the subaltern, which Spivak associates to history and speech, come into being in the novel through fusion of time-space indicators. Cued by Spivak’s unique assertion, how Mengestu’s Children of the Revolution and All Our Names address themselves to postcolonial identities through fusion of time-space indicators is the central concern of this paper.


1990 ◽  
Vol 5 (1) ◽  
pp. 80-92 ◽  
Author(s):  
Judy Burns ◽  
Jill Mac Dougall ◽  
Catherine Benamou ◽  
Avanthi Meduri ◽  
Peggy Phejan ◽  
...  
Keyword(s):  

1985 ◽  
Vol 39 (2) ◽  
pp. 7-15
Author(s):  
George Paul Csicsery
Keyword(s):  

1983 ◽  
Vol 37 (2) ◽  
pp. 50-54
Author(s):  
Todd Gitlin
Keyword(s):  

PMLA ◽  
2014 ◽  
Vol 129 (3) ◽  
pp. 507-511
Author(s):  
Forest Pyle

In the preface Joan Aesthetic education in the era of globalization, her Remarkable collection of field-defining essays written over a quarter century, Gayatri Spivak recounts how she retrospectively “discovered” an informing motif: the “distracted theory of the double bind.” She briefly notes that “distracted theory” is a “poor but accurate translation” of théorie distraite, the term Derrida used in the preface to Psyche: Inventions of the Other to characterize the relation between that collection of occasional essays and his ongoing theoretical project (ix).


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